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Lost in music rle popular music, 


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Название:  Lost in music rle popular music
ISBN: 9781138652736
Издательство: Taylor&Francis
Классификация:

ISBN-10: 1138652733
Обложка/Формат: Paperback
Страницы: 272
Вес: 0.41 кг.
Дата издания: 31.10.2017
Серия: Routledge library editions: popular music
Язык: English
Размер: 155 x 231 x 20
Читательская аудитория: Postgraduate, research & scholarly
Ключевые слова: Rock & Pop music, MUSIC / General,SOCIAL SCIENCE / Media Studies
Подзаголовок: Culture, style and the musical event
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Поставляется из: Европейский союз
Описание: This collection of essays, first published in 1987, provides a sociological treatment of many musical forms – rock, jazz, classical – with special emphasis on the perspective of the practising musician. Among the topics covered are the legal structures governing musical production and the question of copyright; recording and production technology; the social character of musical style; and the impact of lyrical content, considered socially and historically.


Popular music, gender and postmodernism

Автор: Nehring, Neil
Название: Popular music, gender and postmodernism
ISBN: 0761908366 ISBN-13(EAN): 9780761908364
Издательство: Sage Publications
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Цена: 13306.00 р.
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Описание: This work documents the damage done by the migration of academic ideas into music journalism. The author synthesizes a number of fields including American and British academic and journalistic music criticism and aesthetic and literary history and theory from romanticism through to postmodernism.

Tin pan alley rle popular music

Автор: Shepherd, John
Название: Tin pan alley rle popular music
ISBN: 113865289X ISBN-13(EAN): 9781138652897
Издательство: Taylor&Francis
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Цена: 5664.00 р.
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Описание: In Tin Pan Alley we see the beginnings of the pop world as we now know it: commercial, constantly capturing, exploiting or even occasionally creating a public mood. The Alleymen were workers as much as artists. This book, first published in 1982, explores how the change occurred, the ways in which songwriters organised themselves to get greater control over their products, the social circumstances that influenced their choice of subject-matter, the new forms, such as the integrated musical, developed for maximum appeal, the vast publicity structure built to market the merchandise, and, of course, the many stars who came to fame by taking a walk down the Alley.

Analyzing Popular Music

Автор: Edited by Allan F. Moore
Название: Analyzing Popular Music
ISBN: 052177120X ISBN-13(EAN): 9780521771207
Издательство: Cambridge Academ
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Цена: 14256.00 р.
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Описание: How do we know music? We perform it, we compose it, we sing it in the shower, we cook, sleep and dance to it. This book represents the culmination of such shared processes. Each of these essays, written by leading writers on popular music, is analytical in some sense, but none of them treats analysis as an end in itself.

Pop: A History of Popular Music in America

Автор: Hajdu David
Название: Pop: A History of Popular Music in America
ISBN: 0374170533 ISBN-13(EAN): 9780374170530
Издательство: Holtzbrink(MPS)/MPS
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Цена: 2483.00 р.
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Описание:

A personal, idiosyncratic history of popular music that also may well be definitive, from the revered music critic

David Hajdu begins "Love for Sale," his personal history of recorded pop music, in an unexpected place--not with nostalgic reminiscences of the 45s of his youth but with the sheet-music era at the end of the nineteenth century. It was not so much the beginning of popular music--many songs were already popular--as it was the beginning of the popular music industry." "And if he's going to understand what his 45s meant to him, this is the place to start: the rise of Tin Pan Alley, of minstrelsy, of million-copy sellers and one-hit wonders and cultural arbiters decrying the baseness, simplicity, and signs of the end of times in popular music.

From there, Hajdu takes us on more unexpected routes through the history of pop music--back to Alexander Graham Bell and the invention of records . . . and to his grandmother's collection of Italian crooners on shellac records that young Hajdu liberated from her New Jersey basement. And neither Italians nor New Jersey are incidental to his story--not just because of Frank Sinatra but because Hajdu's mom, a waitress in a chrome-clad diner on Route 22, helped shape the fate of a budding young music critic by introducing him to one of the diner's most prominent patrons, the writer of the timeless song "I'm from New Jersey."

"Love for Sale" does ultimately spin through more familiar territory--the Cotton Club, the rise of radio, the battle of disco versus punk for the soul of New York as Hajdu made his chops as a critic, the rise of hip-hop, and the current atomization of the music landscape--but it is always with a unique, insightful, and eloquently presented point of view, as one would expect from one of our most celebrated music critics.

Art into pop rle popular music

Автор: Frith, Simon Horne, Howard
Название: Art into pop rle popular music
ISBN: 1138652687 ISBN-13(EAN): 9781138652682
Издательство: Taylor&Francis
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Цена: 5664.00 р.
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Описание:

This book, first published in 1987, tells the intriguing and culturally complex story of the art school influence on postwar British popular music. Following Romantic attitudes from life class to recording studio, it focuses on two key moments - the early 1960s, when art students like John Lennon and Eric Clapton begin to play their own versions of American rock and blues and inflected youth music with Bohemian dreams, and the late 1970s, when punk musicians emerged from design courses and fashion departments to disrupt what were, by then, art-rock routines.

Sixties rock Bohemians and seventies pop Situationists were, in their different ways, trying to solve the art students' perennial problem - how to make a living from their art. Art Into Pop shows how this problem has been shaped by the history of British art education, from its nineteenth-century origins to current arguments about 'pure' and 'applied' training. In their simultaneous pursuit of authenticity and artifice, art school musicians exemplify the postmodern condition, the collapse of any distinction between 'high' and 'low' culture, the confusions of personal and commercial creativity. And so high pop theorists rub shoulders here with low pop practitioners, experimental musicians debate avant-garde ideas with corporate packagers, and artistic integrity becomes a matter of making oneself up.


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