Contemporary Black American Cinema: Race, Gender and Sexuality at the Movies, Mask Mia

Автор: Ian Gregory Strachan, Mia Mask
Название: Poitier Revisited: Reconsidering a Black Icon in the Obama Age
ISBN: 1501319825 ISBN-13(EAN): 9781501319822
Издательство: Bloomsbury Academic
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Цена: 6018.00 р.
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Описание: Sidney Poitier remains one of the most recognizable black men in the world. Widely celebrated but at times criticized for the roles he played during a career that spanned 60 years, there can be no comprehensive discussion of black men in American film, and no serious analysis of 20th century American film history that excludes him. Poitier Revisited offers a fresh interrogation of the social, cultural and political significance of the Poitier oeuvre. The contributions explore the broad spectrum of critical issues summoned up by Poitier's iconic work as actor, director and filmmaker. Despite his stature, Poitier has actually been under-examined in film criticism generally. This work reconsiders his pivotal role in film and American race relations, by arguing persuasively, that even in this supposedly 'post-racial' moment of Barack Obama, the struggles, aspirations, anxieties, and tensions Poitier's films explored are every bit as relevant today as when they were first made.

Автор: Mask Mia
Название: Contemporary Black American Cinema: Race, Gender and Sexuality at the Movies
ISBN: 1138795097 ISBN-13(EAN): 9781138795099
Издательство: Taylor&Francis
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Цена: 7654.00 р.
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Описание:

Contemporary Black American Cinema offers a fresh collection of essays on African American film, media, and visual culture in the era of global multiculturalism. Integrating theory, history, and criticism, the contributing authors deftly connect interdisciplinary perspectives from American studies, cinema studies, cultural studies, political science, media studies, and Queer theory. This multidisciplinary methodology expands the discursive and interpretive registers of film analysis. From Paul Robeson's and Sidney Poitier's star vehicles to Lee Daniels's directorial forays, these essays address the career legacies of film stars, examine various iterations of Blaxploitation and animation, question the comedic politics of "fat suit" films, and celebrate the innovation of avant-garde and experimental cinema.