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Cather Studies, Volume 11: Willa Cather at the Modernist Crux, 


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Название:  Cather Studies, Volume 11: Willa Cather at the Modernist Crux
ISBN: 9780803296992
Издательство: Mare Nostrum (Eurospan)
Классификация:


ISBN-10: 0803296991
Обложка/Формат: Paperback
Страницы: 384
Вес: 0.49 кг.
Дата издания: 01.08.2017
Серия: Cather studies
Язык: English
Иллюстрации: 18 photographs, 1 index
Размер: 216 x 140 x 22
Ключевые слова: Literature: history & criticism, LITERARY CRITICISM / American / General
Подзаголовок: Willa cather at the modernist crux
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Поставляется из: Англии
Описание:
Willa Cather at the Modernist Crux examines Willa Cather’s position in time, in aesthetics, and in the world. Born a Victorian in 1873, Cather made herself a modernist through the poems, stories, and novels she wrote and published into the twentieth century. Beginning with a prologue locating Cather’s position, this volume of Cather Studies offers three sets of related essays.

The first section takes up Cather’s beginnings with her late nineteenth-century cultural influences. The second section explores a range of discernible direct connections with contemporary artists (Howard Pyle, Frederic Remington, and Ernest Blumenschein) and others who figured in the making of her texts. The third section focuses on The Song of the Lark, a novel that confirms Cather’s shift westward and elaborates her emergent modernism. An epilogue by the editors of The Selected Letters of Willa Cather addresses how the recent availability of these letters has transformed Cather studies. Altogether, these essays detail Cather’s shaping of the world of the early twentieth century and later into a singular modernism born of both inherited and newer cultural traditions.
 

Дополнительное описание: List of Illustrations
Introduction: Willa Cather at the Modernist Crux
Ann Moseley, John J. Murphy, and Robert Thacker
Prologue: Gifts from the Museum: Catherian Epiphanies in Context
John J. Murphy
Part 1. Beginnings
1. The




My ?ntonia

Автор: Cather, Willa
Название: My ?ntonia
ISBN: 0241338328 ISBN-13(EAN): 9780241338322
Издательство: Random House - Penguin
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Цена: 1319.00 р.
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Описание: In Uganda, East Africa, a region long controlled by Joseph Kony`s Lord`s Resistance Army, leaders of Catholic, Protestant, and Muslim communities overcame centuries of mistrust to work together for peace. Drawing on a rich collection of personal interviews, David Hoekema recounts the courageous work of the Acholi Religious Leaders` Peace Initiative to resolve the conflict and rebuild communities.

The Prairie Trilogy: O Pioneers!/The Song of the Lark/My Antonia

Автор: Cather Willa
Название: The Prairie Trilogy: O Pioneers!/The Song of the Lark/My Antonia
ISBN: 1494748568 ISBN-13(EAN): 9781494748562
Издательство: Неизвестно
Цена: 4302.00 р.
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Edith Wharton, Willa Cather, and the Place of Culture

Автор: Julie Olin-Ammentorp
Название: Edith Wharton, Willa Cather, and the Place of Culture
ISBN: 1496203240 ISBN-13(EAN): 9781496203243
Издательство: Mare Nostrum (Eurospan)
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Описание: Edith Wharton and Willa Cather wrote many of the most enduring American novels from the first half of the twentieth century, including Wharton’s The House of Mirth, Ethan Frome, and The Age of Innocence, and Cather’s O Pioneers!, My Ántonia, and Death Comes for the Archbishop. Yet despite their perennial popularity and their status as major American novelists, Wharton (1862–1937) and Cather (1873–1947) have rarely been studied together. Indeed, critics and scholars seem to have conspired to keep them at a distance: Wharton is seen as “our literary aristocrat,” an author who chronicles the lives of the East Coast, Europe-bound elite, while Cather is considered a prairie populist who describes the lives of rugged western pioneers. These depictions, though partially valid, nonetheless rely on oversimplifications and neglect the striking and important ways the works of these two authors intersect.

