I. Barta Peter, Powrie Phil Bicultural Literature and Film in French and English 9781138832862

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Автор: I. Barta Peter, Powrie Phil
Название: Bicultural Literature and Film in French and English
ISBN: 9781138832862
Издательство: Taylor&Francis
Классификация:

Кино, кинематография

Литература: история и критика

Массовая культура

ISBN-10: 1138832863
Обложка/Формат: Hardback
Страницы: 280
Вес: 0.52 кг.
Дата издания: 21.12.2015
Серия: Routledge studies in comparative literature
Язык: English
Иллюстрации: 34 halftones, black and white; 34 illustrations, black and white
Размер: 231 x 158 x 20
Читательская аудитория: Undergraduate
Ключевые слова: Literature: history & criticism, LANGUAGE ARTS & DISCIPLINES / General,LITERARY CRITICISM / European / English, Irish, Scottish, Welsh,LITERARY CRITICISM / European / French
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: This book focuses on literature and cinema in English or French by authors and directors not working in their native language. Artists with hybrid identities have become a defining phenomenon of contemporary reality following the increased mobility between civilisations during the postcolonial period and the waves of emigration to the West. Cinema and prose fiction remain the most popular sources of cultural consumption, not least owing to the adaptability of both to the new electronic media. This volume considers cultural products in English and French in which the explicitly multi-focal representation of authors experiences of their native languages/cultures makes itself conspicuous. The essays explore work by the peripheral and those without a country, while problematising what might be meant by the widely used but not always well-defined term ‘bicultural’. The first section looks at films by such well-known filmmakers working in France as Bouchareb, Kechiche, Legzouli and Dridi, as well as the animated feature Persepolis. Here the focus is on the representation of human experience in spatial terms, exploring the appropriation of territory cohabited by ‘local’ people, newcomers and their children, haunted by the cultural memories of distant places. The second part is devoted to multicultural authors whose ‘native’ language was English, Russian, Polish, Hungarian or Spanish (Beckett, Herzen, Voyeikova, Triolet, Conrad, Hoffmann, Kristof, Dorfman), and their creative engagement with difference. A study of the emergence of multilingual writing in Montaigne and an autobiographical essay by Elleke Boehmer on growing up surrounded by English, Dutch, Afrikaans and Zulu frame the volumes chapters. The collection relishes the freedom provided by liberation from the confines of one language and culture and the delight in creative multilingualism. This book will be of significant interest to those studying the subject of biculturalism, as well as the fields of comparative literature and cinema.

Bicultural Literature and Film in French and English, I. Barta Peter, Powrie Phil