Art of Renaissance Rome: Artists and Patrons in the Eternal City, John Marciari
Автор: Moireau, Fabrice Название: Rome Sketchbook ISBN: 9814260436 ISBN-13(EAN): 9789814260435 Издательство: Thames & Hudson Рейтинг: Цена: 2853 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Rome Sketchbook transports the reader to the magnificent centre of ancient Europe, the home of breathtaking cityscapes and inspiring architecture such as the Trevi Fountain and St Peters Basilica. Inspired by this hub of art and historical heritage, Fabrice Moireau, the artist behind some of the other books in this acclaimed series which has covered such cities as Paris, London,Venice and Amsterdam presents a timeless collection of watercolour paintings and sketches that will be equally delightful to those already familiar with the city as well as visitors discovering it for the very first time. From glorious monuments to intimate street scenes, Moireaus deft brushstrokes beautifully capture the atmosphere of the eclectic, romantic and vibrant Italian capital.
Описание: This box of postcards representing Disney's modern classics collects concept art-many pieces never before published-and final frames from ten iconic films made since Disney's renaissance in the 1990s, spanning from The Little Mermaid in 1989 to Big Hero 6 in 2014.
Автор: Nichols, Tom Название: Renaissance Art in Venice ISBN: 1780678517 ISBN-13(EAN): 9781780678511 Издательство: Laurence King Publishing Ltd Рейтинг: Цена: 2281 р. Наличие на складе: Есть (2 шт.) Описание: By adopting a chronological approach, with each chapter covering a successive twenty-five year period, and focusing attention on the artists, Tom Nichols presents a vivid, richly illustrated and easily navigable study of Venetian Renaissance art.
Описание: Under the rule of Henry VII (r. 1485-1509) England became a powerful nation. The Tudor court sought to express its worldliness and political weight through major artistic commissions, employing Florentine sculptors and painters to create lavish new interiors, suitable for entertaining foreign dignitaries, for its royal palaces. These were exemplified by Henry VIII's palace of Nonsuch, so named because no other palace could match its magnificence. Italian sculpture, painting, and tapestries of the day reflected an interest in portraiture and dynastic monuments, epitomized in England by the royal tomb projects created by Baccio Bandinelli, Benedetto da Rovezzano, and Pietro Torrigiani.
Generously illustrated throughout, The Anglo-Florentine Renaissance traces the artistic links between Medicean Florence and Tudor England through essays by an international team of scholars, and explores how the language of Florentine art effectively expressed Tudor political aspirations and rose to prominence as a new international courtly style.
Описание: The exhibition is divided into different parts, the first (Section I: The Legacy of the Fathers) exploring the rediscovery of ancient art in the 13th and 14th centuries by the likes of Nicola Pisano, Arnolfo and their successors. It then looks into the assimilation of Gothic style of French origin, including Brunelleschi's renowned sculpture, which is the starting point for the Early Renaissance. The exhibition follows development and influences from monumental sculptures by the likes of Donatello, Ghiberti, Nanni di Banco and Michelozzo, painting by artists such as Masaccio, Paolo Uccello, Andrea del Castagno and Filippo Lippi, and the impact on the political and spiritual mood of the city. Other elements include the development of perspective in bas-relief work, a taste for 'new beauty' and new commissions in places of worship, and the transition to the private patronage of the powerful Medici family. This beautiful exhibition catalogue encompasses the exhibition through over 200 images.
Описание: In this volume, a team of noted Italian art historians trace the evolution of Renaissance intarsia through a discussion of twelve of the most important intarsia cycles. These include the famous studiolo of Federico da Montefeltro in the ducal palace at Urbino; the sacristy of Santa Maria in Organo at Verona, which Vasari described as the most beautiful in all of Italy; and the choir of Santa Maria Maggiore in Bergamo, the cartoons for which were prepared by Lorenzo Lotto. Drawing on the latest scholarship and, in some cases, newly discovered documentary evidence, the authors explain the historical context and iconography of these masterpieces, as well as their connections to the painting, sculpture, and architecture of the time. Their insightful essays are illustrated with some two hundred new color images, the result of an extensive photographic campaign carried out exclusively for this work.
Описание: Digital painting programs - notably Corel's painter - are now developed to the point that they can superbly emulate the whole gamut of conventional painting techniques. With a computer and a cheap graphics tablet, anyone can now pick up a digital brush and aspire to create amazing work. For the first time, expert author Carlyn Beccia shows how these powerful digital tools can be used to successfully emulate old master painting techniques. Each chapter showcases one great painter (the selection includes Michelangelo, Van Gogh, Sargent, Gustav Klimt, Matisse, Picasso and others) and analyses the techniques that set each one apart. These techniques are then imitated in stepby- step tutorials, allowing the reader to achieve amazingly convincing results.
Описание: Renowned throughout Renaissance Europe, Pieter Coecke van Aelst (1502–1550) produced works for the wealthiest and most important patrons of the time, including Emperor Charles V, Francis I of France, Henry VIII of England, the Habsburgs, and Cosimo de Medici. While he is best known for his magnificent tapestries, he was also a consummate artist in other media, and the output from his workshop included painted altarpieces, as well as designs and cartoons for stained glass. This lavish publication, the first comprehensive volume devoted to this Renaissance master since 1966, introduces Pieter Coecke van Aelst to a contemporary audience and places him among the great artists of the 16th century. New photographs, including fine details, reunite twenty of the splendid Renaissance tapestries made to his designs with some of his finest surviving drawings and panel paintings, while texts by thirteen prominent scholars explore Coecke's art and world. Both a feast for the eyes and an important reappraisal of a great Renaissance master, this important study will stand as the comprehensive volume on a major artist of the Northern Renaissance
Описание: Of all the riches of the sixteenth-century European nobleman, none spoke more powerfully of his heroism, wealth and taste than his armour, clothing and weapons. This book looks at the suits designed to kill, protect and impress.
Автор: Monnas Lisa Название: Renaissance Velvets ISBN: 1851776567 ISBN-13(EAN): 9781851776566 Издательство: Abrams Рейтинг: Цена: 4002 р. Наличие на складе: Нет в наличии.
Описание: Silk velvet was first woven in Europe during the second half of the thirteenth century, but it reached a peak of perfection during the fifteenth and sixteenth centuries. The V&A holds one of the finest collections of Renaissance velvets, including a wide selection of fragments, a papal carpet, a sixteenth-century cloak, books and caskets covered in velvet, and numerous ecclesiastical vestments. This unique book introduces these velvets to the general reader, setting them within their historical context, exploring the skills and special equipment needed to produce velvet, and describing the basic weaving techniques. A beautifully illustrated catalogue of fifty pieces, includes detailed weave analyses and diagrams.
Описание: Paolo Veronese is acknowledged as one of the giants of Venetian Renaissance painting. His artistic production was richly varied, extending from imposing altarpieces to smaller religious paintings for private clients, from grand portraits to sensual episodes drawn from the classical tradition. Veronese was also an outstanding draughtsman, and his graphic oeuvre ranged from preliminary sketches to highly finished chiaroscuro sheets. A foreigner in Venice, he created paintings for Venetian clients and settings, as well for the mainland and export abroad. Thus, Veronese's art was unusually versatile for its time. This magnificently illustrated book will display this extraordinary versatility and examine Veronese's artistic practice, concentrating on works from North American collections. For a sixteenth-century painter, many of whose works are in fresco or on enormous canvases still in situ, Veronese is unusually broadly represented in North America. At the same time, the broad spectrum of Veronese as a painter and draughtsman has not been available to American audiences in over two decades. This publication authored by an international team of experts, will be a major contribution to Veronese studies.
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