The first comparative study of Edith Wharton and Willa Cather in thirty years, this book combines biographical, historical, and literary analyses with a focus on place and aesthetics to reveal Wharton’s and Cather’s parallel experiences of dislocation, their relationship to each other as writers, and the profound similarities in their theories of fiction. Julie Olin-Ammentorp provides a new assessment of the affinities between Wharton and Cather by exploring the importance of literary and geographic place in their lives and works, including the role of New York City, the American West, France, and travel. In doing so she reveals the two authors’ shared concern about the culture of place and the place of culture in the United States. 
 

The Song of the Lark

Автор: Cather, Willa
Название: The Song of the Lark
ISBN: 0241338166 ISBN-13(EAN): 9780241338162
Издательство: Random House - Penguin
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Цена: 1319.00 р.
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Описание: The second novel in the Great Plains trilogy, this is a passionate portrait of the artist as a young womanThea Kronberg, a young girl from a small town in Colorado has a great gift - her beautiful singing voice. Her talent takes her to the great opera houses of Europe, and through ambition and hard work, she forges a life as an artist. But if she can never go home again, nor can she leave behind her past.

At last, in a desert canyon in Arizona, Thea has a revelation that will allow her to attain a new state of spirituality and become a truly great artist. 'Willa Cather makes a world which is burningly alive, sometimes lovely, often tragic' Helen Dunmore'The Song of the Lark illuminates all her work' A. S.

Byatt'Lingers long in the memory' Joyce Carol Oates

My Antonia

Автор: Cather Willa
Название: My Antonia
ISBN: 1731700628 ISBN-13(EAN): 9781731700629
Издательство: Неизвестно
Цена: 4187.00 р.
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Описание: I DO NOT REMEMBER our arrival at my grandfather's farm sometime before daybreak, after adrive of nearly twenty miles with heavy work-horses. When I awoke, it was afternoon. I was lying ina little room, scarcely larger than the bed that held me, and the window-shade at my head wasflapping softly in a warm wind. A tall woman, with wrinkled brown skin and black hair, stoodlooking down at me; I knew that she must be my grandmother. She had been crying, I could see, butwhen I opened my eyes she smiled, peered at me anxiously, and sat down on the foot of my bed.'Had a good sleep, Jimmy?' she asked briskly. Then in a very different tone she said, as if toherself, 'My, how you do look like your father!' I remembered that my father had been her little boy;she must often have come to wake him like this when he overslept. 'Here are your clean clothes, ' shewent on, stroking my coverlid with her brown hand as she talked. 'But first you come down to thekitchen with me, and have a nice warm bath behind the stove. Bring your things; there's nobodyabout.''Down to the kitchen' struck me as curious; it was always 'out in the kitchen' at home. I picked upmy shoes and stockings and followed her through the living-room and down a flight of stairs into abasement. This basement was divided into a dining-room at the right of the stairs and a kitchen atthe left. Both rooms were plastered and whitewashed-the plaster laid directly upon the earth walls, as it used to be in dugouts. The floor was of hard cement. Up under the wooden ceiling there werelittle half-windows with white curtains, and pots of geraniums and wandering Jew in the deep sills.As I entered the kitchen, I sniffed a pleasant smell of gingerbread baking. The stove was very large, with bright nickel trimmings, and behind it there was a long wooden bench against the wall, and atin washtub, into which grandmother poured hot and cold water. When she brought the soap andtowels, I told her that I was used to taking my bath without help. 'Can you do your ears, Jimmy? Areyou sure? Well, now, I call you a right smart little boy.'It was pleasant there in the kitchen. The sun shone into my bath-water through the west halfwindow, and a big Maltese cat came up and rubbed himself against the tub, watching me curiously.While I scrubbed, my grandmother busied herself in the dining-room until I called anxiously, 'Grandmother, I'm afraid the cakes are burning!' Then she came laughing, waving her apron beforeher as if she were shooing chick


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