Автор: Kimberly Kattari Название: Psychobilly: Subcultural Survival ISBN: 1439918597 ISBN-13(EAN): 9781439918593 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 12477.00 р. Наличие на складе: Нет в наличии.
Описание:
“I got 1-2-3-4 psychobilly DNA”—Norm and the Nightmarez Call it punk rockabilly with science-fiction horror lyrics. The outsider musical genre known as psychobilly, which began in 1980s Britain, fuses punk, heavy metal, new wave, and shock rock with carnivalesque elements. The participants in this underground scene sport coffin tattoos and 1950s fashions. Bands such as The Meteors, Nekromantix, and Demented Are Go play with a wild energy and a fast tempo. Sometimes fake blood runs down a performer’s mouth.
Psychobilly is ethnomusicologist Kimberly Kattari’s fascinating, decade-long study of this little-known anti-mainstream genre. She provides a history and introduces readers to the core aspects of the music as she interviews passionate performers and fans. Kattari seeks to understand how psychobilly so strongly affects—and reflects—its participants’ lives and identities so strongly. She observes that it provides not only a sense of belonging but a response to feelings and experiences of socio-economic marginalization and stigmatization.
Psychobilly shows how this subculture organized around music furnishes an outlet for members to resist normative expectations and survive; they adhere to their own rules by having a good time while going through a hard time.
Автор: Kattari Kimberly Название: Psychobilly: Subcultural Survival ISBN: 1439918600 ISBN-13(EAN): 9781439918609 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4132.00 р. Наличие на складе: Нет в наличии.
Описание:
“I got 1-2-3-4 psychobilly DNA”—Norm and the Nightmarez Call it punk rockabilly with science-fiction horror lyrics. The outsider musical genre known as psychobilly, which began in 1980s Britain, fuses punk, heavy metal, new wave, and shock rock with carnivalesque elements. The participants in this underground scene sport coffin tattoos and 1950s fashions. Bands such as The Meteors, Nekromantix, and Demented Are Go play with a wild energy and a fast tempo. Sometimes fake blood runs down a performer’s mouth.
Psychobilly is ethnomusicologist Kimberly Kattari’s fascinating, decade-long study of this little-known anti-mainstream genre. She provides a history and introduces readers to the core aspects of the music as she interviews passionate performers and fans. Kattari seeks to understand how psychobilly so strongly affects—and reflects—its participants’ lives and identities so strongly. She observes that it provides not only a sense of belonging but a response to feelings and experiences of socio-economic marginalization and stigmatization.
Psychobilly shows how this subculture organized around music furnishes an outlet for members to resist normative expectations and survive; they adhere to their own rules by having a good time while going through a hard time.
Автор: Reynolds, Robert Название: Hepcats & rockabilly boys ISBN: 0359046150 ISBN-13(EAN): 9780359046157 Издательство: Неизвестно Рейтинг: Цена: 3420.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Decharne Max Название: Rocket in My Pocket ISBN: 1846687217 ISBN-13(EAN): 9781846687211 Издательство: Profile Рейтинг: Цена: 2124.00 р. Наличие на складе: Поставка под заказ.
Описание: This is the first collection of essays bringing together Deleuzian philosophy and postcolonial theory. Bignall and Patton assemble some of the world`s leading figures in these fields - including Reda Bensmaia, Timothy Bewes, Rey Chow, Philip Leonard, Nick Nesbitt, John K. Noyes, Patricia Pisters, Marcelo Svirsky and Simon Tormey - to explore rich linkages between two previously unrelated areas of study. . They deal with colonial and postcolonial social, cultural and political issues in Asia, Africa, the Americas, Australia and Palestine. Topics include colonial government, nation building and ethics in the contemporary context of globalisation and decolonisation; issues relating to resistance, transformation and agency; and questions of `representation` and discursive power as practiced through postcolonial art, cinema and literature. . This book constitutes a timely intervention to debates in poststructuralist, postcolonial and postmodern studies. It will be of interest to students in cultural studies, cinema and film studies, languages and literature, political and postcolonial studies, critical theory, social and political philosophy..
Автор: Greil Marcus Название: Rockabilly ISBN: 0760340625 ISBN-13(EAN): 9780760340622 Издательство: Hachette UK Рейтинг: Цена: 2257.00 р. Наличие на складе: Поставка под заказ.
