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Poetics of History: Rousseau and the Theater of Originary Mimesis, Lacoue-Labarthe Philippe


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Автор: Lacoue-Labarthe Philippe   (Филипп Лаку-Лабарт)
Название:  Poetics of History: Rousseau and the Theater of Originary Mimesis
Перевод названия: Филипп Лаку-Лабарт: Поэтика истории. Руссо и театр изначального мимесиса
ISBN: 9780823282333
Издательство: Mare Nostrum (Eurospan)
Классификация:



ISBN-10: 0823282333
Обложка/Формат: Paperback
Страницы: 176
Вес: 0.18 кг.
Дата издания: 05.02.2019
Язык: English
Издание: New ed
Размер: 191 x 130 x 10
Ключевые слова: Literature: history & criticism,Historiography,Theatre studies,Western philosophy, from c 1900 -, PHILOSOPHY / Movements / Deconstruction,PERFORMING ARTS / Theater / History & Criticism,HISTORY / Historiography,LITERARY CRITICISM / European / French
Подзаголовок: Rousseau and the theater of originary mimesis
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Поставляется из: Англии
Описание:

Rousseau’s opposition to the theater is well known: Far from purging the passions, it serves only to exacerbate them, and to render them hypocritical. But is it possible that Rousseau’s texts reveal a different conception of theatrical imitation, a more originary form of mimesis? Over and against Heidegger’s dismissal of Rousseau in the 1930s, and in the wake of classic readings by Jacques Derrida and Jean Starobinski, Lacoue-Labarthe asserts the deeply philosophical importance of Rousseau as a thinker who, without formalizing it as such, established a dialectical logic that would determine the future of philosophy: an originary theatricality arising from a dialectic between “nature” and its supplements.
Beginning with a reading of Rousseau’s Discourse on Inequality, Lacoue-Labarthe brings out this dialectic in properly philosophical terms, revealing nothing less than a transcendental thinking of origins. For Rousseau, the origin has the form of a “scene”—that is, of theater. On this basis, Rousseau’s texts on the theater, especially the Letter to d’Alembert, emerge as an incisive interrogation of Aristotle’s Poetics. This can be read not in the false and conventional interpretation of this text that Rousseau had inherited, but rather in relation to its fundamental concepts, mimesis and katharsis, and in Rousseau’s interpretation of Greek theater itself. If for Rousseau mimesis is originary, a transcendental structure, katharsis is in turn the basis of a dialectical movement, an Aufhebung that will translate the word itself (for, as Lacoue-Labarthe reminds us, Aufheben translates katharein). By reversing the facilities of the Platonic critique, Rousseau inaugurates what we could call the philosophical theater of the future.


Дополнительное описание:

Part I The Scene of Origin........................................... 1
Part II Anterior Theater............................................... 49
Notes..............................................................




Heidegger, Philosophy, and Politics: The Heidelberg Conference

Автор: Derrida Jacques, Gadamer Hans-Georg, Lacoue-Labarthe Philippe
Название: Heidegger, Philosophy, and Politics: The Heidelberg Conference
ISBN: 0823273679 ISBN-13(EAN): 9780823273676
Издательство: Mare Nostrum (Eurospan)
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Цена: 3260.00 р.
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Описание: In February 1988, philosophers Jacques Derrida, Hans-Georg Gadamer, and Philippe Lacoue-Labarthe came together in Heidelberg before a large audience to discuss the philosophical and political implications of Martin Heidegger's thought. This event took place in the very amphitheater in which, more than fifty years earlier, Heidegger, as rector of the University of Freiburg and a member of the Nazi Party, had given a speech entitled "The University in the New Reich." Heidegger's involvement in Nazism has always been, and will remain, an indelible scandal, but what is its real relation to his work and thought? And what are the responsibilities of those who read this work, who analyze and elaborate this thought? Conversely, what is at stake in the wholesale dismissal of this important but compromised twentieth-century philosopher?

In 1988, in the wake of the recent publication of Victor Farias's Heidegger and Nazism, and of the heated debates that ensued, these questions had become more pressing than ever. The reflections presented by three of the most prominent of Heidegger's readers, improvised in French and transcribed here, were an attempt to approach these questions before a broad public, but with a depth of knowledge and a complex sense of the questions at issue that have been often lacking in the press. Ranging over two days and including exchanges with one another and with the audience, the discussions pursed by these major thinkers remain highly relevant today, especially following the publication of Heidegger's already notorious "Black Notebooks," which have added another chapter to the ongoing debates over this contested figure. The present volume recalls a highly charged moment in this history, while also drawing the debate toward its most essential questions.

Poetics of History: Rousseau and the Theater of Originary Mimesis

Автор: Lacoue-Labarthe Philippe
Название: Poetics of History: Rousseau and the Theater of Originary Mimesis
ISBN: 0823282341 ISBN-13(EAN): 9780823282340
Издательство: Mare Nostrum (Eurospan)
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Цена: 13167.00 р.
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Описание:

Rousseau’s opposition to the theater is well known: Far from purging the passions, it serves only to exacerbate them, and to render them hypocritical. But is it possible that Rousseau’s texts reveal a different conception of theatrical imitation, a more originary form of mimesis? Over and against Heidegger’s dismissal of Rousseau in the 1930s, and in the wake of classic readings by Jacques Derrida and Jean Starobinski, Lacoue-Labarthe asserts the deeply philosophical importance of Rousseau as a thinker who, without formalizing it as such, established a dialectical logic that would determine the future of philosophy: an originary theatricality arising from a dialectic between “nature” and its supplements.
Beginning with a reading of Rousseau’s Discourse on Inequality, Lacoue-Labarthe brings out this dialectic in properly philosophical terms, revealing nothing less than a transcendental thinking of origins. For Rousseau, the origin has the form of a “scene”—that is, of theater. On this basis, Rousseau’s texts on the theater, especially the Letter to d’Alembert, emerge as an incisive interrogation of Aristotle’s Poetics. This can be read not in the false and conventional interpretation of this text that Rousseau had inherited, but rather in relation to its fundamental concepts, mimesis and katharsis, and in Rousseau’s interpretation of Greek theater itself. If for Rousseau mimesis is originary, a transcendental structure, katharsis is in turn the basis of a dialectical movement, an Aufhebung that will translate the word itself (for, as Lacoue-Labarthe reminds us, Aufheben translates katharein). By reversing the facilities of the Platonic critique, Rousseau inaugurates what we could call the philosophical theater of the future.

Subjects and Simulations: Between Baudrillard and Lacoue-Labarthe

Автор: Silverman Hugh J., O`Byrne Anne
Название: Subjects and Simulations: Between Baudrillard and Lacoue-Labarthe
ISBN: 0739139053 ISBN-13(EAN): 9780739139059
Издательство: Bloomsbury
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Описание: Subjects and Simulations presents essays focused on suffering and sublimity, representation and subjectivity, and the relation of truth and appearance through engagement with the legacies of Jean Baudrillard and Philippe Lacoue-Labarthe.


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