This volume contains two of Beethoven's most loved and widely performed piano concertos, printed in the traditional format for two pianos: Piano I is the solo part; Piano II, a piano reduction of the orchestral score. Concerto No. 4 in G Major, Op. 58, composed in 1805-06, is one of the great masterpieces of the form, perfectly designed, profoundly poetic. From its striking opening for the solo instrument -- a true innovation for the concerto concept -- through the slow movement's literal conversation between solo and orchestra, the work broke new ground as it reshaped the form. The powerful Concerto No. 5 in E-flat Major, Op. 73, called the Emperor for its grandeur, was Beethoven's last piano concerto. Composed in 1809, when the composer was 39, it is counted among the most popular concertos in the repertoire. Grove considers it one of the strongest works conceived by Beethoven, and by far the most symphonic, from the thunderous cadential celebration of the very first bars to the brilliant rondo-finale. Both works are presented here in authoritative two-piano playing editions edited by Franz Kullak, one of the nineteenth century's leading piano editors and teachers of pianists. His classic format for two keyboards is the universal standard, for students and professionals alike, for learning and rehearsing all piano concertos. It gives the pianist the most accessible form and practical means to prepare a work for performance. To this practicality, Dover adds the convenience and economy of joining two major concertos within a single volume.
Two of the great nineteenth-century Romantics, Robert Schumann and Edvard Grieg, each composed only one piano concerto. These world-famous works are cornerstones of the concerto literature and considered among the most popular and accessible piano concertos in the repertory. Both works are paired in this finely made, inexpensive two-piano edition. This side-by-side presentation clarifies the close relationship between the two works. In his concerto, completed in 1868, Grieg gave Schumann the ultimate tribute, patterning his music on the Schumann concerto completed two decades earlier. Both are in A Minor. Both introduce the soloist immediately, in a dazzling outburst from top to bottom of the keyboard. Principal themes are unusually alike, as are episodes of tender simplicity and dramatic intensity. Both works are presented here in authoritative two piano playing editions. This classic format for two keyboards is the universal standard for students and professionals alike, for learning and rehearsing all piano concertos. It gives the pianist the most accessible form and practical means to prepare a work for performance. Dover adds to this practicality the convenience and economy of two major concertos within a single volume.
This authoritative edition continues Dover's series of great piano concertos with orchestral reduction for second piano -- the universal standard, for students and professionals alike, for learning and rehearsing all concertos. Together for the first time are two of the most performed and recorded concertos of all time: the Tchaikovsky Piano Concerto No. 1 in G-flat Minor, Op. 23, and the Rachmaninoff Piano Concerto No. 2 in C Minor, Op. 18. Both of these great Russian works have achieved unrivaled worldwide popularity and are absolute musts in the repertoire of every serious pianist. The Tchaikovsky concerto combines a virtuoso piano part with brilliant orchestral scoring. The Rachmaninoff concerto is universally admired for the dark, brooding opening, enormously popular themes, and passionate, lyrical final movement. Every pianist and serious piano student will want this attractive and modestly priced edition.
Описание: Brahms wrote only two concerti in his lifetime, each one an important staple of the concert repertoire. Noted for their grand classical concepts and thrilling technical challenges, these masterpieces — Piano Concertos Nos. 1 and 2 — are featured here in full score in one convenient, affordable volume. From their mysterious and passionate introductions to their mighty conclusions, pianists, conductors, music students, and scholars will find the works in this handsome, full-sized edition ideal for study and performance purposes.
Reprint of the Breitkopf & Hartel, Leipzig, ca. 1926–27 edition.
Автор: Mozart, Wolfgang Amadeus Название: Piano Concertos Nos. 11-16 in Full Score ISBN: 0486254682 ISBN-13(EAN): 9780486254685 Издательство: Dover Цена: 2252 р. Наличие на складе: Поставка под заказ.
"The series of piano concertos that Mozart composed in Vienna are probably his greatest achievement in instrumental music." -- New Grove's Dictionary of Music and Musicians The characteristic invention, clarity, grace, and proportion that distinguish Mozart's music are fully evident in the six remarkable piano concertos that make up this volume. Staples of the concerto repertoire, the works include: Piano Concerto No. 11 in F Major, K.413; Piano Concerto No. 12 in A Major, K.414; Piano Concerto No. 13 in C Major, K.415; Piano Concerto No. 14 in E-flat Major, K.449; Piano Concerto No. 15 in B-flat Major, K.450; and Piano Concerto No. 16 in D Major, K.451. Also included are the cadenzas Mozart wrote for Nos. 12 to 16. Noteheads are large enough to read easily, while margins and spaces between staves permit written notes, harmonic analysis, fingering, and running measure numbers. Pianists and music lovers will welcome this attractive, durable edition, reprinted complete and unabridged from the standard authoritative Breitkopf & H rtel edition.
