Spenser`s ovidian poetics 9781611491357

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Автор: Stapleton, M. L.
Название: Spenser`s ovidian poetics
ISBN: 9781611491357
Издательство: Rowman & Littlefield Publishers
Классификация:

Поэзия

Литературоведение: поэзия и поэты

Литературоведение: художественная литература, романисты и прозаики

Справочные материалы по литературе

ISBN-10: 1611491355
Обложка/Формат: Hardcover
Страницы: 271
Вес: 0.57 кг.
Дата издания: 01.11.2009
Язык: English
Иллюстрации: Black & white illustrations
Размер: 161 x 236 x 27
Читательская аудитория: General (us: trade)
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Поставляется из: Англии
Описание: No history of the longstanding critical tradition of exploring the Spenser-Ovid relationship has been written. In this book Professor Stapleton constructs such a critical history: the annotations of E. K. in The Shepheardes Calender (1579), the Enlightenment editions of The Faerie Queene, the philological mode of the Spenser Variorum (1932-57), and the recent, innovative work of Harry Berger and Colin Burrow. Aside from occasional articles, no truly comprehensive analysis of their kinship as love poets exists, either. The author explores Spensers emulation of Ovids amatory poetics. His humanist education trained him to find or construct analogues and etiological patterns in classical texts. Therefore, his early study of translation, intensive reading, and versifying as an interrelated process guaranteed a densely allusive, metamorphic Ovidian poetics as a natural result. The authors predecessors focus almost exclusively on the Metamorphoses as intertext, but do not often distinguish between early modern Latin editions of the poem and translations such as Arthur Goldings. Although Spenser read Ovid in his native language, during the quarter-century of his writing career, his countrymen such as Shakespeare, Donne, and Lodge imitate and recast the ancient author. During this English aetas Ovidiana, a translation industry arises simultaneously so that the entire corpus is rendered into English, from Goldings Metamorphoses (1567) to Wye Saltonstalls Ex Ponto (1638). Since the sixteenth century did not often read or hear a Roman poet in prose renditions, the author uses Renaissance poetical verse translations (with the Latin text) to explore Spensers variegated use of Ovid: how he sounded as early modern English poetry. The introduction traces a history of the Spenser-Ovid site then accounts for the importance of imitatio and moralization to Spensers developing poetics. The first four chapters analyze the influence of the Tristia, Heroides, and Metamorphoses on the 1590 Faerie Queene and The Shepheardes Calender. The concluding chapters demonstrate the presence of the Ars amatoria and Amores in Amoretti and Epithalamion and Fowre Hymnes. Spensers Ovidian Poetics is intended to complement works such as Leonard Barkans The Gods Made Flesh, Jonathan Bates Shakespeare and Ovid, Raphael Lynes Ovids Changing Worlds: English Metamorphoses 1567-1632, and important essays by Colin Burrow. In the words of Paul Alpers, Professor Stapleton does not wish to oppose the historical aesthetic but to understand Spensers claim to relative autonomy in his emulation and reconfiguration of his predecessors.

Spenser`s ovidian poetics, Stapleton, M. L.