Burns Emily C. Transnational Frontiers: The American West in France 9780806160030

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Автор: Burns Emily C.
Название: Transnational Frontiers: The American West in France
ISBN: 9780806160030
Издательство: Mare Nostrum (Eurospan)
Классификация:

Народное искусство

История художественных и оформительских стилей: с 1800 по 1900 г.

Всеобщая и мировая история

История Европы

История Америк

История нового времени до 20 века: с 1700 по 1900

Социальная история и история культуры

Коренные народы

ISBN-10: 0806160039
Обложка/Формат: Hardcover
Страницы: 248
Вес: 1.60 кг.
Дата издания: 24.05.2018
Серия: The charles m. russell center series on art and photography of the american west
Язык: English
Иллюстрации: 14 black & white and 121 colour illustrations
Размер: 279 x 229 x 26
Подзаголовок: The american west in france
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Поставляется из: Англии
Описание: When Buffalo Bills Wild West show traveled to Paris in 1889, the New York Times reported that the exhibition would be managed to suit French ideas. But where had those French ideas of the American West come from? And how had they, in turn, shaped the notions of cowboys and Indians that captivated the French imagination during the Gilded Age? In Transnational Frontiers, Emily C. Burns maps the complex fin-de-si?cle cultural exchanges that revealed, defined, and altered images of the American West. This lavishly illustrated visual history shows how American artists, writers, and tourists traveling to France exported the dominant frontier narrative that presupposed manifest destiny - and how Native American performers with Buffalo Bills Wild West and other traveling groups challenged that view. Many French artists and illustrators plied this imagery as well. At the 1900 Worlds Fair in Paris, sculptures of American cowboys conjured a dynamic and adventurous West, while portraits of American Indians on vases evoked an indigenous people frozen in primitivity. At the same time, representations of Lakota performers, as well as the performers themselves, deftly negotiated the politics of American Indian assimilation and sought alternative spaces abroad. For French artists and enthusiasts, the West served as a fulcrum for the construction of an American cultural identity, offering a chance to debate ideas of primitivism and masculinity that bolstered their own colonialist discourses. By examining this process, Burns reveals the interconnections between American western art and Franco-American artistic exchange between 1865 and 1915.
Дополнительное описание: History of art|History of the Americas|European history|Indigenous peoples|History

Transnational Frontiers: The American West in France, Burns Emily C.