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Investigations Into the Phenomenology and the Ontology of the Work of Art, Peer F. Bundgaard; Frederik Stjernfelt


Âàðèàíòû ïðèîáðåòåíèÿ
Öåíà: 6986.00ð.
Êîë-âî:
Íàëè÷èå: Ïîñòàâêà ïîä çàêàç.  Åñòü â íàëè÷èè íà ñêëàäå ïîñòàâùèêà.
Ñêëàä Àìåðèêà: Åñòü  
Ïðè îôîðìëåíèè çàêàçà äî: 2025-07-28
Îðèåíòèðîâî÷íàÿ äàòà ïîñòàâêè: Àâãóñò-íà÷àëî Ñåíòÿáðÿ
Ïðè óñëîâèè íàëè÷èÿ êíèãè ó ïîñòàâùèêà.

Äîáàâèòü â êîðçèíó
â Ìîè æåëàíèÿ

Àâòîð: Peer F. Bundgaard; Frederik Stjernfelt
Íàçâàíèå:  Investigations Into the Phenomenology and the Ontology of the Work of Art
ISBN: 9783319140896
Èçäàòåëüñòâî: Springer
Êëàññèôèêàöèÿ:


ISBN-10: 3319140892
Îáëîæêà/Ôîðìàò: Hardcover
Ñòðàíèöû: 264
Âåñ: 0.56 êã.
Äàòà èçäàíèÿ: 30.06.2015
Ñåðèÿ: Contributions To Phenomenology
ßçûê: English
Ðàçìåð: 164 x 245 x 17
Îñíîâíàÿ òåìà: Philosophy
Ïîäçàãîëîâîê: What are Artworks and How Do We Experience Them?
Ññûëêà íà Èçäàòåëüñòâî: Link
Ðåéòèíã:
Ïîñòàâëÿåòñÿ èç: Ãåðìàíèè
Îïèñàíèå: � This book investigates the nature of aesthetic experience and aesthetic objects. The first is related to the phenomenology of aesthetic experience: The understanding of how human beings respond to artworks, how we process linguistic or visual information, and what properties in artworks trigger aesthetic experiences.


Thought, Language, and Ontology

Àâòîð: Francesco Orilia; W.J. Rapaport
Íàçâàíèå: Thought, Language, and Ontology
ISBN: 940106122X ISBN-13(EAN): 9789401061223
Èçäàòåëüñòâî: Springer
Ðåéòèíã:
Öåíà: 20962.00 ð.
Íàëè÷èå íà ñêëàäå: Åñòü ó ïîñòàâùèêà Ïîñòàâêà ïîä çàêàç.

The Incorporeal: Ontology, Ethics, and the Limits of Materialism

Àâòîð: Grosz Elizabeth
Íàçâàíèå: The Incorporeal: Ontology, Ethics, and the Limits of Materialism
ISBN: 0231181620 ISBN-13(EAN): 9780231181624
Èçäàòåëüñòâî: Wiley
Ðåéòèíã:
Öåíà: 4752.00 ð.
Íàëè÷èå íà ñêëàäå: Åñòü ó ïîñòàâùèêà Ïîñòàâêà ïîä çàêàç.

Îïèñàíèå: A new resolution of the mind-body problem that reconciles materialism and idealism.

Formal Ontology

Àâòîð: R. Poli; Peter M. Simons
Íàçâàíèå: Formal Ontology
ISBN: 9048147182 ISBN-13(EAN): 9789048147182
Èçäàòåëüñòâî: Springer
Ðåéòèíã:
Öåíà: 27245.00 ð.
Íàëè÷èå íà ñêëàäå: Åñòü ó ïîñòàâùèêà Ïîñòàâêà ïîä çàêàç.

Îïèñàíèå: Formal ontology combines two ideas, one originating with Husserl, the other with Frege: that of ontology of the formal aspects of all objects, irrespective of their particular nature, and ontology pursued by employing the tools of modern formal disciplines, notably logic and semantics.

The Ontology of Time

Àâòîð: A. Chernyakov
Íàçâàíèå: The Ontology of Time
ISBN: 9048160499 ISBN-13(EAN): 9789048160495
Èçäàòåëüñòâî: Springer
Ðåéòèíã:
Öåíà: 20962.00 ð.
Íàëè÷èå íà ñêëàäå: Åñòü ó ïîñòàâùèêà Ïîñòàâêà ïîä çàêàç.

