Paradigm case 9783034317801

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Автор: Mccarron, Bernard
Название: Paradigm case
ISBN: 9783034317801
Издательство: Peter Lang
Классификация:

Общие вопросы искусства

Фотография и фотографы

Театроведение

Теория комуникаций

ISBN-10: 3034317808
Обложка/Формат: Paperback
Страницы: 324
Вес: 0.46 кг.
Дата издания: 29.09.2015
Серия: Cultural interactions: studies in the relationship between the arts
Язык: English
Издание: New ed
Размер: 152 x 225 x 26
Читательская аудитория: Professional & vocational
Ключевые слова: The arts: general issues,Photography & photographs,Theatre studies,Communication studies, ART / General,ART / Business Aspects,ART / Techniques / General,DRAMA / General
Подзаголовок: The cinema of hitchcock and the contemporary visual arts
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Поставляется из: Англии
Описание: With the migration of cinema into the art gallery, artists have been turning, with remarkable regularity and ingenuity, to Alfred Hitchcock-related images, sequences and iconography. The world of Hitchcock’s cinema – a classical cinema of formal unities and narrative coherence – represents more than the spectre of a supposedly dead art form: it transcends its own filmic and institutional contexts, becoming an important audio-visual lexicon of desire, loss, mystery and suspense.
Through a detailed study of the Hitchcock-related work of artist-filmmakers Matthias M?ller and Christoph Girardet, Johan Grimonprez, Pierre Huyghe, Douglas Gordon and Atom Egoyan, this book facilitates a dialogue between the creative appropriation of Hitchcock’s films and the cinematic practices that increasingly inform the wider field of the contemporary visual arts. Each chapter is structured around a consideration of how the artwork in question has reconfigured or ‘remade’ key Hitchcockian expressive elements and motifs – in particular, the relationship between mise en sc?ne and the mechanics of suspense, time, memory, history and death. In a career that extended across silent and sound eras as well as the British, European and Hollywood industries, Hitchcock’s film ?uvre can be seen as a history of the cinema itself. As the work of these contemporary artist-filmmakers shows, it was also a history of the future, a paradigm case par excellence.
Дополнительное описание: Contents: Mapping the Field of Hitchcockian Appropriation – Found Footage in Flames: Matthias M?ller and Christoph Girardet’s Phoenix Tapes – The Essay-Film (Expanded): Johan Grimonprez’s Double Take – Horror in Real-Time: Douglas Gordon’s <

Paradigm case, Mccarron, Bernard