In a book that compares Virginia Woolfs writing with that of the novelist, actress, and feminist activist Elizabeth Robins (1862–1952), Molly Hite explores the fascinating connections between Woolfs aversion to womens pleading a cause in fiction and her narrative technique of complicating, minimizing, or omitting tonal cues. Hite shows how A Room of Ones Own, Mrs. Dalloway, and The Voyage Out borrow from and implicitly criticize Robinss work.
Hite presents and develops the concept of narrative tone as a means to enrich and complicate our readings of Woolfs modernist novels. In Woolfs Ambiguities, she argues that the greatest formal innovation in Woolfs fiction is the muting, complicating, or effacing of textual pointers guiding how readers feel and make ethical judgments about characters and events. Much of Woolfs narrative prose, Hite proposes, thus refrains from endorsing a single position, not only adding value ambiguity to the cognitive ambiguity associated with modernist fiction generally, but explicitly rejecting the polemical intent of feminist novelists in the generation preceding her own. Hite also points out that Woolf reconsidered her rejection of polemical fiction later in her career. In the unfinished draft of her essay-nove; The Pargiters, Woolf created a brilliant new narrative form allowing her to make unequivocal value judgments.
