Any Body Can: How a Young Troubled Teen Found Freedom Behind Bars, Ventrella Branden M.

Автор: Ventrella
Название: Power Of Positive Thinki
ISBN: 074321238X ISBN-13(EAN): 9780743212380
Издательство: Simon & Schuster
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Описание: 10 TRAITS FOR MAXIMUM RESULTS
Do you have what it takes to succeed in business? When it comes to work performance, we tend to be our own worst critics, and it is often difficult to see where our true strengths lie. The key to overcoming this kind of self-defeating behavior is to change the way we think. Norman Vincent Peale's great classic bestseller, "The Power of Positive Thinking, " was the first book to introduce positive thinking as a means to personal growth. Now, after years of extensive research and field-testing, working in cooperation with the Peale Center and major corporations nationwide, Scott Ventrella has adapted those concepts into a systematic program for people in business to achieve greater levels of personal and professional performance.
"The Power of Positive Thinking in Business" provides a practical way for each of us to develop and actually strengthen the ten traits of a positive thinker. When we learn how to overcome negative internal barriers such as fear, lack of self-confidence, and low self-esteem, we develop the traits that characterize a positive thinker:
Optimism Enthusiasm Belief Integrity Courage
Confidence Determination Patience Calmness Focus"

Автор: W. Branden
Название: Experimentations
ISBN: 1501306391 ISBN-13(EAN): 9781501306396
Издательство: Bloomsbury Academic
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Описание: Experimentations provides a detailed historical and theoretical analysis of the first three decades of experimental composer John Cage’s aesthetic production (ca. 1940-1972). Paying particular attention to Cage’s inter- and cross-disciplinary engagements with the visual arts and architecture during this period, the book sheds new light on some of Cage’s most controversial and influential innovations, such as the use of noise, chance techniques, indeterminacy, electronic technologies, and computerization, as well as upon lesser known but important ideas and strategies such as transparency, multiplicity, virtuality, and actualization. Ultimately, it traces the development of Cage’s avant-garde aesthetic and political project as it transformed from the emulation of historical avant-garde precedents such as futurism and the Bauhaus, to the development of important precedents for the post-World War II movements of happenings and Fluxus, to its ultimate abandonment in the aftermath of problems encountered in the vast, multimedia composition HPSCHD (1967-69).