Computational physics, vol i, Anagnostopoulos, Konstantinos
Автор: Stathis, Gregorios Terzopoulos, Konstantinos Название: Introduction to kalophony, the byzantine ars nova ISBN: 3034309120 ISBN-13(EAN): 9783034309127 Издательство: Peter Lang Рейтинг: Цена: 13236.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The anagrams, or more generally, the math?mata and morphologically related kalophonic forms of Byzantine melopoe?a, constitute the artistic creations by which Psaltic Art is known in all its splendour and becomes an object of admiration. Kalophony as ars nova was born following the recovery of the city of Constantinople after the Latin occupation of Byzantium (AD 1204–1261) during the long reign of Andronicus II (1282–1328) and reached its final form in the first half of the fourteenth century. During the years 1300–1350, four key composers and teachers of the Psaltic Art imposed a new attitude of melic composition on the preexisting forms and designated new compositional techniques dominated by the beautifying kallopistic element. They created new compositions in the new spirit of kall?pismos and musical verbosity. This new musical creation was christened with the term kalophony and this period is the golden age of Byzantine Chant. Originally published under the title Hoi anagrammatismoi kai ta mathemata tes byzantines melopoi?as (1979 plus seven reprints), this publication thoroughly investigates and reveals for the first time the entire magnitude of Byzantine kalophony with its individual forms, serving as a systematic introduction to the Greek Byzantine music culture and that of the Byzantine Psaltic Art at the height of its expression.
Автор: Thomaidis Konstantinos Название: Voice Studies ISBN: 1138809357 ISBN-13(EAN): 9781138809352 Издательство: Taylor&Francis Рейтинг: Цена: 7654.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Voice Studies brings together leading international scholars and practitioners, to re-examine what voice is, what voice does, and what we mean by "voice studies" in the process and experience of performance. This dynamic and interdisciplinary publication draws on a broad range of approaches, from composing and voice teaching through to psychoanalysis and philosophy, including:
voice training from the Alexander Technique to practice-as-research;
operatic and extended voices in early baroque and contemporary underwater singing;
voices across cultures, from site-specific choral performance in Kentish mines and Australian sound art, to the laments of Kraho Indians, Korean pansori and Javanese wayang;
voice, embodiment and gender in Robertson's 1798 production of Phantasmagoria, Cathy Berberian radio show, and Romeo Castellucci's theatre;
perceiving voice as a composer, listener, or as eavesdropper;
voice, technology and mobile apps.
With contributions spanning six continents, the volume considers the processes of teaching or writing for voice, the performance of voice in theatre, live art, music, and on recordings, and the experience of voice in acoustic perception and research. It concludes with a multifaceted series of short provocations that simply revisit the core question of the whole volume: what is voice studies?
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