Major realist film theorists, 

Автор: Campora Matthew
Название: Subjective Realist Cinema
ISBN: 178238278X ISBN-13(EAN): 9781782382782
Издательство: Berghahn
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Описание:

Subjective Realist Cinema looks at the fragmented narratives and multiple realities of a wide range of films that depict subjective experience and employ “subjective realist” narration, including recent examples such as Mulholland Drive, Memento, and Eternal Sunshine of the Spotless Mind. The author proposes that an understanding of the narrative structures of these films, particularly their use of mixed and multiple realities, enhances viewers’ enjoyment and comprehension of such films, and that such comprehension offers a key to understanding contemporary filmmaking.

Автор: Chaudhuri, Shohini
Название: Feminist film theorists
ISBN: 0415324335 ISBN-13(EAN): 9780415324335
Издательство: Taylor&Francis
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Описание: Focusing on the ground-breaking work of Laura Mulvey, Kaja Silverman, Teresa de Lauretis and Barbara Creed, this book explores how, since it began in the 1970s, feminist film theory has revolutionized the way that films and their spectators can be understood.

Название: Magic Realist Cinema in East C
ISBN: 0748685944 ISBN-13(EAN): 9780748685943
Издательство: Bloomsbury Academic
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Описание: A survey that explores the interlocking complexities of two concepts: magic realism and East Central Europe. It examines post-socialist cinema as representative of the hybridised space and consciousness of East Central Europe. It considers the cinema of East Central Europe in the context of transnationalism, globalism and realism.

Автор: Garc?a-Mainar
Название: The Introspective Realist Crime Film
ISBN: 1137496525 ISBN-13(EAN): 9781137496522
Издательство: Springer
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Описание: This book explores the formal and thematic conventions of crime film, the contexts in which these have flourished and their links with the social issues of a globalized world. The crime film has traditionally been identified with suspense, a heterogeneous aesthetic and a tacit social mind. However, a good number of the crime films produced since the early 2000s have shifted their focus from action or suspense and towards melodrama in narratives that highlight the social dimension of crime, intensify their realist aesthetics and dwell on subjectivity. With the 1940s wave of Hollywood semi-documentary crime films and 1970s generic revisionism as antecedents, these crime films find inspiration in Hollywood cinema and constitute a transnational trend. With a close look at Steven Soderbergh’s Traffic (2000), David Fincher’s Zodiac (2007), Jacques Audiard’s Un proph?te (2009) and Tomas Alfredson’s Tinker Tailor Soldier Spy (2011), this book sets out the stylistic and thematic conventions, contexts and cultural significance of a new transnational trend in crime film.