Описание: The very strange but nevertheless true story of the dark underbelly of a 1960s hippie utopia. Laurel Canyon in the 1960s and early 1970s was a magical place where a dizzying array of musical artists congregated to create much of the music that provided the soundtrack to those turbulent times. Members of bands like the Byrds, the Doors, Buffalo Springfield, the Monkees, the Beach Boys, the Turtles, the Eagles, the Flying Burrito Brothers, Frank Zappa and the Mothers of Invention, Steppenwolf, CSN, Three Dog Night and Love, along with such singer/songwriters as Joni Mitchell, Judy Collins, James Taylor and Carole King, lived together and jammed together in the bucolic community nestled in the Hollywood Hills. But there was a dark side to that scene as well. Many didn't make it out alive, and many of those deaths remain shrouded in mystery to this day. Far more integrated into the scene than most would like to admit was a guy by the name of Charles Manson, along with his murderous entourage. Also floating about the periphery were various political operatives, up-and-coming politicians and intelligence personnel - the same sort of people who gave birth to many of the rock stars populating the canyon. And all the canyon's colorful characters - rock stars, hippies, murderers and politicos - happily coexisted alongside a covert military installation.
Автор: Zimmerman Daniel Название: Shots in the Dark: The Saga of Rocco Balliro ISBN: 1947290517 ISBN-13(EAN): 9781947290518 Издательство: Неизвестно Цена: 3171.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
On a frigid winter night in early 1963, Rocco Anthony Balliro and a pair of associates stormed a darkened apartment on the outskirts of Boston and were immediately embroiled in a deadly shootout with several unseen assailants. Unbeknownst to Rocco at the time, the men who returned his fire were several Boston police officers, waiting in ambush for him. It was, as Rocco later described it, a hastily planned rescue mission that went downhill in a hurry. In the aftermath, his beloved girlfriend and her toddler son lay dead.
Описание: An Edgar Award-winning author's true crime account of a grisly string of killings in Kentucky--and the shocking spectacle of greed that followed.
Kentucky never deserved its Indian appellation "A Dark and Bloody Ground" more than when a small-town physician, seventy-seven-year-old Roscoe Acker, called in an emergency on a sweltering evening in August 1985. Acker's own life hung in the balance, but it was already too late for his college-age daughter, Tammy, savagely stabbed eleven times and pinned by a kitchen knife to her bedroom floor. Three men had breached Dr. Acker's alarm and security systems and made off with the fortune he had stashed away over his lifetime.
The killers--part of a three-man, two-woman gang of the sort not seen since the Barkers--stopped counting the moldy bills when they reached $1.9 million. The cash came in handy soon after when they were caught and needed to lure Kentucky's most flamboyant lawyer, the celebrated and corrupt Lester Burns, into representing them. Full of colorful characters and desperate deeds, A Dark and Bloody Ground is a "first-rate" true crime chronicle from the author of Murder in Little Egypt (Kirkus Reviews).
"An arresting look into the troubled psyches of these criminals and into the depressed Kentucky economy that became fertile territory for narcotics dealers, theft rings and bootleggers." --Publishers Weekly
"The smell of wet, coal-laden earth, white lightning, and cocaine-driven sweat arises from these marvelously atmospheric--and compelling--pages." --Kirkus Reviews
"O'Brien creates a fascinating portrait of the mountain way of life and thought that forged the lives of these criminals." --Library Journal
The intrigue began with a triple homicide in a luxury apartment building just steps from the Champs-Elyse s, in March 1887. A high-class prostitute and two others, one of them a child, had been stabbed to death--the latest in a string of unsolved murders targeting women of the Parisian demimonde. Newspapers eagerly reported the lurid details, and when the police arrested Enrico Pranzini, a charismatic and handsome Egyptian migrant, the story became an international sensation. As the case descended into scandal and papers fanned the flames of anti-immigrant politics, the investigation became thoroughly enmeshed with the crisis-driven political climate of the French Third Republic and the rise of xenophobic right-wing movements.
Aaron Freundschuh's account of the "Pranzini Affair" recreates not just the intricacies of the investigation and the raucous courtroom trial, but also the jockeying for status among rival players--reporters, police detectives, doctors, and magistrates--who all stood to gain professional advantage and prestige. Freundschuh deftly weaves together the sensational details of the case with the social and political undercurrents of the time, arguing that the racially charged portrayal of Pranzini reflects a mounting anxiety about the colonial "Other" within France's own borders. Pranzini's case provides a window into a transformational decade for the history of immigration, nationalism, and empire in France.
The intrigue began with a triple homicide in a luxury apartment building just steps from the Champs-Elyse s, in March 1887. A high-class prostitute and two others, one of them a child, had been stabbed to death--the latest in a string of unsolved murders targeting women of the Parisian demimonde. Newspapers eagerly reported the lurid details, and when the police arrested Enrico Pranzini, a charismatic and handsome Egyptian migrant, the story became an international sensation. As the case descended into scandal and papers fanned the flames of anti-immigrant politics, the investigation became thoroughly enmeshed with the crisis-driven political climate of the French Third Republic and the rise of xenophobic right-wing movements.
Aaron Freundschuh's account of the "Pranzini Affair" recreates not just the intricacies of the investigation and the raucous courtroom trial, but also the jockeying for status among rival players--reporters, police detectives, doctors, and magistrates--who all stood to gain professional advantage and prestige. Freundschuh deftly weaves together the sensational details of the case with the social and political undercurrents of the time, arguing that the racially charged portrayal of Pranzini reflects a mounting anxiety about the colonial "Other" within France's own borders. Pranzini's case provides a window into a transformational decade for the history of immigration, nationalism, and empire in France.
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