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Soviet postcolonial studies, Annus, Epp


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Цена: 22202.00р.
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Автор: Annus, Epp
Название:  Soviet postcolonial studies
ISBN: 9780415786928
Издательство: Taylor&Francis
Классификация:



ISBN-10: 0415786924
Обложка/Формат: Hardback
Страницы: 304
Вес: 0.59 кг.
Дата издания: 11.09.2017
Серия: Basees/routledge series on russian and east european studies
Язык: English
Иллюстрации: 1 tables, black and white; 50 halftones, black and white; 50 illustrations, black and white
Размер: 164 x 242 x 22
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Regional geography, SOCIAL SCIENCE / Ethnic Studies / General
Подзаголовок: A view from the western borderlands
Рейтинг:
Поставляется из: Европейский союз
Описание: This book considers postcolonial theory in relation to the former Soviet bloc, and also uses the experiences of former Soviet bloc countries to refine and advance theory. It explores topics like Soviet colonality as co-constituted with Soviet modernity, and how cultural imaginaries were formative of Soviet everyday experience.


Sounds and sights of performance in early music

Автор: Epp, Maureen
Название: Sounds and sights of performance in early music
ISBN: 1138264989 ISBN-13(EAN): 9781138264984
Издательство: Taylor&Francis
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Цена: 8114.00 р.
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Описание: The experience of music performance is always far more than the sum of its sounds, and evidence for playing and singing techniques is not only inscribed in music notation but can also be found in many other types of primary source materials. This volume of essays presents a cross-section of new research on performance issues in music of the Middle Ages and Renaissance. The subject is approached from a broad perspective, drawing on areas such as dance history, art history, music iconography and performance traditions from beyond Western Europe. In doing so, the volume continues some of the many lines of inquiry pursued by its dedicatee, Timothy J. McGee, over a lifetime of scholarship devoted to practical questions of playing and singing early music. Expanding the bases of inquiry to include various social, political, historical or aesthetic backgrounds both broadens our knowledge of the issues pertinent to early music performance and informs our understanding of other cultural activities within which music played an important role. The book is divided into two parts: 'Viewing the Evidence' in which visually based information is used to address particular questions of music performance; and 'Reconsidering Contexts' in which diplomatic, commercial and cultural connections to specific repertories or compositions are considered in detail. This book will be of value not only to specialists in early music but to all scholars of the Middle Ages and Renaissance whose interests intersect with the visual, aural and social aspects of music performance.


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