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Chicana/O Remix: Art and Errata Since the Sixties, Davalos Karen Mary


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Автор: Davalos Karen Mary
Название:  Chicana/O Remix: Art and Errata Since the Sixties
ISBN: 9781479821129
Издательство: Mare Nostrum (Eurospan)
Классификация:



ISBN-10: 1479821128
Обложка/Формат: Paperback
Страницы: 336
Вес: 0.54 кг.
Дата издания: 25.07.2017
Язык: English
Иллюстрации: 40 illustrations, color
Размер: 226 x 152 x 15
Ключевые слова: Literature: history & criticism, LITERARY CRITICISM / American / General,LITERARY CRITICISM / Caribbean & Latin American
Подзаголовок: Art and errata since the sixties
Рейтинг:
Поставляется из: Англии
Описание: Rewrites our understanding of the last 50 years of Chicana/o cultural production.

Chicana/o Remix casts new light not only on artists--such as Sandra de la Loza, Judy Baca, and David Botello, among others--but on the exhibitions that feature their work, and the collectors, curators, critics, and advocates who engage it.

Combining feminist theory, critical ethnic studies, art historical analysis, and extensive archival and field research, Karen Mary Davalos argues that narrow notions of identity, politics, and aesthetics limit our ability to understand the full capacities of Chicana/o art. She employs fresh vernacular concepts such as the errata exhibit, or the staging of exhibits that critically question mainstream art museums, and the remix, or the act of bringing new narratives and forgotten histories from the background and into the foreground. These concepts, which emerge out of art practice itself, drive her analysis and reinforce the rejection of familiar narratives that evaluate Chicana/o art in simplistic, traditional terms, such as political versus commercial, or realist versus conceptual.

Throughout Chicana/o Remix, Davalos explores undocumented or previously ignored information about artists, their cultural production, and the exhibitions and collections that feature their work. Each chapter exposes and challenges conventions in art history and Chicana/o studies, documenting how Chicana artists were the first to critically challenge exhibitions of Chicana/o art, tracing the origins of the first Chicano arts organizations, and highlighting the influence of Europe and Asia on Chicana/o artists who traveled abroad. As a leading scholar in the study of Chicana/o artists, art spaces, and exhibition practices, Davalos presents her most ambitious project to date in this re-examination of fifty years of Chicana/o art production.



Chicana/O Remix: Art and Errata Since the Sixties

Автор: Davalos Karen Mary
Название: Chicana/O Remix: Art and Errata Since the Sixties
ISBN: 1479877964 ISBN-13(EAN): 9781479877966
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 11161.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Rewrites our understanding of the last 50 years of Chicana/o cultural production.

Chicana/o Remix casts new light not only on artists--such as Sandra de la Loza, Judy Baca, and David Botello, among others--but on the exhibitions that feature their work, and the collectors, curators, critics, and advocates who engage it.

Combining feminist theory, critical ethnic studies, art historical analysis, and extensive archival and field research, Karen Mary Davalos argues that narrow notions of identity, politics, and aesthetics limit our ability to understand the full capacities of Chicana/o art. She employs fresh vernacular concepts such as the "errata exhibit," or the staging of exhibits that critically question mainstream art museums, and the "remix," or the act of bringing new narratives and forgotten histories from the background and into the foreground. These concepts, which emerge out of art practice itself, drive her analysis and reinforce the rejection of familiar narratives that evaluate Chicana/o art in simplistic, traditional terms, such as political versus commercial, or realist versus conceptual.

Throughout Chicana/o Remix, Davalos explores undocumented or previously ignored information about artists, their cultural production, and the exhibitions and collections that feature their work. Each chapter exposes and challenges conventions in art history and Chicana/o studies, documenting how Chicana artists were the first to critically challenge exhibitions of Chicana/o art, tracing the origins of the first Chicano arts organizations, and highlighting the influence of Europe and Asia on Chicana/o artists who traveled abroad. As a leading scholar in the study of Chicana/o artists, art spaces, and exhibition practices, Davalos presents her most ambitious project to date in this re-examination of fifty years of Chicana/o art production.


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