Schmalfeldt Janet In the Process of Becoming: Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music 9780190258184

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Автор: Schmalfeldt Janet
Название: In the Process of Becoming: Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music
ISBN: 9780190258184
Издательство: Oxford Academ
Классификация:

Теория музыки и музыковедение

Классическая музыка (с 1750 до 1830)

Романтическая музыка (с 1830 до 1900)

ISBN-10: 0190258187
Обложка/Формат: Paperback
Страницы: 352
Вес: 0.50 кг.
Дата издания: 03.03.2017
Серия: Oxford studies in music theory
Язык: English
Размер: 156 x 234 x 27
Читательская аудитория: General (us: trade)
Подзаголовок: Analytic and philosophical perspectives on form in early nineteenth-century music
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: With their insistence that form is a dialectical process in the music of Beethoven, Theodor Adorno and Carl Dahlhaus emerge as the guardians of a long-standing critical tradition in which Hegelian concepts have been brought to bear on the question of musical form. Janet Schmalfeldts account
of this Beethoven-Hegelian tradition restores to the term form some of its philosophical associations in the early nineteenth century, when profound cultural changes were yielding new relationships between composers and listeners, and when music itself became a topic for renewed philosophical
investigation. A recurring metaphor in early nineteenth-century philosophical writings is the notion of becoming. In the Process of Becoming explores the idea of form coming into being in respect to music by Beethoven, Schubert, Mendelssohn, Chopin, and Schumann.

A critical assessment of Dahlhauss preoccupation with the opening of Beethovens Tempest Sonata serves as the authors starting point for the translation of philosophical ideas into music-analytical terms. Due to the ever-growing familiarity of late eighteenth-century audiences with formal
conventions, composers could increasingly trust that performers and listeners would be responsive to striking formal transformations. Schmalfeldts unique analytic method captures the dynamic, quasi-narrative nature of such transformations. This experiential approach invites listeners and
performers to participate in the interpretation of processes by which, for example, brooding introduction-like openings become main themes and huge formal expansions offer a dazzling opportunity for multiple retrospective reinterpretations. Above all, In the Process of Becoming proposes new ways of
hearing beloved works of the romantic generation as representative of a quest for novel, intensely self-reflective modes of communication.

In the Process of Becoming: Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music, Schmalfeldt Janet