Автор: Van De Wetering Ernst Название: Rembrandt: The Painter Thinking ISBN: 0520290259 ISBN-13(EAN): 9780520290259 Издательство: Wiley Рейтинг: Цена: 6890.00 р. Наличие на складе: Нет в наличии.
Описание: Even during the artist's lifetime, contemporary art lovers considered Rembrandt van Rijn to be an exceptional artist. In this revelatory sequel to the acclaimed Rembrandt: The Painter at Work, renowned Rembrandt authority Ernst van de Wetering investigates precisely why the artist, from a very early age, was praised by prominent connoisseurs. He argues that Rembrandt, from his very first endeavors in painting, embarked on a journey past all the foundations of the art of painting that, according to (up until now misinterpreted) contemporary written sources, were considered essential in the seventeenth century. Rembrandt never stopped searching for solutions to the pictorial problems that confronted him; this led over time to radical changes in course that can't simply be attributed to stylistic evolution or natural development. In a quest as rigorous and novel as the artist's, van de Wetering reveals how Rembrandt became the best painter the world had ever seen. Gorgeously illustrated throughout, this groundbreaking exploration reconstructs Rembrandt's closely guarded theories and methods, shedding new light both on the artist's exceptional accomplishments and on the practice of painting in the Dutch Golden Age.
Published in association with Amsterdam University Press
Автор: Van de Wetering Ernst Название: Rembrandt: The Painter at Work ISBN: 0520258843 ISBN-13(EAN): 9780520258846 Издательство: Wiley Цена: 6890.00 р. Наличие на складе: Есть (1 шт.) Описание: Rembrandt's intriguing painting technique stirred the imaginations of art lovers during his lifetime and has done so ever since. In this book, now revised, updated, and with a new foreword by the author, Rembrandt's pictorial intentions and the variety of materials and techniques he applied to create his fascinating effects are unraveled in depth. At the same time, this "archaeology" of Rembrandt's paintings yields information on many other levels and offers a view of Rembrandt's daily practice and artistic considerations while simultaneously providing a more dimensional image of the artist. "Copub: Amsterdam University Press "
Автор: Ernst van de Wetering (Ed.) Название: A Corpus of Rembrandt Paintings Vol. 5 ISBN: 1402046073 ISBN-13(EAN): 9781402046070 Издательство: Springer Рейтинг: Цена: 167566.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In October 2010 the fifth volume will appear of A CORPUS OF REMBRANDT PAINTINGS, which will consist of six volumes in total. The CORPUS is dedicated to the painted works of Rembrandt. It aims to isolate Rembrandt’s own works from the great volume of Rembrandt-like paintings, produced by his many pupils and followers, sometimes with the involvement of the master himself. The fourth volume (Springer 2005) was dedicated to Rembrandt’s self portraits. This fifth volume is about the small-scale history and genre paintings. The so-called ‘histories’ (paintings, etchings and drawings with biblical or mythological scenes) were considered to be the most challenging assignments for an artist. All kinds of artistic insights and skills – known in Rembrandt’s time as the basic aspects of the art of painting - played a role in the creation of this kind of work, especially in the history paintings. Systematic research into this hitherto little known area has revealed a rich, and often fresh understanding of Rembrandt’s own way of thinking about these basic aspects, which makes the present volume a unique and innovative contribution to the history of art. A detailed comparison of Rembrandt’s own work with that of his pupils has furthermore provided a detailed access to Rembrandt’s own criteria regarding artistic quality.
Автор: Wetering Название: A Corpus of Rembrandt Paintings IV ISBN: 1402032803 ISBN-13(EAN): 9781402032806 Издательство: Springer Рейтинг: Цена: 167566.00 р. Наличие на складе: Поставка под заказ.
Описание: In Volume IV, the focus lies on Rembrandt's self-portraits. During this research it became obvious that matters of authenticity cannot be viewed separately from
questions relating to the original function and meaning of these works. Rembrandt's intriguing life-long practice of portraying himself in front of a mirror is examined in depth in this
volume.
As a result, not only has the group of approximately forty painted self-portraits gained transparency, but also new insights have been developed regarding
Rembrandt's drawn and etched self-portraits. The problems of authenticity relating to a substantial number of self-portraits which in the past were attributed to Rembrandt, in this volume
receive an unexpected nuance: through a combination of technical and stylistic research it is demonstrated that some of Rembrandt's self-portraits were in fact painted by others in his
workshop. In clear and accessible explanatory texts the different paintings are discussed.
Among the many illustrations are life-size colour reproductions of the faces of the
self-portraits under discussion. Details are shown where possible, as well as the results of modern day technical imaging like X-radiography. The volume contains an - in several
respects eye-opening - essay by the head of the Rembrandt Research Project, Ernst van de Wetering, on the problems of authenticity and function of Rembrandt's
self-portraits.
