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Curating empire. 2016, 


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Название:  Curating empire. 2016
Перевод названия: Кураторская империя
ISBN: 9781784993467
Издательство: INGRAM PUBLISHER SERVICES UK
Классификация:


ISBN-10: 1784993468
Обложка/Формат: Paperback
Страницы: 256
Вес: 0.41 кг.
Дата издания: 18.05.2016
Серия: Studies in imperialism
Язык: English
Иллюстрации: Illustrations, black & white
Размер: 158 x 234 x 22
Читательская аудитория: Tertiary education (us: college)
Подзаголовок: Museums and the british imperial experience
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Поставляется из: Англии
Описание: Curating empire explores the diverse roles played by museums and their curators in moulding and representing the British imperial experience. This collection demonstrates how individuals, their curatorial practices, and intellectual and political agendas influenced the development of a variety of museums across the globe. -- .


Ways of Curating

Автор: Hans Ulrich Obrist
Название: Ways of Curating
ISBN: 0241950961 ISBN-13(EAN): 9780241950968
Издательство: Random House - Penguin
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Цена: 1451.00 р.
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Описание: Moving from meetings with artists to the creation of the first public museums in the 18th century, recounting the practice of inspirational figures such as Diaghilev, skipping between exhibitions, continents and centuries, the author argues that curation is far from a static practice.

Research Methods for Digitising and Curating Data in the Dig

Автор: Hayler Matt
Название: Research Methods for Digitising and Curating Data in the Dig
ISBN: 1474409652 ISBN-13(EAN): 9781474409650
Издательство: Bloomsbury Academic
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Цена: 4750.00 р.
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Описание:

The first volume to focus on digitising and curating data online as research methods for Digital Humanities

As all scholars increasingly use digital tools to support their research, and every internet user becomes used to data being available, elucidating, and engaging, the creative aspects of Digital Humanities work are coming under increasing scrutiny. This volume explores the practice of making new tools, new images, new collections, and new artworks in an academic environment, detailing who needs to be involved and what their roles might be, and how they come together to produce knowledge as a collective. The chapters presented here demonstrate that creation is never neutral with political and theoretical concerns intentionally or unavoidably always being written into the fabric of what is being made, even if that's the seeming neatness of computer code. In presenting their own creative research, the writers in this volume offer examples of practice that will be of use to anyone interested in learning more about contemporary Digital Humanities scholarship and its implications.

Key features:

  • First volume to explore digitisation practices as research methods for Humanities scholars
  • Provides a practical and critical approach to issues of digitisation
  • Discusses actual digitisation projects on a 'how-to' basis
  • Addresses issues such as digital photography, multi-spectral imaging, rekeying, metadata, online simulation, artistic practice online

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