Описание: In the twenty-first century, fatherhood is shifting from simply being a sidekick in the parental team to taking center stage with new expectations of involvement and caretaking. The social expectations of fathers start even before the children are born. Mr. Mom is now displaced with fathers who don't think of themselves as babysitting their own children, but as central decision makers, along with mothers, as parents. Deconstructing Dads: Changing Images of Fathers in Popular Culture is an interdisciplinary edited collection of essays authored by prominent scholars in the fields of media, sociology, and cultural studies who address how media represent the image of the father in popular culture. This collection explores the history of representation of fathers like the "bumbling dad" to question and challenge how far popular culture has come in its representation of paternal figures. Each chapter of this book focuses on a different aspect of media, including how advertising creates expectations of play and father, crime shows and the new hero father, and men as paternal figures in horror films. The book also explores changing definitions of fatherhood by looking at such subjects as how the media represents sperm donation as complicating the definition of father and how specific groups have been represented as fathers, including gay men as dads and Latino fathers in film. This collection examines the media's depiction of the "good" father to study how it both challenges and reshapes the ways in which we think of family, masculinity, and gender roles.
An intimate, thought-provoking exploration of the mysteries of "star presence" in cinema
"'One does not go to see them act, ' wrote James Baldwin about the great iconic movie stars Wayne and Davis and Bogart, 'one goes to watch them be' . . . Of course. It seems obvious . . . Where else besides the movies do you get to see other persons so intimately, so pressingly, so largely even? Where else such intense and close, such sustained and searching looks as you have of these strangers on the screen, whoever they really are? In life you try not to stare; but at the movies that's exactly what you get to do, two hours or more--safely, raptly, even blissfully."
It's this sort of amplified, heightened, sometimes transcendent "seeing" that James Harvey explores in Watching Them Be. Marvelously vivid and perceptive, and impressively erudite, this is his take on how aura is communicated in movies. Beginning where Roland Barthes left off with the face of Greta Garbo and ending with Robert Bresson's Au hasard Balthazar, Harvey moves nimbly and expertly through film history, celebrating actors and directors who have particularly conveyed a feeling of transcendence. From Marlene Dietrich to John Wayne to Robert De Niro, from Nashville to Jackie Brown to Masculine Feminine and the implicitly or explicitly religious films of Roberto Rossellini and Carl Theodor Dreyer, this is one man's personal, deeply felt account of the films that have changed his life. They will also, Harvey suggests, change yours.
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