Îïèñàíèå: 1.1. Why the Ontology 0/ Time? The intention that directs this research consists in an attempt to provide a herme- neutic analysis ofthe drastic changes, which have occurred in 20th century philoso- phy, in identifying the new role ascribed to the subject of time and temporality within the scope ofontology. Afterthe fundamental works ofE. Husserl, M. Heid- egger. P. Rica: ur. and E. Levinas, it has been understood that the traditional issue (which could be traced back to Parmenides) between being and time, between the eternal and the transient (or historical), must once again be re-examined. Time it- self is recognized now as the deepest ground of ontological inquiry, which sets in motion the entire system offundamental philosophical concepts. This does not mean, of course, that our understanding of time did not change in the course of these fundamental transformations. In order to comprehend the new role oftime within "first philosophy," the concept o/time itselfis to be subjected to a careful investigation and interpretation. It is necessary to come back to Aristotle's quest ions in Physics IV: In what sense can we ascribe being to time itself. and what is the "nature" of time as (a) being' In other words, to understand the role oftime within the scope of ontology means to develop simultaneously the ontology 0/ time. This is what the title ofthis work intends to designate. Moreover, my aim is to dem- onstrate that in a defmite sense the postmodern onto-Iogy is chrono-Iogy.

A Critique of Jean-Paul Sartre`s Ontology

Àâòîð: M.A. Natanson
Íàçâàíèå: A Critique of Jean-Paul Sartre`s Ontology
ISBN: 9024714907 ISBN-13(EAN): 9789024714902
Èçäàòåëüñòâî: Springer
Ðåéòèíã:
Öåíà: 18167.00 ð.
Íàëè÷èå íà ñêëàäå: Åñòü ó ïîñòàâùèêà Ïîñòàâêà ïîä çàêàç.

Îïèñàíèå: As Sartre writes: "Most people who use the word existentialism would be em- barrased if they had to explain it, since, now that the word is all the rage, even the work of a musician or painter is being called existentialist.

Color Ontology and Color Science

Àâòîð: Cohen Jonathan, Matthen Mohan
Íàçâàíèå: Color Ontology and Color Science
ISBN: 0262513757 ISBN-13(EAN): 9780262513753
Èçäàòåëüñòâî: MIT Press
Ðåéòèíã:
Öåíà: 8465.00 ð.
Íàëè÷èå íà ñêëàäå: Åñòü ó ïîñòàâùèêà Ïîñòàâêà ïîä çàêàç.

Îïèñàíèå:

Leading philosophers and scientists consider what conclusions about color can be drawn when the latest analytic tools are applied to the most sophisticated color science.

Philosophers and scientists have long speculated about the nature of color. Atomists such as Democritus thought color to be "conventional," not real; Galileo and other key figures of the Scientific Revolution thought that it was an erroneous projection of our own sensations onto external objects. More recently, philosophers have enriched the debate about color by aligning the most advanced color science with the most sophisticated methods of analytical philosophy. In this volume, leading scientists and philosophers examine new problems with new analytic tools, considering such topics as the psychophysical measurement of color and its implications, the nature of color experience in both normal color-perceivers and the color blind, and questions that arise from what we now know about the neural processing of color information, color consciousness, and color language. Taken together, these papers point toward a complete restructuring of current orthodoxy concerning color experience and how it relates to objective reality. Kuehni, Jameson, Mausfeld, and Niederee discuss how the traditional framework of a three-dimensional color space and basic color terms is far too simple to capture the complexities of color experience. Clark and MacLeod discuss the difficulties of a materialist account of color experience. Churchland, Cohen, Matthen, and Westphal offer competing accounts of color ontology. Finally, Broackes and Byrne and Hilbert discuss the phenomenology of color blindness.

Contributors
Justin Broackes, Alex Byrne, Paul M. Churchland, Austen Clark, Jonathan Cohen, David R. Hilbert, Kimberly A. Jameson, Rolf Kuehni, Don I.A. MacLeod, Mohan Matthen, Rainer Mausfeld, Richard Niederee, Jonathan Westphal


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