Marrapodi, Professor Michele Shakespeare and the visual arts 9781472489234

Варианты приобретения

Цена: 23734.00р.
Кол-во:
Наличие: Поставка под заказ. Есть в наличии на складе поставщика.
Склад Америка: Есть
При оформлении заказа до: 2025-07-28
Ориентировочная дата поставки: Август-начало Сентября
При условии наличия книги у поставщика.

Добавить в корзину

в Мои желания

Автор: Marrapodi, Professor Michele
Название: Shakespeare and the visual arts
ISBN: 9781472489234
Издательство: Taylor&Francis
Классификация:

Пьесы Шекспира

Литературоведение: с 1500 до 1800 г.

Шекспироведение и критика

ISBN-10: 1472489233
Обложка/Формат: Hardback
Страницы: 424
Вес: 0.71 кг.
Дата издания: 22.02.2017
Серия: Anglo-italian renaissance studies
Язык: English
Иллюстрации: 1 tables, black and white; 69 halftones, black and white
Размер: 159 x 234 x 29
Читательская аудитория: Undergraduate
Ключевые слова: Literature: history & criticism, LITERARY CRITICISM / Drama,LITERARY CRITICISM / Renaissance,LITERARY CRITICISM / Shakespeare
Подзаголовок: The italian influence
Рейтинг:
Поставляется из: Европейский союз
Описание: Critical investigation into the rubric of Shakespeare and the visual arts has generally focused on the influence exerted by the works of Shakespeare on a number of artists, painters, and sculptors in the course of the centuries. Drawing on the poetics of intertextuality and profiting from the more recent concepts of cultural mobility and permeability between cultures in the early modern period, this volume’s tripartite structure considers instead the relationship between Renaissance material arts, theatre, and emblems as an integrated and intermedial genre, explores the use and function of Italian visual culture in Shakespeare’s oeuvre, and questions the appropriation of the arts in the production of the drama of Shakespeare and his contemporaries. By studying the intermediality between theatre and the visual arts, the volume extols drama as a hybrid genre, combining the figurative power of imagery with the plasticity of the acting process, and explains the tri-dimensional quality of the dramatic discourse in the verbal-visual interaction, the stagecraft of the performance, and the natural legacy of the iconographical topoi of painting’s cognitive structures. This methodolical approach opens up a new perspective in the intermedial construction of Shakespearean and early modern drama, extending the concept of theatrical intertextuality to the field of pictorial arts and their social-cultural resonance. An afterword written by an expert in the field, a rich bibliography of primary and secondary literature, and a detailed Index round off the volume.

Shakespeare and the visual arts, Marrapodi, Professor Michele