Описание: Explores the actions of the radical Roman Catholic antinuclear activist group Plowshares. Focuses on the closely interwoven religious and social significance of the group`s actions and subsequent legal trials, which rely on performances of moral distinction to achieve the activists` aims.
The Jazz Age, a phenomenon that shaped American leisure culture in the early twentieth century, coincided with the growth of Kansas City, Missouri, from frontier town to metropolitan city. Though Kansas City’s music, culture, and stars are well covered, Queering Kansas City Jazz supplements the grand narrative of jazz history by including queer identities in the city’s history while framing the jazz-scene experience in terms of identity and space. Cabarets, gender impressionism clubs, and sites of sex tourism in Kansas City served as world-making spaces for those whose performance of identity transgressed hegemonic notions of gender, sexuality, race, and class. Amber R. Clifford-Napoleone takes an interdisciplinary approach to provide a critical deconstruction of how the jazz scene offered a space for nonnormative gender practice and performance and acted as a site of contested identity and spatial territory.
Few books examine the changing ideas about gender in the turn-of-the-century Great Plains, under the false assumption that people in middle-American places experienced cultural shifts only as an aftershock of events on the coasts. This approach overlooks the region’s contested territories, identities, and memories and fails to adequately explain the social and cultural disruptions experienced on the plains. Clifford-Napoleone rectifies this oversight and shows how Kansas City represents the complexity of the jazz scene in America as a microcosm of all the other people who made the culture, clubs, music, and cabarets of the age possible.
In eighteenth-century England, actresses were frequently dismissed as mere prostitutes trading on their sexual power rather than their talents. Yet they were, Felicity Nussbaum argues, central to the success of a newly commercial theater. Urban, recently moneyed, and thoroughly engaged with their audiences, celebrated actresses were among the first women to achieve social mobility, cultural authority, and financial independence. In fact, Nussbaum contends, the eighteenth century might well be called the "age of the actress" in the British theater, given women's influence on the dramatic repertory and, through it, on the definition of femininity. Treating individual star actresses who helped spark a cult of celebrity—especially Anne Oldfield, Susannah Cibber, Catherine Clive, Margaret Woffington, Frances Abington, and George Anne Bellamy—Rival Queens reveals the way these women animated issues of national identity, property, patronage, and fashion in the context of their dramatic performances. Actresses intentionally heightened their commercial appeal by catapulting the rivalries among themselves to center stage. They also boldly challenged in importance the actor-managers who have long dominated eighteenth-century theater history and criticism. Felicity Nussbaum combines an emphasis on the actresses themselves with close analysis of their diverse roles in works by major playwrights, including George Farquhar, Nicholas Rowe, Colley Cibber, Arthur Murphy, David Garrick, Isaac Bickerstaff, and Richard Sheridan. Hers is a comprehensive and original argument about the importance of actresses as the first modern subjects, actively shaping their public identities to make themselves into celebrated properties.
Описание: "In the immediate aftermath of the Civil War, the North assumed significant power to redefine the South, imagining a region rebuilt and modeled on northern society. The white South actively resisted these efforts, battling the legal strictures of Reconstruction on the ground. Meanwhile, white southern storytellers worked to recast the South`s image, romanticizing the Lost Cause and heralding the birth of a New South. Prince argues that this cultural production was as important as political competition and economic striving in turning the South and the nation away from the egalitarian promises of Reconstruction and toward Jim Crow"--
Описание: In the immediate aftermath of the Civil War, the character of the South, and even its persistence as a distinct region, was an open question. During Reconstruction, the North assumed significant power to redefine the South, imagining a region rebuilt and modeled on northern society. The white South actively resisted these efforts, battling the legal strictures of Reconstruction on the ground. Meanwhile, white southern storytellers worked to recast the South's image, romanticizing the Lost Cause and heralding the birth of a New South. In Stories of the South, K. Stephen Prince argues that this cultural production was as important as political competition and economic striving in turning the South and the nation away from the egalitarian promises of Reconstruction and toward Jim Crow.Examining novels, minstrel songs, travel brochures, illustrations, oratory, and other cultural artifacts produced in the half century following the Civil War, Prince demonstrates the centrality of popular culture to the reconstruction of southern identity, shedding new light on the complicity of the North in the retreat from the possibility of racial democracy.
