Murder Takes the Veil: The College of St. Aurelien, a girls' school, has finally brought in three male instructors: the great artist Torvaldsen, debonair author Crispin Archer, and athletic teacher Franz Eric. One of these men, however, has a dark, hidden past that threatens to erupt in disaster when young Trillium realizes that her father's murderer has arrived on campus.
Murder at St. Dennis: Murder stalks an old hospital, St. Dennis of the Hills, when a wealthy old man with a scandalous past is brought for treatment in an iron lung. Marmion, the newly-arrived daughter of a man betrayed, Sister Magdalene and her Order who operate the neglected hospital, and hospital staff who have plenty of secrets of their own, find themselves in a deadly game of cat-and-mouse.
Sister Simon's Murder Case Diana Grear is haunted by fear, as a man from the past targets her to keep her quiet. Her attempts to find help fail--leaving police with few clues to a killer who has more loose ends to eliminate. It is only young Sister Simon, daughter of a fallen policeman, who recognizes that the past must be uncovered to understand the killer's motives and identity.
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Описание: This book proposes that phonological contrast, in particular the robustness of a phonemic contrast, does not depend solely on the presence of minimal pairs, but is instead affected by a set of phonetic, usage-based, and systemic factors. This perspective opens phonology to a more direct interpretation through phonetic analysis, undertaken in a series of case studies on the Romanian vowel system. Both the synchronic phonetics and morpho-phonological alternations are studied, to understand the forces that have historically shaped and now maintain the phonemic system of Romanian. A corpus study of phoneme type frequency in Romanian reveals marginal contrasts among vowels, in which a sharp distinction between allophones and phonemes fails to capture relationships among sounds. An investigation of Romanian /I/ provides insight into the historical roots of marginal contrast, and a large acoustic study of Romanian vowels and diphthongs is a backdrop for evaluating the phonetic and perceptual realization of marginal contrast. The results provide impetus for a model in which phonology, phonetics, morphology and perception interact in a multidimensional way.
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