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Dark Humor in Films of the 1960s, Wheeler Winston Dixon


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Автор: Wheeler Winston Dixon
Название:  Dark Humor in Films of the 1960s
ISBN: 9781137564207
Издательство: Springer
Классификация:

ISBN-10: 1137564202
Обложка/Формат: Hardcover
Страницы: 102
Вес: 0.29 кг.
Дата издания: 12.06.2015
Язык: English
Размер: 216 x 140 x 11
Основная тема: Cultural and Media Studies
Ссылка на Издательство: Link
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Поставляется из: Германии
Описание: Focusing on dark or black comedy films in the US and the UK, Wheeler Winston Dixon provides a comprehensive overview of a variety of films and filmmakers (Vanishing Point, Marcel Hanoun), whose work has largely been ignored, but whose influence and importance is clearly present.


Hellraiser Films and Their Legacy

Автор: Kane Paul
Название: Hellraiser Films and Their Legacy
ISBN: 0786477172 ISBN-13(EAN): 9780786477173
Издательство: INGRAM PUBLISHER SERVICES UK
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Цена: 3449.00 р.
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Описание: Best-selling horror novelist Clive Barker had a rocky start with the first attempts to convert his stories into a visual medium. Directors and screenwriters turned the film adaptations of Underworld and Rawhead Rex into something barely recognisable - and box office failures as well. Consequently, when he approached film companies about <em>Hellraiser</em>, Barker insisted that he be involved in every step, including the direction. The resulting 1987 film has become an undisputed horror classic, spawning a movie franchise that to date includes eight films. <br><br>This volume explores not only the cinematic interpretations of the <em>Hellraiser</em> mythos but also its intrusion into other artistic and cultural forms. Beginning with the unconventional sources of Clive Barker's inspiration, the book follows Barker from his pre-<em>Hellraiser</em> cinematic experience through the filming of the horror classic. It examines various themes (such as the undermining of the traditional family unit and the malleability of the flesh) found throughout the film series and the ways in which the representation of these themes changes from film to film. The religious aspects of the films are also discussed. Characters central to the franchise - and the mythos - are examined in detail. Included is a foreword by actor Doug Bradley, who portrayed the infamous Pinhead.

Films of the Nineties

Автор: Palmer William J
Название: Films of the Nineties
ISBN: 0230613446 ISBN-13(EAN): 9780230613447
Издательство: Springer
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Цена: 12577.00 р.
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Описание: By breaking down classic films from the nineteen-nineties such as Forest Gump and Titanic, this book offers a reel-to-reel cultural analysis, chronicling the concept of `spin` as a major sociopolitical persuasion strategy.

Diversity In Disney Films

Автор: Cheu
Название: Diversity In Disney Films
ISBN: 0786446013 ISBN-13(EAN): 9780786446018
Издательство: Mare Nostrum (Eurospan)
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Цена: 4990.00 р.
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Описание:

Although its early films featured racial caricatures and exclusively Caucasian heroines, Disney has, in recent years, become more multicultural in its filmic fare and its image. From Aladdin and Pocahontas to the Asian American boy Russell in Up, from the first African American princess in The Princess and the Frog to "Spanish-mode" Buzz Lightyear in Toy Story 3, Disney films have come to both mirror and influence our increasingly diverse society. This essay collection gathers recent scholarship on representations of diversity in Disney and Disney/Pixar films, not only exploring race and gender, but also drawing on perspectives from newer areas of study, particularly sexuality/queer studies, critical whiteness studies, masculinity studies and disability studies. Covering a wide array of films, from Disney's early days and "Golden Age" to the Eisner era and current fare, these essays highlight the social impact and cultural significance of the entertainment giant. Instructors considering this book for use in a course may request an examination copy here.

Gendering science fiction films :

Автор: George, Susan A.,
Название: Gendering science fiction films :
ISBN: 1137321571 ISBN-13(EAN): 9781137321572
Издательство: Springer
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Цена: 12577.00 р.
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Описание: In the 1950s, science fiction invasion films played a complicated part in supporting and criticizing Cold War ideologies. By reading these invasion narratives as performances of middle-class, white Americans` excitement and anxiety about social and political issues, George shows how they often played out as another round in the battle of the sexes.

Gender and representation in the films of ingmar bergman

Автор: Blackwell, Marilyn Johns
Название: Gender and representation in the films of ingmar bergman
ISBN: 1571130942 ISBN-13(EAN): 9781571130945
Издательство: Wiley
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Цена: 12672.00 р.
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Описание: A detailed feminist study of Bergman`s most important films.

Fritz Lang : Genre and Representation in His American Films

Автор: Humphries, Reynold
Название: Fritz Lang : Genre and Representation in His American Films
ISBN: 0801878209 ISBN-13(EAN): 9780801878206
Издательство: Wiley
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Цена: 4594.00 р.
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Описание: Challenging the myth that Fritz Lang`s best work ended when he reached Hollywood, this text explores his American films. Made between 1936 and 1956, these films validate the insights of auteur theory while emphasizing the importance of the narrative and representational codes of a given genre.

First Films of the Holocaust: Soviet Cinema and the Genocide of the Jews, 1938-46

Название: First Films of the Holocaust: Soviet Cinema and the Genocide of the Jews, 1938-46
ISBN: 0822962241 ISBN-13(EAN): 9780822962243
Издательство: Mare Nostrum (Eurospan)
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Цена: 5405.00 р.
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Описание: Most early Western perceptions of the Holocaust were based on newsreels filmed during the allied liberation of Germany in 1945. Little, however, was reported of the initial wave of material from Soviet filmmakers who were in fact the first to document these horrors. In First Films of the Holocaust, Jeremy Hicks presents a pioneering study of Soviet contributions to the growing public awareness of the horrors of Nazi rule. Even before the war, the Soviet film Professor Mamlock, which premiered in the United States in 1938 and coincided with the Kristallnacht pogrom, helped reinforce anti-Nazi sentiment. Yet, Soviet films were often dismissed or even banned in the West as Communist propaganda. Ironically, in the brief 1939-1941 period of Nazi and Soviet alliance, such films were also banned in the Soviet Union, only to be reclaimed after the Nazi attack on the Soviet Union in 1941, and suppressed yet again during the Cold War. Jeremy Hicks recovers much of the major film work in Soviet depictions of the Shoa and views them within their political context, both locally and internationally. Overwhelmingly, wartime films were skewed to depict Soviet resistance, 'Red funerals,' and calls for vengeance, rather than the singling out of Jewish victims by the Nazis. Almost no personal testimony of victims or synchronous sound was recorded, furthering the disconnection of the viewer to the victims. Hicks examines correspondence, scripts, reviews, and compares edited with unedited film, to unearth the deliberately hidden Jewish aspects of Soviet depictions of the German invasion and occupation. To Hicks, it's in the silences, gaps, and ellipses that the films speak most clearly. Additionally, he details the reasons why Soviet Holocaust films have been subsequently erased from collective memory in the West and the Soviet Union: their graphic horror, their use as propaganda tools, and the postwar rise of the Red Scare in the United States and anti-Semitic campaigns in the Soviet Union.


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