Описание: What makes us what we are? How does our gender affect our identity? Who are our heroes and heroines and how do they mould the decisions we make and the way we live our lives? In what ways does our connection - or lack there of - to our birth religion shape our adult selves? This book deals with these questions.
Описание: This is the first analysis of periodicals’ key role in U.S. feminism’s formation as a collective identity and set of political practices in the 1970s. Between 1968 and 1973, more than five hundred different feminist newsletters and newspapers were published in the United States. Agatha Beins shows that the repetition of certain ideas in these periodicals—ideas about gender, race, solidarity, and politics—solidified their centrality to feminism.Beins focuses on five periodicals of that era, comprising almost three hundred different issues: Distaff (New Orleans, Louisiana); Valley Women’s Center Newsletter (Northampton, Massachusetts); Female Liberation Newsletter (Cambridge, Massachusetts); Ain’t I a Woman? (Iowa City, Iowa); and L.A. Women’s Liberation Newsletter, later published as Sister (Los Angeles, California). Together they represent a wide geographic range, including some understudied sites of feminism. Beins examines the discourse of sisterhood, images of women of color, feminist publishing practices, and the production of feminist spaces to demonstrate how repetition shaped dominant themes of feminism’s collective identity. Beins also illustrates how local context affected the manifestation of ideas or political values, revealing the complexity and diversity within feminism.With much to say about the study of social movements in general, Liberation in Print shows feminism to be a dynamic and constantly emerging identity that has grown, in part, out of a tension between ideological coherence and diversity. Beins’s investigation of repetition offers an innovative approach to analyzing collective identity formation, and her book points to the significance of print culture in activist organizing.
Описание: Previous studies of tombstones and inscriptions dedicated to divinities have focused on methods of assigning names in Roman society, the age at marriage and death of demographic populations across the Roman Empire, relations of kinship, marriage, amity and dependence among elite and sub-altern families and communities, and the performance of acts in accordance with traditional forms of belief and custom. The present volume wishes to ask what conclusions can be drawn from the corpus of private Latin inscriptions from Roman Italy about the identity, social condition and cultural activity of men and women participating in the process of epigraphic commemoration and dedication. In particular, this study hopes to demonstrate that women participated as significantly as men in the process in a variety of ways and contexts usually regarded as prominently or exclusively male, and in certain circumstances left behind the trace or residue of a uniquely female perspective on their world
Описание: This is the first analysis of periodicals’ key role in U.S. feminism’s formation as a collective identity and set of political practices in the 1970s. Between 1968 and 1973, more than five hundred different feminist newsletters and newspapers were published in the United States. Agatha Beins shows that the repetition of certain ideas in these periodicals—ideas about gender, race, solidarity, and politics—solidified their centrality to feminism.Beins focuses on five periodicals of that era, comprising almost three hundred different issues: Distaff (New Orleans, Louisiana); Valley Women’s Center Newsletter (Northampton, Massachusetts); Female Liberation Newsletter (Cambridge, Massachusetts); Ain’t I a Woman? (Iowa City, Iowa); and L.A. Women’s Liberation Newsletter, later published as Sister (Los Angeles, California). Together they represent a wide geographic range, including some understudied sites of feminism. Beins examines the discourse of sisterhood, images of women of color, feminist publishing practices, and the production of feminist spaces to demonstrate how repetition shaped dominant themes of feminism’s collective identity. Beins also illustrates how local context affected the manifestation of ideas or political values, revealing the complexity and diversity within feminism.With much to say about the study of social movements in general, Liberation in Print shows feminism to be a dynamic and constantly emerging identity that has grown, in part, out of a tension between ideological coherence and diversity. Beins’s investigation of repetition offers an innovative approach to analyzing collective identity formation, and her book points to the significance of print culture in activist organizing.