Описание: It was the twang heard 'round the world: Rockabilly was born out of country, bluegrass, jazz, and the blues in the 1950s, becoming rock 'n' roll and ruling the world. Here's the story of Elvis Presley's first Sun records that inspired all. And here's Carl Perkins, Gene Vincent, Eddie Cochran, Jerry Lee Lewis, Johnny Cash, Roy Orbison, and many more rockabillies from the golden years of 1955-1959, in a book chock full of photos, collectible memorabilia, movie posters, rare records, fashion, and rebel lifestyle.
The story continues today, with a rockabilly revival that began with stars, such as the Stray Cats and Robert Gordon, spreading around the globe from Europe to Japan. Today, rockabilly is better than ever, with bands like Rev. Horton Heat and others playing the music and living the life from Memphis to Helsinki to Tokyo.
Welcome to the cool side of the 1950s, where the fast cars and revved-up movie monsters peel out in the night. Where outlaw vixens and jukebox tramps square off with razorblades and lead pipes. Where rockers rock, cool cats strut, and hot rods roar. Where you howl to the moon as the tiki drums pound and the electric guitar shrieks and that spit-and-holler jamboree ain't gonna stop for a long, long time . . . maybe never.
This is the '50s where ghost shows still travel the back roads of the south, and rockabilly has a hold on the nation's youth; where lucky hearts tell the tale, and maybe that fella in the Shriners' fez ain't so square after all. Where exist noir detectives of the supernatural, tattoo artists of another kind, Hollywood fix-it men, and a punk kid with grasshopper arms under his chain-studded jacket and an icy stare on his face.
This is the '50s of Pop the Clutch: Thrilling Tales of Rockabilly, Monsters, and Hot Rod Horror. This is your ticket to the dark side of American kitsch . . . the fun and frightful side
Table of Contents includes:
"The Golden Girls of Fall" by Seanan McGuire "Sea Lords of the Columbia" by Weston Ochse "Tremble" by Kasey Lansdale and Joe R. Lansdale "The Demon of the Track" by Gary Phillips "Outlawed Ink" by Jason Starr "We Might Be Giants" by Nancy Holder "Universal Monster" by Duane Swierczynski "Draggers" by David J. Schow "The Starlite Drive-In" by John M. Floyd "Dr. Morbismo's InsaniTERRORium Horror Show" by Lisa Morton "Hot Babe" by Bill Pronzini "The Prom Tree" by Yvonne Navarro "I'm with the Band" by Steve Perry "Mystery Train: An Arcane Investigation" by Max Allan Collins and Matthew V. Clemens "Lab Experiment Turf War" by Jeff Strand "The She-Creature" by Amelia Beamer "Fish out of Water" by Will Viharo "I Was a Teenage Shroom Fiend" by Brian Hodge
Vocals tinged with pain and desperation. The deep thuds of an upright bass. Women with short bangs and men in cuffed jeans. These elements and others are the unmistakable signatures of rockabilly, a musical genre normally associated with white male musicians of the 1950s. But in Los Angeles today, rockabilly's primary producers and consumers are Latinos and Latinas. Why are these "Razabillies" partaking in a visibly "un-Latino" subculture that's thought of as a white person's fixation everywhere else?
As a Los Angeles Rockabilly insider, Nicholas F. Centino is the right person to answer this question. Pairing a decade of participant observation with interviews and historical research, Centino explores the reasons behind a Rockabilly renaissance in 1990s Los Angeles and demonstrates how, as a form of working-class leisure, this scene provides Razabillies with spaces of respite and conviviality within the alienating landscape of the urban metropolis. A nuanced account revealing how and why Los Angeles Latinas/os have turned to and transformed the music and aesthetic style of 1950s rockabilly, Razabilly offers rare insight into this musical subculture, its place in rock and roll history, and its passionate practitioners.
Vocals tinged with pain and desperation. The deep thuds of an upright bass. Women with short bangs and men in cuffed jeans. These elements and others are the unmistakable signatures of rockabilly, a musical genre normally associated with white male musicians of the 1950s. But in Los Angeles today, rockabilly's primary producers and consumers are Latinos and Latinas. Why are these "Razabillies" partaking in a visibly "un-Latino" subculture that's thought of as a white person's fixation everywhere else?
As a Los Angeles Rockabilly insider, Nicholas F. Centino is the right person to answer this question. Pairing a decade of participant observation with interviews and historical research, Centino explores the reasons behind a Rockabilly renaissance in 1990s Los Angeles and demonstrates how, as a form of working-class leisure, this scene provides Razabillies with spaces of respite and conviviality within the alienating landscape of the urban metropolis. A nuanced account revealing how and why Los Angeles Latinas/os have turned to and transformed the music and aesthetic style of 1950s rockabilly, Razabilly offers rare insight into this musical subculture, its place in rock and roll history, and its passionate practitioners.
