Описание: Chosen by design expert Fr d ric Chambre, this selection of furniture designs unspools like the frames of a film, an epic picture composed of one hundred years of creative innovations in form, materials, and techniques. This hand-bound oversize luxury edition, presented in a linen clamshell case, traces the development of twentieth-century design from the Art Nouveau and Arts and Crafts movements through Bauhaus and Art Deco, Pop Art and the Memphis school, to today's digital age, illustrating the dynamic story of a groundbreaking century through the evolution of everyday human objects.
Описание: For years contemporary architects have been inundated with hype about the radical changes expected as a result of technological innovation and the proliferation of new digital tools and techniques. Though architects acknowledge that advances in computing are having a profound impact on architecture, the nature of that impact remains a subject of ongoing debate. Many noteworthy books are available that document the growing field of digital design and manufacturing, but few of these books address the truly broad range of issues that grow out of these emerging technological innovations. Fabricating Architecture gathers together for the first time twelve key essays by important critics, theorists, and architects, such as Martin Bechthold, Achim Menges, Kiel Moe, and Amanda Reeser Lawrence. Editor Robert Corser's concise analysis of each essay guides readers through the lively debate surrounding this topic.
Описание: This collection of groundbreaking campaigns and industry insights from the world`s leading design studios shows how today`s graphic designers are thinking, collaborating, and breaking the rules.
Digital Architecture Beyond Computers explores the deep history of digital architecture, tracing design concepts as far back as the Renaissance and connecting them with the latest software used by designers today. It develops a critical account of how the tools and techniques of digital design have emerged, and allows designers to deepen their understanding of the digital tools they use every day.
What aesthetic, spatial, and philosophical concepts converge within the digital tools architects employ? What is their history? And what kinds of techniques and designs have they given rise to? This book explores the answers to these questions, showing how digital architecture brings together complex ideas and trajectories which span across several domains and have evolved over many centuries. It sets out to unpack these ideas, trace their origin and permeation into architecture, and re-examine their use in contemporary software.
Chapters are arranged around the histories of nine 'fragments' - each a fundamental concept embedded in popular CAD applications: database, layers and fields, parametrics, pixel, programme, randomness, scanning, topology, and voxel/maxel - with each theme examined through a series of historical and contemporary case studies. The book thus connects the digital design process with architectural history and theory, allowing designers and theorists alike to develop more analytical and critical tools with which to conceptualise digital design and its software.
Автор: Lars Spuybroek Название: The Sympathy of Things: Ruskin and the Ecology of Design ISBN: 147424386X ISBN-13(EAN): 9781474243865 Издательство: Bloomsbury Academic Рейтинг: Цена: 20592.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
'If there is one thing we can learn from John Ruskin, it is that each age must find its own way to beauty' writes Lars Spuybroek in The Sympathy of Things, his ground-breaking work which proposes a radical new aesthetics for the digital era.
Spuybroek argues that we must 'undo' the twentieth century and learn to understand the aesthetic insights of the nineteenth-century art critic John Ruskin, from which he distils pointers for the contemporary age. Linking philosophy, design, and the digital, with art history, architecture, and craft, Spuybroek explores the romantic notion of 'sympathy', a core concept in Ruskin's aesthetics, re-evaluating it as the driving force of the twenty-first century aesthetic experience. For Ruskin, beauty always comprises variation, imperfection and fragility, three concepts that wholly disappeared from our mindsets during the twentieth century, but which Spuybroek argues to be central to contemporary aesthetics and design.
Revised throughout, and a new foreword by philosopher Brian Massumi, this is a new edition of a seminal work which has drawn praise from fields as diverse as digital architecture and speculative realism, and will continue to be influential as it wrests Ruskin's ideas out of the Victorian era and reconstructs them for the modern age.
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