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Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking, Cox Arnie


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Автор: Cox Arnie
Название:  Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking
ISBN: 9780253032317
Издательство: Mare Nostrum (Eurospan)
Классификация:
ISBN-10: 0253032318
Обложка/Формат: Paperback
Страницы: 304
Вес: 0.47 кг.
Дата издания: 01.08.2017
Язык: English
Иллюстрации: 14 b&w illus., 10 music exx., 7 tables - 7 tables, black and white - 14 illustrations, black and white - 10 printed music items
Размер: 155 x 234 x 27
Ключевые слова: Theory of music & musicology, MUSIC / Instruction & Study / Appreciation,MUSIC / Instruction & Study / Theory
Подзаголовок: Listening, moving, feeling, and thinking
Рейтинг:
Поставляется из: Англии
Описание: Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the mimetic hypothesis, the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exertions that are involved in producing music. Through an often unconscious imitation of action and sound, we feel the music as it moves and grows. With applications to tonal and post-tonal Western classical music, to Western vernacular music, and to non-Western music, Cox’s work stands to expand the range of phenomena that can be explained by the role of sensory, motor, and affective aspects of human experience and cognition.
Дополнительное описание: Acknowledgments
Part One: Theoretical Background
Introduction
1. Mimetic Comprehension
2. Mimetic Comprehension of Music
3. Metaphor and Related Means of Reasoning
Part Two: Spatial Conceptions
4. Pitch Height
5. Te





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