Welcome to the cool side of the 1950s, where the fast cars and revved-up movie monsters peel out in the night. Where outlaw vixens and jukebox tramps square off with razorblades and lead pipes. Where rockers rock, cool cats strut, and hot rods roar. Where you howl to the moon as the tiki drums pound and the electric guitar shrieks and that spit-and-holler jamboree ain't gonna stop for a long, long time . . . maybe never.
This is the '50s where ghost shows still travel the back roads of the south, and rockabilly has a hold on the nation's youth; where lucky hearts tell the tale, and maybe that fella in the Shriners' fez ain't so square after all. Where exist noir detectives of the supernatural, tattoo artists of another kind, Hollywood fix-it men, and a punk kid with grasshopper arms under his chain-studded jacket and an icy stare on his face.
This is the '50s of Pop the Clutch: Thrilling Tales of Rockabilly, Monsters, and Hot Rod Horror. This is your ticket to the dark side of American kitsch . . . the fun and frightful side
Table of Contents includes:
"The Golden Girls of Fall" by Seanan McGuire "Sea Lords of the Columbia" by Weston Ochse "Tremble" by Kasey Lansdale and Joe R. Lansdale "The Demon of the Track" by Gary Phillips "Outlawed Ink" by Jason Starr "We Might Be Giants" by Nancy Holder "Universal Monster" by Duane Swierczynski "Draggers" by David J. Schow "The Starlite Drive-In" by John M. Floyd "Dr. Morbismo's InsaniTERRORium Horror Show" by Lisa Morton "Hot Babe" by Bill Pronzini "The Prom Tree" by Yvonne Navarro "I'm with the Band" by Steve Perry "Mystery Train: An Arcane Investigation" by Max Allan Collins and Matthew V. Clemens "Lab Experiment Turf War" by Jeff Strand "The She-Creature" by Amelia Beamer "Fish out of Water" by Will Viharo "I Was a Teenage Shroom Fiend" by Brian Hodge
Discover 100 Licks to Supercharge your Rockabilly Guitar Playing
Struggling to master the authentic Rockabilly guitar sound?
With its roots in early Rock 'n' Roll, Country and Rhythm & Blues, the Rockabilly revolution is still going strong... and there's no one more qualified to teach it than Rockabilly expert Darrel Higham, whose credits include Jeff Beck, Brian Setzer and Imelda May.
In this book, you'll quickly master the iconic rockabilly guitar style through 100 lead licks and essential rhythms.
Capture the Style of the Rockabilly Pioneers
Darrel Higham shares his encyclopaedic knowledge to teach you exactly how the pioneers of this music thought and played. Want to know how your favourite player created their iconic licks? Get unparalleled insight into the playing styles of the Rockabilly legends:
Eddie Cochran
Scotty Moore
Cliff Gallup
Joe Maphis
Grady Martin
Brian Setzer
Rockabilly Signature Licks
You'll begin by learning the essential vocabulary of Rockabilly and discover classic "building block" phrases to quickly build your chops, along with just enough theory to help you create your own authentic sounding lines.
Next, you'll master the essential rhythm guitar playing skills of Rockabilly so you can groove with any band.
Advanced Rockabilly Soloing Techniques
As your Rockabilly guitar skills continue to develop, the language gets more advanced as you learn intricate licks based around Rockabilly techniques like:
Fast hammer-on and pull-off licks
Banjo roll techniques for rhythm and lead guitar
Combining guitar techniques to build solos
Full-Length Rockabilly Solos
To round off your Rockabilly masterclass, you'll learn to play no less than 12 full-length Rockabilly soloing studies that demonstrate how to combine each technique into exciting, attention grabbing and musical solos.
It's all here, from aggressive Rock 'n' Roll to amazing Travis picked and banjo rolled performances.
Bonus 1 - Not just a "100 licks" book, 100 Rockabilly Licks for Guitar contains over a dozen full-length 12-bar blues sequences that put the licks and language into musical focus.
Bonus 2- Discover the perfect Rockabilly guitar gear in the bonus, Guitars, Amps & Effects section
Hear it
100 Licks for Rockabilly Guitar contains over 100 supporting audio examples to help you get inside the music and quickly hear exactly how each lick should be played.
Buy it now
ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
