Twenty-first century african american novel and the critique of whiteness in everyday life, Demirturk, E. Lale
Автор: Demirturk Emine Lale Название: Contemporary African-American Novel ISBN: 1611475309 ISBN-13(EAN): 9781611475302 Издательство: Неизвестно Рейтинг: Цена: 27588.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Multiple Cities, Multiple Subjectivities in the Contemporary African American Novel: Discursive Practices of Whiteness in Everyday Urban Encounters examines the post-1990s African American novels, namely the "neo-urban novel," developing a new urban discourse for the 21st century on how the city as a social formation impacts black characters through everyday discursive practices of whiteness. The critique of everyday life in a racial context is o important in considering diverse forms of the lived reality of black everyday life in the novelistic representations of the white dominant urban order. Even if the African American novels, studied in this book, are not all published in post-9/11, they help us see where the lack of interactional social relations has led Americans to where they are, namely the culture of fear, seeing all people of color as an ominous threat. African American fictional representations of the city have political significance in that the "neo-urban novel" explores the nature, indeed the very possibility of a dialogic communication with the American society at large. The book explores the need to understand how whiteness works, what it forecloses, and what it occasionally opens up in everyday life in American society. The book consists of seven chapters on Walter Mosley s Devil in a Blue Dress (1990) and Little Scarlet (2004), John Edgar Wideman s Two Cities (1998), Percival Everett s I am Not Sidney Poitier (2009), Martha Southgate s The Fall of Rome (2002), Asha Bandele s Daughter (2003), and Michael Thomas Man Gone Down (2007) that explore how the strategic employment of blackness can offer ways of subverting the discursive power of the white embodied self. These novels also probe how the relationship of a white person to his/her own self changes, once s/he is undone, and becomes, to a certain extent unknowable. All in all, it is impossible to erase the color-lines by all means in the US as much as across the globe, but this book may contribute to finding new ways/strategies of deconstructing, hopefully unconstructing in the long run, racial hierarchies in an attempt to expand the boundaries of the ongoing critique of racism, neocolonialism, and globalization (built upon the white supremacist vision) in the 20th and 21st centuries.
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