Автор: Marsh Ben Название: Georgia`s Frontier Women: Female Fortunes in a Southern Colony ISBN: 0820343404 ISBN-13(EAN): 9780820343402 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4019.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Ranging from Georgia's founding in the 1730s until the American Revolution in the 1770s, Georgia's Frontier Women explores women's changing roles amid the developing demographic, economic, and social circumstances of the colony's settling. Georgia was launched as a unique experiment on the borderlands of the British Atlantic world. Its female population was far more diverse than any in nearby colonies at comparable times in their formation. Ben Marsh tells a complex story of narrowing opportunities for Georgia's women as the colony evolved from uncertainty toward stability in the face of sporadic warfare, changes in government, land speculation, and the arrival of slaves and immigrants in growing numbers.
Marsh looks at the experiences of white, black, and Native American women-old and young, married and single, working in and out of the home. Mary Musgrove, who played a crucial role in mediating colonist-Creek relations, and Marie Camuse, a leading figure in Georgia's early silk industry, are among the figures whose life stories Marsh draws on to illustrate how some frontier women broke down economic barriers and wielded authority in exceptional ways. Marsh also looks at how basic assumptions about courtship, marriage, and family varied over time. To early settlers, for example, the search for stability could take them across race, class, or community lines in search of a suitable partner. This would change as emerging elites enforced the regulation of traditional social norms and as white relationships with blacks and Native Americans became more exploitive and adversarial. Many of the qualities that earlier had distinguished Georgia from other southern colonies faded away.
Автор: Steven M. Stowe Название: Keep the Days: Reading the Civil War Diaries of Southern Women ISBN: 1469640953 ISBN-13(EAN): 9781469640952 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 12415.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Americans wrote fiercely during the Civil War. War surprised, devastated, and opened up imagination, taking hold of Americans' words as well as their homes and families. The personal diary—wildly ragged yet rooted in day following day—was one place Americans wrote their war. Diaries, then, have become one of the best-known, most-used sources for exploring the life of the mind in a war-torn place and time. Delving into several familiar wartime diaries kept by women of the southern slave-owning class, Steven Stowe recaptures their motivations to keep the days close even as war tore apart the brutal system of slavery that had benefited them. Whether the diarists recorded thoughts about themselves, their opinions about men, or their observations about slavery, race, and warfare, Stowe shows how these women, by writing the immediate moment, found meaning in a changing world.In studying the inner lives of these unsympathetic characters, Stowe also explores the importance—and the limits—of historical empathy as a condition for knowing the past, demonstrating how these plain, first-draft texts can offer new ways to make sense of the world in which these Confederate women lived.
2019 Thomas McGann Award for best publication in Latin American Studies
In late nineteenth-century Mexico a woman’s presence in the home was a marker of middle-class identity. However, as economic conditions declined during the Mexican Revolution and jobs traditionally held by women disappeared, a growing number of women began to look for work outside the domestic sphere. As these “angels of the home” began to take office jobs, middle-class identity became more porous.
To understand how office workers shaped middle-class identities in Mexico, From Angel to Office Worker examines the material conditions of women’s work and analyzes how women themselves reconfigured public debates over their employment. At the heart of the women’s movement was a labor movement led by secretaries and office workers whose demands included respect for seniority, equal pay for equal work, and resources to support working mothers, both married and unmarried. Office workers also developed a critique of gender inequality and sexual exploitation both within and outside the workplace. From Angel to Office Worker is a major contribution to modern Mexican history as historians begin to ask new questions about the relationships between labor, politics, and the cultural and public spheres.
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