Antokoletz, Elliott Musical symbolism in the operas of debussy and bartok 9780195365825

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Автор: Antokoletz, Elliott
Название: Musical symbolism in the operas of debussy and bartok
ISBN: 9780195365825
Издательство: Oxford Academ
Классификация:

20 век и современная классическая музыка

Опера

ISBN-10: 0195365828
Обложка/Формат: Paperback
Страницы: 352
Вес: 0.57 кг.
Дата издания: 15.01.2008
Язык: English
Иллюстрации: Illustrations
Размер: 172 x 226 x 22
Читательская аудитория: Undergraduate
Подзаголовок: Trauma, gender, and the unfolding of the unconscious
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: Musical Symbolism in the Operas of Debussy and Bart�k explores the means by which two early 20th century operas - Debussys Pell�as et M�lisande (1902) and Bart�ks Duke Bluebeards Castle (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical language. It also looks at how this language reflects the psychodramatic symbolism of the Franco-Belgian poet, Maurice Maeterlinck, and his Hungarian disciple, B�la Bal�zs. These two operas represent the first significant attempts to establish more profound correspondences between the symbolist dramatic conception and the new musical language. Duke Bluebeards Castle is based almost exclusively on interactions between pentatonic/diatonic folk modalities and their more abstract symmetrical transformations (including whole-tone, octatonic, and other pitch constructions derived from the system of the interval cycles). The opposition of these two harmonic extremes serve as the basis for dramatic polarity between the characters as real-life beings and as instruments of fate. The book also explores the new musico-dramatic relations within their larger historical, social psychological, philosophical, and aesthetic contexts.

Musical symbolism in the operas of debussy and bartok, Antokoletz, Elliott