The millennials, who constitute the largest generation in America's history, may resist a simple definition; nevertheless, they do share a number of common traits and also an ever increasing presence on film and television. This collection of new essays first situates the millennials within their historical context and then proceeds to an examination of specific characteristics--as addressed in the television and film narratives created about them, including their relationship to work, technology, family, religion, romance and history. Drawing on a multiplicity of theoretical frameworks, the essays show how these cultural products work at a number of levels, and through a variety of means, to shape our understanding of the millennials.
Автор: Banerjee, Sikata Название: Gender, nation and popular film in india ISBN: 1138653993 ISBN-13(EAN): 9781138653993 Издательство: Taylor&Francis Рейтинг: Цена: 22968.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Interpretations of manhood have unfolded in India within a middle class cultural milieu shaped by an assertive self-confidence fuelled by liberalisation, a process by which India has been integrated into the global political economy and the prominence of Hindutva or Hindu nationalist politics.
This book unpacks a particular gendered vision of nation in the modern Indian context by drawing on popular films. This muscular nationalism is an intersection of a specific vision of masculinity with the political doctrine of nationalism. The idea of nation is animated by an idea of manhood associated with martial prowess, muscular strength and toughness, but coupled with the image and construct of virtuous woman - a gendered binary of martial man and chaste woman. The author skilfully and convincingly draws together issues of political economy, including globalization and neoliberalism with majoritarian politics and popular culture, thus showing how disparate strands intersect and build on each other.
Using interpretive methodologies and popular media, the book presents new interpretations of Bollywood films through the lenses of gender, masculinity and nationalism. It will be of interest to scholars of South Asian politics and culture, in particular Indian nationalism, popular culture, media and gender studies.
Автор: Banerjee Название: Gender, Nation and Popular Film in India ISBN: 0367025582 ISBN-13(EAN): 9780367025588 Издательство: Taylor&Francis Рейтинг: Цена: 7042.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: By drawing on popular films, this book unpacks a particular gendered vision of nation in the modern Indian context.
Автор: Gerritsen, R. (roos) Название: Intimate visualities and the politics of fandom in india ISBN: 9462985235 ISBN-13(EAN): 9789462985230 Издательство: NBN International Рейтинг: Цена: 24922.00 р. Наличие на складе: Нет в наличии.
Описание: This book is an ethnographic analysis of the familial life worlds of fans of a movie star named Rajinikanth as well as his appropriation into networks of patronage, praise and social mobility via images.
Автор: Bacher, Hans.P Название: Sketchbook: Composition Studies for Film ISBN: 1780675968 ISBN-13(EAN): 9781780675961 Издательство: Laurence King Рейтинг: Цена: 2427.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Featuring hundreds of carefully hand-crafted illustrations by the internationally renowned production designer Hans Bacher, Sketchbook - Composition Studies for Film is a unique journey through the mind and creative process of one of the artistic legends in animation film design. Having shaped such films as The Lion King, Mulan and Beauty and the Beast to name a few, Hans's work is a part of the very cultural fabric of our age. Here the artist puts on display the rarely discussed first part of image making for film, the conceptual thumbnail.
Exquisitely beautiful in themselves, these small illustrations represent the birth of what eventually becomes the iconic images we experience on the silver screen. Essential to anyone interested in understanding the skeletal structure that exists underneath stunning imagery in all forms of media, this book is especially relevant today with the dramatic increase of interest in film and game design. Although students today have ready access to and an understanding of technical aspects of the craft using associated software, the area most lacking in accessible information is this quintessential first part of thumb-nailing an image.
This unique book will provide the student and professional with the fundamentals of conceptualizing images, and how these can be used in composition in the related fields of illustration, graphic novels, 2D animation, 3D animation, photography and cinematography.
Автор: Thomas, Pradip Ninan (associate Professor, Associate Professor, School Of Communication And Arts, University Of Queensland) Название: Politics of digital india ISBN: 0199494622 ISBN-13(EAN): 9780199494620 Издательство: Oxford Academ Рейтинг: Цена: 5226.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Digital India is shaped by political and economic considerations. This book places Digital India in its local and global contexts and attempts to account for its dynamism, its contestations, its key actors including the State, civil society and foreign governments such as the USA - in other words, the multifaceted shapings of Digital India
Автор: Sanchez Prado Ignacio M. Название: Screening Neoliberalism: Transforming Mexican Cinema, 1988-2012 ISBN: 0826519660 ISBN-13(EAN): 9780826519665 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5821.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Cavernous, often cold, always dark, with the lingering smell of popcorn in the air: the experience of movie-going is universal. The cinematic experience in Mexico is no less profound, and has evolved in complex ways in recent years. Films like Y Tu Mama Tambien, El Mariachi, Amores Perros, and the work of icons like Guillermo del Toro and Salma Hayek represent much more than resurgent interest in the cinema of Mexico. In Screening Neoliberalism, Ignacio Sanchez Prado explores precisely what happened to Mexico's film industry in recent decades. Far from just a history of the period, Screening Neoliberalism explores four deep transformations in the Mexican film industry: the decline of nationalism, the new focus on middle-class audiences, the redefinition of political cinema, and the impact of globalization. This analysis considers the directors and films that have found international notoriety as well as those that have been instrumental in building a domestic market. Screening Neoliberalism exposes the consequences of a film industry forced to find new audiences in Mexico's middle-class in order to achieve economic and cultural viability.