Автор: Mozart, Wolfgang Amadeus Название: Piano Concertos Nos. 23-27 in Full Score ISBN: 0486236005 ISBN-13(EAN): 9780486236001 Издательство: Dover Цена: 2816 р. Наличие на складе: Поставка под заказ.
This volume contains Mozart's last five piano concertos: No. 23 in A Major, K488; No. 24 in C Minor, K491; No. 25 in C Major, K503; No. 26 in D Major, K537; and No. 27 in B-flat Major, K595. As a bonus in the piano-plus-orchestra genre, the brief Concert Rondo in D Major, K382, has been added along with Mozart's own cadenzas for Nos. 23 and 27. The music is photographically reprinted from the Breitkopf & H rtel text, still considered the standard, authoritative edition for the Mozart concertos. Noteheads in this edition are large enough to be read easily, and margins and spaces between staves permit written notes, harmonic analysis, fingerings, and running measure numbers. Since Mozart's piano concertos are frequently performed in concert and there are several recordings currently available for each of these pieces, this edition is extremely useful for study, reference, and enjoyment.
Автор: Mozart Wolfgang Amadeus Название: Piano Concertos Nos. 1-6 in Full Score ISBN: 0486441911 ISBN-13(EAN): 9780486441917 Издательство: Dover Цена: 2139 р. Наличие на складе: Поставка под заказ.
Описание: Outstanding in their variety and creativity, Mozart's piano concertos reflect his supremacy as a composer. He wrote the first of these precocious works in 1767, when he was 11 years old. Piano concertos continued to be a lifelong preoccupation for the composer, and these formative pieces foreshadow the even greater works to come. All possess his characteristic keyboard mastery, experimentation with texture, and a natural sensitivity to form and balance. This edition completes Dover's five-volume series of all 27 of Mozart's concertos. It includes: Concerto No. l in F major, K.37; Concerto No. 4 in G major, K.41; Concerto No. 2 in B-flat major, K.39; Concerto No. 5 in D major, K.175; Concerto No. 3 in D major, K.40; and Concerto No. 6 in B-flat Major, K.238. The four earliest works, which display evidence of Leopold Mozart's guiding hand, are based on themes by other composers. Nevertheless, they are transformed by the addition of interludes and episodes for orchestra. Concertos Nos. 5 and 6 are wholly original, and taken as a whole, this compilation offers a revealing look at the development of a budding genius. Pianists and all lovers of fine music will appreciate these seminal works, reproduced complete and unabridged from the authoritative Breitkopf & H rtel Complete Works edition.
Just as Serge Rachmaninoff's piano virtuosity ranked him among the greatest pianists of the twentieth century, his compositions for piano and orchestra won him an important position among modern composers. Among the works that ensure his reputation are the first three piano concertos, reprinted here from the authoritative full-score Russian editions. Rachmaninoff wrote the stirring Piano Concerto No. 1 in the years 1890-91, while he was still a young student at the Moscow Conservatory, and revised it nearly three decades later in 1917, when he began to devote his life mainly to his international career as a piano virtuoso. The immense and enduring success of the Piano Concerto No. 2, completed in 1901, has made this romantic work one of the most performed and recorded in the concerto literature and one of the most familiar compositions in all of music. The powerful and expressive Piano Concerto No. 3 was composed for a concert tour of America, during which Rachmaninoff appeared with great success as composer, pianist, and conductor. Like the first two concertos, it remains a repertoire favorite in concert halls around the world. All three acclaimed works are reprinted in this finely made yet remarkably inexpensive Dover edition. Musicians and music lovers will find it a convenient single-volume source from which to study intimately three major works of the twentieth century.
Автор: Mozart, Wolfgang Amadeus Название: Piano Concertos Nos. 17-22 in Full Score ISBN: 0486235998 ISBN-13(EAN): 9780486235998 Издательство: Dover Цена: 3380 р. Наличие на складе: Поставка под заказ.
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