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Contemporary choreography, 


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Название:  Contemporary choreography
ISBN: 9781138679986
Издательство: Taylor&Francis
Классификация:

ISBN-10: 1138679984
Обложка/Формат: Paperback
Страницы: 572
Вес: 0.79 кг.
Дата издания: 11.12.2017
Язык: English
Издание: 2 ed
Иллюстрации: 5 tables, black and white
Размер: 159 x 235 x 29
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Dance, PERFORMING ARTS / Dance / General
Подзаголовок: A critical reader
Рейтинг:
Поставляется из: Европейский союз
Описание:

Fully revised and updated, this second edition of Contemporary Choreography presents a range of articles covering choreographic enquiry, investigation into the creative process, and innovative challenges to traditional understandings of dance making.

Contributions from a global range of practitioners and researchers address a spectrum of concerns in the field, organized into seven broad domains:

  • Conceptual and philosophical concerns
  • Processes of making
  • Dance dramaturgy: structures, relationships, contexts
  • Choreographic environments
  • Cultural and intercultural contexts
  • Challenging aesthetics
  • Choreographic relationships with technology.

Including 23 new chapters and 10 updated ones, Contemporary Choreography captures the essence and progress of choreography in the twenty-first century, supporting and encouraging rigorous thinking and research for future generations of dance practitioners and scholars.




      Старое издание

Social choreography

Автор: Hewitt, Andrew
Название: Social choreography
ISBN: 082233514X ISBN-13(EAN): 9780822335146
Издательство: Wiley EDC
Рейтинг:
Цена: 4803.00 р.
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Описание:

Through the concept of “social choreography” Andrew Hewitt demonstrates how choreography has served not only as metaphor for modernity but also as a structuring blueprint for thinking about and shaping modern social organization. Bringing dance history and critical theory together, he shows that ideology needs to be understood as something embodied and practiced, not just as an abstract form of consciousness. Linking dance and the aesthetics of everyday movement—such as walking, stumbling, and laughter—to historical ideals of social order, he provides a powerful exposition of Marxist debates about the relation of ideology and aesthetics.

Hewitt focuses on the period between the mid-nineteenth century and the early twentieth and considers dancers and social theorists in Germany, Britain, France, and the United States. Analyzing the arguments of writers including Friedrich Schiller, Theodor Adorno, Hans Brandenburg, Ernst Bloch, and Siegfried Kracauer, he reveals in their thinking about the movement of bodies a shift from an understanding of play as the condition of human freedom to one prioritizing labor as either the realization or alienation of embodied human potential. Whether considering understandings of the Charleston, Isadora Duncan, Nijinsky, or the famous British chorus line the Tiller Girls, Hewitt foregrounds gender as he uses dance and everyday movement to rethink the relationship of aesthetics and social order.


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