Cinema and Inter-American Relations studies the key role that commercial narrative films have played in the articulation of the political and cultural relationship between the United States and Latin America since the onset of the Good Neighbor policy (1933). P rez Melgosa analyzes the evolution of inter-American narratives in films from across the continent, highlights the social effects of the technologies used to produce these works, and explores the connections of cinema to successive shifts in hemispheric policy. As a result, Cinema and Inter-American Relations reveals the existence of a continued cinematic conversation between Anglo and Latin America about a cluster of shared allegories representing the continent and its cultures.
P rez Melgosa contends that cinema has become a virtual contact zone of the Americas, mediating in a variety of hemispheric political debates about the articulation of Anglo, Latin American, and Latino identities. Cinema and Inter-American Relations brings sustained attention to ongoing calls for a transnational focus on the disciplines of film studies, American studies, and Latin American studies and engages with current theories of the transmission of affect to delineate a new cartography of how to understand the Americas in relation to cinema.
Since 2000, there has been a considerable effort in Turkish cinema to come to terms with the military's intervention in politics and subsequent national trauma. It has resulted in an outpouring of cinematic texts. This book focuses on women and Turkish cinema in the context of gender politics, cultural identity and representation.
The central proposition of this book is that enforced depolticisation introduced after the coup is responsible for uniting feminism and film in 1980s Turkey. The feminist movement was able to flourish precisely because it was not perceived as political or politically significant. In a parallel move in the films of the 1980s there was an increased tendency to focus on the individual, on women's issues and lives, in order to avoid the overtly political.
Women and Turkish Cinema provides a comprehensive view of cinema's approach to women in a country which straddles European and Middle Eastern cultural conceptions, identities and religious values and will be an invaluable resource for students and scholars of Film Studies, Gender Studies and Middle East Studies, amongst others.
Описание: Millions of Americans have been thrilled, scared, titillated, and shocked by exploitation movies, low budget films with many scenes of sex, violence, and other potentially lurid elements. The term derives from the fact that promoters of such films exploit the contents in advertising that plays up the sexual or violent aspects of the films. This is the first comprehensive study of the American exploitation film to be published. It discusses five distinct genres: the teen movie, the sexploitation film, the martial arts movie, the blaxploitation film and the lawbreaker picture. Contained within these genres are many popular American film types, including beach movies, biker pictures, and women's prison movies. The study provides a history and sociopolitical analysis of each genre, focusing on significant films in those genres. It also discusses the economics of exploitation films and their place in the motion picture industry, the development of drive-in theaters, the significance of the teenage audience, and the effect of the videocassette. Finally, the book applies major film and cultural theories to establish an aesthetic for evaluating the exploitation film and to explore the relationship between film and audience.
The Politics of Age and Disability in Contemporary Spanish Film examines the onscreen construction of adolescent, elderly, and disabled subjects in Spanish cinema from 1992 to the present. Applying a dual lens of film analysis and theory drawn from the allied fields of youth, age, and disability studies, this study is set both within and against a conversation on cultural diversity--with respect to gender, sexual, and ethnic identity--which has driven not only much of the past decade's most visible and fruitful scholarship on representation in Spanish film, but also the broader parameters of discourse on post-Transition Spain in the humanities. Presenting an engaging, and heretofore under-explored, interdisciplinary approach to images of multiculturalism in what has emerged as one of recent Spain's most vibrant areas of cultural production, this book brings a fresh, while still complementary, critical sensibility to the field of contemporary Peninsular film studies through its detailed discussion of six contemporary films (by Salvador Garc a Ruiz, Achero Ma as, Santiago Aguilar & Luis Guridi, Marcos Carnevale, Alejandro Amen bar, and Pedro Almod var) and supporting reference to the production of other prominent and emerging filmmakers.
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