Автор: Brody Richard Название: Everything Is Cinema: The Working Life of Jean-Luc Godard ISBN: 0805080155 ISBN-13(EAN): 9780805080155 Издательство: Holtzbrink(MPS)/MPS Рейтинг: Цена: 2391.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
A "serious-minded and meticulously detailed . . . account of the lifelong artistic journey" of one of the most influential filmmakers of our age ("The New York Times")
When Jean-Luc Godard wed the ideals of filmmaking to the realities of autobiography and current events, he changed the nature of cinema. Unlike any earlier films, Godard's work shifts fluidly from fiction to documentary, from criticism to art. The man himself also projects shifting images cultural hero, fierce loner, shrewd businessman. Hailed by filmmakers as a if not the key influence on cinema, Godard has entered the modern canon, a figure as mysterious as he is indispensable.
In "Everything Is Cinema," critic Richard Brody has amassed hundreds of interviews to demystify the elusive director and his work. Paying as much attention to Godard's technical inventions as to the political forces of the postwar world, Brody traces an arc from the director's early critical writing, through his popular success with Breathless, to the grand vision of his later years. He vividly depicts Godard's wealthy conservative family, his fluid politics, and his tumultuous dealings with women and fellow New Wave filmmakers.
"Everything Is Cinema" confirms Godard's greatness and shows decisively that his films have left their mark on screens everywhere."
Автор: Mai, Joseph Название: Jean-pierre and luc dardenne ISBN: 0252077113 ISBN-13(EAN): 9780252077111 Издательство: Wiley EDC Рейтинг: Цена: 2915.00 р. Наличие на складе: Поставка под заказ.
Описание:
For well over a decade, Jean-Pierre and Luc Dardenne have produced highly original and ethically charged films that immerse their audiences in an intense and embodied viewing experience. Their work has consistently attracted international recognition, including the rare feat of two Palmes d'Or at Cannes.
In this first book-length study of the Belgian brothers, Joseph Mai delivers sophisticated close analyses of their directorial style and explores the many philosophical issues dealt with in their films (especially the ethics of Emmanuel Levinas). Mai discusses the Dardennes' varied and searching career from its inception in the late 1970s, starting with the working-class political consciousness and lost utopias of their documentary period; passing through their transition toward fictional narrative, experimental techniques, and familial themes; and finishing with a series of in-depth and philosophically informed interpretations of the brothers' more recent work. In such highly influential films such as La promesse, Rosetta, The Son, and The Child, the brothers have recast filmmaking through what Mai calls a "sensuous realism"--realism capable of touching the audience with the most compelling problems and moral dilemmas of contemporary society. This volume also features an interview in which the Dardennes discuss their approach to film production and the direction of actors.
Автор: Godard, Jean-luc Ishaghpour, Youssef Название: Cinema ISBN: 1845201973 ISBN-13(EAN): 9781845201975 Издательство: Bloomsbury Рейтинг: Цена: 2243.00 р. Наличие на складе: Поставка под заказ.
Описание: Focuses on a century of film. This book argues that - after the century of Chaplin and Pol Pot, Monroe and Hitler, Stalin and Mae West, Mao and the Marx Brothers - film and history are inextricably intertwined. It presents the author`s thoughts on film theory, cinematic technique, film histories, as well as the video revolution.
Автор: Nancy, Jean-luc Название: Pleasure in drawing ISBN: 0823250946 ISBN-13(EAN): 9780823250943 Издательство: Wiley EDC Рейтинг: Цена: 3773.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Originally written for an exhibition Jean-Luc Nancy curated at the Museum of Fine Arts in Lyon in 2007, this book addresses the medium of drawing in light of the question of form—of form in its formation, as a formative force, as a birth to form. In this sense, drawing opens less toward its achievement, intention, and accomplishment than toward a finality without end and the infinite renewal of ends, toward lines of sense marked by tracings, suspensions, and permanent interruptions. Recalling that drawing and design were once used interchangeably, Nancy notes that drawing designates a design that remains without project, plan, or intention. His argument offers a way of rethinking a number of historical terms (sketch, draft, outline, plan, mark, notation), which includes rethinking drawing in its graphic,filmic, choreographic, poetic, melodic, and rhythmic senses. If drawing is not reducible to any form of closure, it never resolves a tension specific to itself. Rather, drawing allows the pleasure in and of drawing, the gesture of a desire that remains in excess of all knowledge, to come to appearance. Situating drawing in these terms, Nancy engages a number of texts in which Freud addresses the force of desire in the rapport between aesthetic and sexual pleasure, texts that also turn around questions concerning form in its formation, form as a formative force. Between the sections of the text, Nancy has placed a series of “sketchbooks” on drawing, composed of a broad range of quotations on art from different writers, artists, or philosophers.
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