In addition, the book includes groun
breaking contributions by Marieke den Winkel on the meaning of dress and costume in Rembrandt's self-portraits, by Karin Groen on the use of grounds in Rembrandt's workshop and in
paintings by his contemporaries, and a study by Jaap van der Veen concerning 17th-century ideas about authenticity in art. This reference work should be part of every serious art
historical institute, university or museum. The enigma of Rembrandt's self-portraits, one of the most compelling phenomena in art history has been unravelled by Ernst van de Wetering
with unprecedented thoroughness.
Описание: Claude Monet was not only the creator of what we now view as French Impressionist painting, he was also its last major practitioner. By the time he passed away in 1926, he had outlived all the other painters--Renoir, Morisot, Pissarro, Sisley, and the others whom we now group together under that heading. Yet when Andre Suares, one of the four directors--along with Gide, Valery, and Claudel--of the influential Nouvelle Revue Francaise, summed up the movement that year, he did not give Monet pride of place. Rather, he wrote, "Far more than Sisley, Claude Monet, or the Goncourt brothers, Loti was the great Impressionist."
As this shows, that Pierre Loti, the once world-renowned French novelist, developed a remarkably Impressionist style was recognized early on. It continues to be acknowledged in France today. Franck Ferrand, a contemporary historian known for his appearances on French radio and television, recently wrote that "Pierre Loti is] the only truly impressionist writer of French literature." Yet while those who know his work in France continue to see him as an Impressionist artist on the level of Monet and Renoir, no one has ever asked how he achieved this in literature, how he went about creating novels that resembled the work of Monet.
That is the subject of this book. Examining certain of Loti's important novels, this study shows how he managed to reproduce with words what Monet was doing in oils. It also shows how the author came to theorize about the effects of Impressionism on the reader-viewer. Finally, it demonstrates how and why, in one of his last novels, Loti undertook to reproduce the style of one of the painters most admired by Monet: Rembrandt van Rijn, whom the nineteenth-century French rediscovered in part because they could present his sketchy biography as a demonstration of many of the things liberal art historians and painters believed the ideal artist should be.
Автор: Wheelock, Arthur K, Sutton, Peter C, Manuth, Volker, Woollett, Anne T Название: Rembrandt`s Late Religious Portraits ISBN: 0226894436 ISBN-13(EAN): 9780226894430 Издательство: Wiley Рейтинг: Цена: 6811.00 р. Наличие на складе: Поставка под заказ.
Описание: One of the most fascinating aspects of Rembrandt's extraordinary artistic career is his suite of brooding half-length portraits of religious figures from the late 1650s and early 1660s. Painted during a difficult time in the artist's life--when he no longer enjoyed a ready market for his works and may have turned to his deep religious convictions for solace--these images are among the most evocative Rembrandt created. For years scholars have debated whether these paintings were intended as a series, yet until now these works have, unbelievably, never been shown together. An exhibition by the National Gallery of Art and this accompanying catalog assemble seventeen of the paintings for the first time, finally giving the powerful images their due. Many of these subtle and wondrous paintings have been identified as images of apostles and evangelists, but among them are also representations of Christ, the Virgin, and still-unidentified saints and monks. In Rembrandt's typical fashion, the men and women in these portraits peer out of the dark recesses of dimly lit interiors as though burdened by the weight of their spiritual and emotional concerns. Yet recent archival research has raised questions about their attribution, the relationships among the paintings, and, in a broader sense, Rembrandt's life and career--issues addressed by the contributors to this volume. With its lavish color images and state-of-the-field research, Rembrandt's Late Religious Portraits will make a profound contribution to the understanding of this unique and provocative body of work.
Автор: Gabriele Doblhammer; Rembrandt Scholz Название: Ageing, Care Need and Quality of Life ISBN: 3531166263 ISBN-13(EAN): 9783531166261 Издательство: Springer Рейтинг: Цена: 6986.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Seventeenth-Century European Drawings in Midwestern Collections: The Age of Bernini, Rembrandt, and Poussin brings together nearly two hundred treasures of the Baroque age from museum collections throughout the Midwest. The volume presents a fascinating and representative selection of Italian, Dutch, Flemish, and French drawings in Midwestern repositories, offering new insights on many of these works of art. Many are relatively unknown, and some have never before been published.
Authored by major scholars in the field, the catalogue presents each drawing along with a concise description with full scholarly apparatus. Four essays, written by Babette Bohn, George S. Keyes, Kristi A. Nelson, and Alvin L. Clark, Jr., respectively, introduce the Italian, Dutch, Flemish, and French schools. The catalogue's introductory essay, by Shelley Perlove, places these works within the historical, iconographic, and stylistic currents of seventeenth-century art. The catalogue is designed to have widespread appeal for art historians, curators, artists, collectors, students, and general readers interested in art and cultural history. Moreover, Seventeenth-Century European Drawings in Midwestern Collections highlights the surprising number of institutions throughout the Midwest that have acquired distinguished European drawings from the seventeenth century worthy of full recognition by collectors and connoisseurs.
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