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Nature and the nation in fin de siecle france, Dandona, Jessica M.


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Цена: 22202.00р.
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Автор: Dandona, Jessica M.
Название:  Nature and the nation in fin de siecle france
ISBN: 9781472462619
Издательство: Taylor&Francis
Классификация:


ISBN-10: 1472462610
Обложка/Формат: Hardback
Страницы: 228
Вес: 0.70 кг.
Дата издания: 23.06.2017
Серия: The histories of material culture and collecting, 1700-1950
Язык: English
Иллюстрации: 8 halftones, color; 46 halftones, black and white; 8 illustrations, color; 46 illustrations, black and white
Размер: 180 x 252 x 19
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: History of art & design styles: c 1800 to c 1900, ART / Art & Politics,ART / European,ART / History / Modern (late 19th Century to 1945)
Подзаголовок: The art of emile galle and the ecole de nancy
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Поставляется из: Европейский союз
Описание: This book represents the first book-length, critical study of the art of Emile Galle. It thus promises not only to revolutionize our understanding of his work but also to reframe the study of Art Nouveau by relocating the movement within the deeply politicized context in which it was created.


Keiichi Tahara: Architecture Fin-de-Siecle

Автор: Miyake Riichi
Название: Keiichi Tahara: Architecture Fin-de-Siecle
ISBN: 3836530570 ISBN-13(EAN): 9783836530576
Издательство: Taschen
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Цена: 39848.00 р.
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Описание: With a meticulous sensibility for light and detail, the late Keiichi Tahara captured Europe`s finest Art Nouveau architecture. This exquisite three-volume set features more than 500 of his photographs and is interspersed by brilliant gold pages, each carefully produced using the finest printing techniques. This is a collection of majestic...

Internationalism and the arts in britain and europe at the fin de siecle

Название: Internationalism and the arts in britain and europe at the fin de siecle
ISBN: 3039111280 ISBN-13(EAN): 9783039111282
Издательство: Peter Lang
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Цена: 12761.00 р.
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Описание: This collection of essays stems from the conference 'Internationalism and the Arts: Anglo-European Cultural Exchange at the Fin de Si cle' held at Magdalene College, Cambridge, in July 2006. The growth of internationalism in Europe at the fin de si cle encouraged confidence in the possibility of peace. A wartorn century later, it is easy to forget such optimism. Flanked by the Franco-Prussian war and the First World War, the late nineteenth and early twentieth centuries were marked by rising militarism. Themes of national consolidation and aggression have become key to any analysis of the period. Yet despite the drive towards political and cultural isolation, transnational networks gathered increasing support. This book examines the role played by artists, writers, musicians and intellectuals in promoting internationalism. It explores the range of individuals, media and movements involved, from cosmopolitan characters such as Walter Sickert and Henri La Fontaine, through internationalist art societies, to periodicals, performance, and the mobility of the Arts and Crafts Movement. The discussion takes in the geographical breadth of Europe, incorporating Belgium, Bohemia, Britain, France, Germany, Hungary, Italy, Norway, Poland, Russia and Slovakia. Drawing on the work of scholars from across Europe and America, the collection makes a statement about the complexity of European identities at the fin de si cle, as well as about the possibilities for interdisciplinary research in our own era.

Neo-Impressionism and Anarchism in Fin-de-Si?cle France

Автор: Roslak
Название: Neo-Impressionism and Anarchism in Fin-de-Si?cle France
ISBN: 1138248398 ISBN-13(EAN): 9781138248397
Издательство: Taylor&Francis
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Цена: 8114.00 р.
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Описание:

In Neo-Impressionism and Anarchism in Fin-de-Siиcle France, Robyn Roslak examines for the first time the close relationship between neo-impressionist landscapes and cityscapes and the anarchist sympathies of the movement's artists. She focuses in particular on paintings produced between 1886 and 1905 by Paul Signac and Maximilien Luce, the neo-impressionists whose fidelity to anarchism, to the art of landscape and to a belief in the social potential of art was strongest. Although the neo-impressionists are best known for their rational and scientific technique, they also heeded the era's call for art surpassing the mundane realities of everyday life. By tempering their modern subjects with a decorative style, they hoped to lead their viewers toward moral and social improvement. Roslak's ground-breaking analysis shows how the anarchist theories of Elisйe Reclus, Pierre Kropotkin and Jean Grave both inspired and coincided with these ideals. Anarchism attracted the neo-impressionists because its standards for social justice were grounded, like neo-impressionism itself, in scientific exactitude and aesthetic idealism. Anarchists claimed humanity would reach its highest level of social and moral development only in the presence of a decorative variety of nature, and called upon progressive thinkers to help create and maintain such environments. The neo-impressionists, who primarily painted decorative landscapes, therefore discovered in anarchism a political theory consistent with their belief that decorative harmony should be the basis for socially responsible art.


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