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Existential Pleasures of Engineering, The, Samuel C. Florman


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Цена: 1839.00р.
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Автор: Samuel C. Florman
Название:  Existential Pleasures of Engineering, The
ISBN: 9780312141042
Издательство: Holtzbrink(MPS)/MPS
Классификация:
ISBN-10: 0312141041
Обложка/Формат: Paperback
Страницы: 224
Вес: 0.29 кг.
Дата издания: 15.02.1996
Язык: English
Размер: 213 x 142 x 15
Основная тема: TECHNOLOGY & ENGINEERING / Engineering (General)
Рейтинг:
Поставляется из: США
Описание:

Humans have always sought to change their environment--building houses, monuments, temples, and roads. In the process, they have remade the fabric of the world into newly functional objects that are also works of art to be admired. In this second edition of his popular Existential Pleasures of Engineering, Samuel Florman explores how engineers think and feel about their profession.

A deeply insightful and refreshingly unique text, this book corrects the myth that engineering is cold and passionless. Indeed, Florman celebrates engineering not only crucial and fundamental but also vital and alive; he views it as a response to some of our deepest impulses, an endeavor rich in spiritual and sensual rewards. Opposing the anti-technology stance, Florman gives readers a practical, creative, and even amusing philosophy of engineering that boasts of pride in his craft.




Concerning the Spiritual-And the Concrete-In Kandinsky`s Art

Автор: Florman Lisa
Название: Concerning the Spiritual-And the Concrete-In Kandinsky`s Art
ISBN: 0804784841 ISBN-13(EAN): 9780804784849
Издательство: Wiley EDC
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Цена: 4117.00 р.
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Описание:

This book examines the art and writings of Wassily Kandinsky, who is widely regarded as one of the first artists to produce non-representational paintings. Crucial to an understanding of Kandinsky's intentions is On the Spiritual in Art, the celebrated essay he published in 1911. Where most scholars have taken its repeated references to "spirit" as signaling quasi-religious or mystical concerns, Florman argues instead that Kandinsky's primary frame of reference was G.W.F. Hegel's Aesthetics, in which art had similarly been presented as a vehicle for the developing self-consciousness of spirit (or Geist, in German). In addition to close readings of Kandinsky's writings, the book also includes a discussion of a 1936 essay on the artist's paintings written by his own nephew, philosopher Alexandre Koj?ve, the foremost Hegel scholar in France at that time. It also provides detailed analyses of individual paintings by Kandinsky, demonstrating how the development of his oeuvre challenges Hegel's views on modern art, yet operates in much the same manner as does Hegel's philosophical system. Through the work of a single, crucial artist, Florman presents a radical new account of why painting turned to abstraction in the early years of the twentieth century.


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