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Shakespeare and the Culture of Romanticism, Ortiz Joseph M.


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Автор: Ortiz Joseph M.
Название:  Shakespeare and the Culture of Romanticism
ISBN: 9781409455813
Издательство: Taylor&Francis
Классификация:
ISBN-10: 1409455815
Обложка/Формат: Hardback
Страницы: 306
Вес: 0.61 кг.
Дата издания: 10.09.2013
Язык: English
Размер: 239 x 156 x 25
Читательская аудитория: Postgraduate, research & scholarly
Ключевые слова: Literary studies: c 1800 to c 1900 , LITERARY CRITICISM / Shakespeare
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: How theatre directors, actors, poets, women writers, political philosophers, gallery owners and other professionals in the nineteenth century turned to Shakespeare in myriad ways to advance their own political, artistic, or commercial agendas is the subject of this collection. Whether Whig or Tory, male or female, intellectual or commercial.


The Complete Sonnets and Poems

Автор: Shakespeare
Название: The Complete Sonnets and Poems
ISBN: 0199535795 ISBN-13(EAN): 9780199535798
Издательство: Oxford Academ
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Цена: 1424.00 р.
Наличие на складе: Есть (1 шт.)
Описание: Dorian Gray gives his soul for eternal youth. While his portrait changes hideously, reflecting his crimes and corruption, he remains outwardly flawless. This new edition uses the 1891 expanded text and shows how Wilde transformed his many sources.

The New Cambridge Companion to Shakespeare

Автор: De Grazia
Название: The New Cambridge Companion to Shakespeare
ISBN: 0521713935 ISBN-13(EAN): 9780521713931
Издательство: Cambridge Academ
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Цена: 4435.00 р.
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Описание: Containing twenty-one essays, this Companion is perfect for readers seeking a comprehensive and authoritative introduction to Shakespeare`s works. It includes stimulating chapters on familiar topics such as Shakespeare`s life and the genres in which he wrote, and pioneering accounts of topics including Shakespeare`s appearance in new digitalised media.

Winter`s Tale

Автор: Shakespeare
Название: Winter`s Tale
ISBN: 1903436354 ISBN-13(EAN): 9781903436356
Издательство: A & C Black
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Цена: 1484.00 р.
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Описание: One of Shakespeare`s late plays, The Winter`s Tale falls into two distinct parts: the first part tragedy and the second, comedy. John Pitcher`s lively introduction and commentary explores the extraordinary merging of theatrical forms in the play and its success in performance.

Shakespeare and YouTube: New Media Forms of the Bard

Автор: Stephen O`Neill
Название: Shakespeare and YouTube: New Media Forms of the Bard
ISBN: 1441120920 ISBN-13(EAN): 9781441120922
Издательство: Bloomsbury Academic
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Цена: 19008.00 р.
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Описание: The video-sharing platform YouTube signals exciting opportunities and challenges for Shakespeare studies. As patron, distributor and archive, YouTube occasions new forms of user-generated Shakespeares, yet a reduced Bard too, subject to the distractions of the contemporary networked mediascape.

This book identifies the genres of YouTube Shakespeare, interpreting them through theories of remediation and media convergence and as indices of Shakespeare's shifting cultural meanings. Exploring the intersection of YouTube's participatory culture - its invitation to 'Broadcast Yourself' - with its corporate logic, the book argues that YouTube Shakespeare is a site of productive tension between new forms of self-expression and the homogenizing effects of mass culture.

Stephen O'Neill unfolds the range of YouTube's Bardic productions to elaborate on their potential as teaching and learning resources. The book importantly argues for a critical media literacy, one that attends to identity constructions and to the politics of race and gender as they emerge through Shakespeare's new media forms.

Shakespeare and YouTube will be of interest to students and scholars of Shakespearean drama, poetry and adaptations, as well as to new media studies.

Shakespeare and the Culture of Romanticism

Название: Shakespeare and the Culture of Romanticism
ISBN: 1138253820 ISBN-13(EAN): 9781138253827
Издательство: Taylor&Francis
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Цена: 8726.00 р.
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Описание: The idea of Shakespearean genius and sublimity is usually understood to be a product of the Romantic period, promulgated by poets such as Coleridge and Byron who promoted Shakespeare as the supreme example of literary genius and creative imagination. However, the picture looks very different when viewed from the perspective of the myriad theater directors, actors, poets, political philosophers, gallery owners, and other professionals in the nineteenth century who turned to Shakespeare to advance their own political, artistic, or commercial interests. Often, as in John Kemble's staging of The Winter's Tale at Drury Lane or John Boydell's marketing of paintings in his Shakespeare Gallery, Shakespeare provided a literal platform on which both artists and entrepreneurs could strive to influence cultural tastes and points of view. At other times, Romantic writers found in Shakespeare's works a set of rhetorical and theatrical tools through which to form their own public personae, both poetic and political. Women writers in particular often adapted Shakespeare to express their own political and social concerns. Taken together, all of these critical and aesthetic responses attest to the remarkable malleability of the Shakespearean corpus in the Romantic period. As the contributors show, Romantic writers of all persuasions"Whig and Tory, male and female, intellectual and commercial"found in Shakespeare a powerful medium through which to claim authority for their particular interests.

Shakespeare and YouTube: New Media Forms of the Bard

Автор: Stephen O`Neill
Название: Shakespeare and YouTube: New Media Forms of the Bard
ISBN: 1474263178 ISBN-13(EAN): 9781474263177
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 5542.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: The video-sharing platform YouTube signals exciting opportunities and challenges for Shakespeare studies. As patron, distributor and archive, YouTube occasions new forms of user-generated Shakespeares, yet a reduced Bard too, subject to the distractions of the contemporary networked mediascape.

This book identifies the genres of YouTube Shakespeare, interpreting them through theories of remediation and media convergence and as indices of Shakespeare's shifting cultural meanings. Exploring the intersection of YouTube's participatory culture - its invitation to 'Broadcast Yourself' - with its corporate logic, the book argues that YouTube Shakespeare is a site of productive tension between new forms of self-expression and the homogenizing effects of mass culture.

Stephen O'Neill unfolds the range of YouTube's Bardic productions to elaborate on their potential as teaching and learning resources. The book importantly argues for a critical media literacy, one that attends to identity constructions and to the politics of race and gender as they emerge through Shakespeare's new media forms.

Shakespeare and YouTube will be of interest to students and scholars of Shakespearean drama, poetry and adaptations, as well as to new media studies.


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