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Hamish Maccunn (1868-1916): A Musical Life, Oates Jennifer L.


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Автор: Oates Jennifer L.
Название:  Hamish Maccunn (1868-1916): A Musical Life
ISBN: 9780754661832
Издательство: Taylor&Francis
Классификация:

ISBN-10: 0754661830
Обложка/Формат: Hardback
Страницы: 286
Вес: 0.58 кг.
Дата издания: 03.06.2013
Серия: Music in nineteenth-century britain
Язык: English
Размер: 240 x 164 x 25
Читательская аудитория: General (us: trade)
Ключевые слова: Romantic music (c 1830 to c 1900), MUSIC / History & Criticism
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Европейский союз
Описание: As the first comprehensive study of MacCunn`s life, this book illustrates how social and cultural situations, as well as personal relationships, influenced his career. Having risen to fame in the late 1880s with a string of Scottish works.


Hamish maccunn (1868-1916): a musical life

Автор: Oates, Jennifer L.
Название: Hamish maccunn (1868-1916): a musical life
ISBN: 1138278378 ISBN-13(EAN): 9781138278370
Издательство: Taylor&Francis
Рейтинг:
Цена: 8114.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Hamish MacCunn’s career unfolded amidst the restructuring of British musical culture and the rewriting of the Western European political landscape. Having risen to fame in the late 1880s with a string of Scottish works, MacCunn further highlighted his Caledonian background by cultivating a Scottish artistic persona that defined him throughout his life. His attempts to broaden his appeal ultimately failed. This, along with his difficult personality and a series of poor professional choices, led to the slow demise of what began as a promising career. As the first comprehensive study of MacCunn’s life, the book illustrates how social and cultural situations as well as his personal relationships influenced his career. While his fierce loyalty to his friends endeared him to influential people who helped him throughout his career, his refusal of his Royal College of Music degree and his failure to complete early commissions assured him a difficult path. Drawing upon primary resources, Oates traces the development of MacCunn’s music chronologically, juxtaposing his Scottish and more cosmopolitan compositions within a discussion of his life and other professional activities. This picture of MacCunn and his music reveals on the one hand a talented composer who played a role in establishing national identity in British music and, on the other, a man who unwittingly sabotaged his own career.


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