Bad Blood ((the Naturals #4)), Barnes Jennifer Lynn
Автор: Alvarez Jennifer Lynn Название: The Guardian Herd: Landfall ISBN: 0062286129 ISBN-13(EAN): 9780062286123 Издательство: HarperCollins USA Цена: 1775.00 р. Наличие на складе: Нет в наличии.
Описание:
The gripping third book in the Guardian Herd series, perfect for fans of the Warriors, Survivors, and Guardians of GaHoole series.
It has been many moons since Star received his starfire power, and now he will face his toughest challenge yet. Star is gravely injured, and Nightwing the Destroyer vows to make a pact with whoever brings him the black yearlingdead or alive. As Nightwing amasses an army to destroy him and all of Anok, Star must act fast.
But as the threat of war looms, Star wonders if the current peace among the united pegasi is strong enough to survive.
Автор: Armentrout (writing as J. Lynn) Jennifer L. Название: Tempting the Bodyguard ISBN: 147361595X ISBN-13(EAN): 9781473615953 Издательство: Hodder Рейтинг: Цена: 1516.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The hugely-anticipated, steamily romantic third book in Jennifer L. Armentrout`s New York Times bestselling Gamble Brothers series.
Описание: The unheard history of how race and racism are constructed from sound and maintained through the listening ear. Race is a visual phenomenon, the ability to see “difference.” At least that is what conventional wisdom has lead us to believe. Yet, The Sonic Color Line argues that American ideologies of white supremacy are just as dependent on what we hear—voices, musical taste, volume—as they are on skin color or hair texture. Reinforcing compelling new ideas about the relationship between race and sound with meticulous historical research, Jennifer Lynn Stoever helps us to better understand how sound and listening not only register the racial politics of our world, but actively produce them. Through analysis of the historical traces of sounds of African American performers, Stoever reveals a host of racialized aural representations operating at the level of the unseen—the sonic color line—and exposes the racialized listening practices she figures as “the listening ear.” Using an innovative multimedia archive spanning 100 years of American history (1845-1945) and several artistic genres—the slave narrative, opera, the novel, so-called “dialect stories,” folk and blues, early sound cinema, and radio drama—The Sonic Color Line explores how black thinkers conceived the cultural politics of listening at work during slavery, Reconstruction, and Jim Crow. By amplifying Harriet Jacobs, Frederick Douglass, Elizabeth Taylor Greenfield, Charles Chesnutt, The Fisk Jubilee Singers, Ann Petry, W.E.B. Du Bois, and Lena Horne as agents and theorists of sound, Stoever provides a new perspective on key canonical works in African American literary history. In the process, she radically revises the established historiography of sound studies. The Sonic Color Line sounds out how Americans have created, heard, and resisted “race,” so that we may hear our contemporary world differently.
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