Glitch art in theory and practice, Betancourt, Michael
Автор: Betancourt, Michael Название: Semiotics and title sequences ISBN: 1138634204 ISBN-13(EAN): 9781138634206 Издательство: Taylor&Francis Рейтинг: Цена: 9492.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Title sequences are the most obvious place where photography and typography combine on-screen, yet they are also a commonly neglected part of film studies. Semiotics and Title Sequences presents the first theoretical model and historical consideration of how text and image combine to create meaning in title sequences for film and television, before extending its analysis to include subtitles, intertitles, and the narrative role for typography. Detailed close readings of classic films starting with The Cabinet of Dr. Caligari, and including To Kill A Mockingbird, Dr. Strangelove, and The Good, the Bad and the Ugly, along with designs from television programs such as Magnum P.I., Castle, and Vikings present a critical assessment of title sequences as both an independent art form and an introduction to the film that follows.
Автор: Laster Paul Название: Carlos Betancourt ISBN: 0847846474 ISBN-13(EAN): 9780847846474 Издательство: Rizzoli Рейтинг: Цена: 7920.00 р. Наличие на складе: Поставка под заказ.
Описание: A painter, photographer, and mixed-media artist, Carlos Betancourt and his seminal studio, Imperfect Utopia, are credited with helping to launch the Miami art scene in the 1990s.
Автор: Ingrid Betancourt Название: Even Silence Has an End ISBN: 1844086127 ISBN-13(EAN): 9781844086122 Издательство: Little Brown Рейтинг: Цена: 1972.00 р. Наличие на складе: Поставка под заказ.
Автор: Betancourt John Gregory Название: Roger Zelazny`s the Dawn of Amber ISBN: 074344552X ISBN-13(EAN): 9780743445528 Издательство: Simon & Schuster Рейтинг: Цена: 2293.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: "In the final novels of his ten-book Amber series, Roger Zelazny rewarded readers with several startling revelations about his fantasy universe. Fans discovered for the first time that Amber is not the one true world of which all others are but Shadows. Rather, the mysterious Courts of Chaos preceded the creation of Amber. It was also revealed that the mad mage Dworkin was the father of Oberon, founder of Ambers ruling dynasty, and that Dworkins origins go further back in time than the founding of Amber itself. The Dawn of Amber is a prequel series, exploring events that precede the first novel in the series, that answers these intriguing questions. Here, in Book One, youll meet the young soldier known as Obere as hes whisked away from the kingdom and world he has known and defended his entire life, and placed on a knifes edge of turmoil, intrigue, domination and death. He must learn what he can on the fly, unwilling to let friend and foe alike know how little he understands of this strange universe and the dangerous creatures that rule it. His life is in jeopardy, as is the entire House of Dworkinthe result of an ages-old blood feud that threatens to destroy Oberes new-found family and any hope for a universe of light to balance and oppose the forces of Chaos and darkness. To achieve his legacy of power and become a player rather than a pawn in this deadly game whose rules he is yet to discover, Obere must journey into the serpents lair, the home of his enemies . . . the Courts of Chaos."
Автор: Betancourt, Michael Название: Synchronization and title sequences ISBN: 1138085065 ISBN-13(EAN): 9781138085060 Издательство: Taylor&Francis Рейтинг: Цена: 8573.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Synchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumental opening, or title song to organize their visuals--from Vertigo (1958) to The Player (1990) and X-Men: First Class (2011)--author Michael Betancourt develops a foundational framework for the critique and discussion of motion graphics' use of synchronization and sound, as well as a theoretical description of how sound-image relationships develop on-screen.
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