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Drama, Theatre, and Identity in the American New Republic, Richards


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Автор: Richards
Название:  Drama, Theatre, and Identity in the American New Republic
ISBN: 9780521847469
Издательство: Cambridge Academ
Классификация:


ISBN-10: 052184746X
Обложка/Формат: Hardback
Страницы: 406
Вес: 0.80 кг.
Дата издания: 27.10.2005
Серия: Cambridge Studies in American Theatre and Drama, 22
Язык: English
Иллюстрации: Black & white illustrations
Размер: 229 x 152 x 27
Читательская аудитория: theatre history, American cultural history, American literature
Основная тема: Drama and theatre
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: Drama, Theatre, and Identity in the American New Republic explores how theatre both reflects and shapes the question of identity in post-revolutionary American culture. In this 2005 book Richards investigates the ways in which American theatre and playwrights struggled with representing national, cultural, and ethnic details for American audiences.


Rhetoric in American Anthropology: Gender, Genre, and Science

Автор: Applegarth Risa
Название: Rhetoric in American Anthropology: Gender, Genre, and Science
ISBN: 0822962950 ISBN-13(EAN): 9780822962953
Издательство: Mare Nostrum (Eurospan)
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Цена: 5405.00 р.
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Описание: In the early twentieth century, the field of anthropology transformed itself from the “welcoming science,” uniquely open to women, people of colour, and amateurs, into a professional science of culture. The new field grew in rigour and prestige but excluded practitioners and methods that no longer fit a narrow standard of scientific legitimacy. In Rhetoric in American Anthropology, Risa Applegarth traces the “rhetorical archeology” of this transformation in the writings of early women anthropologists. Applegarth examines the crucial role of ethnographic genres in determining scientific status and recovers the work of marginalised anthropologists who developed alternative forms of scientific writing.Applegarth analyses scores of ethnographic monographs to demonstrate how early anthropologists intensified the constraints of genre to define their community and limit the aims and methods of their science. But in the 1920s and 1930s, professional researchers sidelined by the academy persisted in challenging the field’s boundaries, developing unique rhetorical practises and experimenting with alternative genres that in turn greatly expanded the epistemology of the field. Applegarth demonstrates how these writers’ folklore collections, ethnographic novels and autobiographies of fieldwork experiences reopened debates over how scientific knowledge was made: through what human relationships, by what bodies, and for what ends. Linking early anthropologists’ ethnographic strategies to contemporary theories of rhetoric and composition, Rhetoric in American Anthropology provides a fascinating account of the emergence of a new discipline and reveals powerful intersections among gender, genre and science.


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