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The Inner Landscape: The Paintings of Gao Xingjian, Kuo Jason C.


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Автор: Kuo Jason C.
Название:  The Inner Landscape: The Paintings of Gao Xingjian
ISBN: 9780989916929
Издательство: New Academia Publishing, LLC
Классификация:


ISBN-10: 0989916928
Обложка/Формат: Hardcover
Страницы: 354
Вес: 1.40 кг.
Дата издания: 28.10.2013
Язык: English
Размер: 290 x 218 x 30
Поставляется из: США
Описание: Jason C. Kuos in-depth study of the paintings of Gao Xingjian significantly enriches our understanding of a major cultural polymath. This lavishly illustrated book enables us to make important connections between painting and writing, a type of synthesis often downplayed by western post-Enlightenment tendencies toward cultural specialization but very much at the heart of the Chinese literati tradition. ―Paul Gladston (University of Nottingham), principal editor of the Journal of Contemporary Chinese Art and author of Contemporary Chinese Art: A Critical History. In The Inner Landscape: The Paintings of Gao Xingjian, Jason C. Kuo offers his readers a multifaceted lens through which to frame an engagement with the remarkable pictorial, filmic, and literary art of the Chinese writer and 2000 Nobel laureate in literature, Gao Xingjian. A central theme in his oeuvre is reflection on his life as a writer in self-exile in France, a life at once burdened with the memory of his homeland and yet artistically liberating. Kuo illuminates our understanding of the meaning and significance of his art by situating it within a critical discussion of the contemporary context of global modernity, a context that challenges our notions of national cultural identity in an age of mobile subjectivity and the deterritorialization of cultural practices. ―Stephen J. Goldberg (Hamilton College), author of Dislocating the Center: Contemporary Chinese Art Beyond National Borders. The Inner Landscape: The Paintings of Gao Xingjian presents almost 300 paintings by the contemporary artist, poet, film-maker, author, and Nobel Laureate Gao Xingjian. Jason C. Kuos erudite study not only details Gaos development as an intellectual, but also contextualizes and explores his attitudes toward writing, painting, and film-making in the interstices of East and West. ―Katharine P. Burnett (University of California, Davis), author of Dimensions of Originality: Essays in Seventeenth-Century Chinese Art Criticism. The Inner Landscape: The Paintings of Gao Xingjian by Jason C. Kuo is a most thought-provoking and intelligent study of the art of Gao Xingjian. Kuo, driven by a desire for synthesis in his scholarship, brings a modernist practice to bear on a long tradition of intellectual discourse in China. ―Frances Klapthor, Baltimore Museum of Art.


Backshattering of Electromagetic Wave

Автор: Kuo Y.
Название: Backshattering of Electromagetic Wave
ISBN: 1288824599 ISBN-13(EAN): 9781288824595
Издательство: Неизвестно
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Цена: 10658.00 р.
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Описание:
The Office of Scientific & Technical Information (OSTI), is a part of the U.S. Department of Energy (DOE) that houses research and development results from projects funded by the DOE. The information is generally an article, technical document, conference paper or dissertation. This is one of those publications.

Contemporary Chinese Art and Film: Theory Applied and Resisted

Автор: Kuo Jason C.
Название: Contemporary Chinese Art and Film: Theory Applied and Resisted
ISBN: 0986021660 ISBN-13(EAN): 9780986021664
Издательство: Неизвестно
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Цена: 5150.00 р.
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Описание: The present volume focuses on the uses of theory originating in non-Chinese places in the creation, curating, and criticism of contemporary Chinese visual culture. In the past two decades, contemporary Chinese art and film have attracted a great deal of media and academic attention in the West, and scholars have adopted a variety of approaches in Chinese film and visual studies. The present volume focuses on the uses and status of theory originating in non-Chinese places in the creation, curating, narration, and criticism of contemporary Chinese visual culture (broadly defined to include traditional media in the visual arts as well as cinema, installation, video, etc.). Contributors reflect on the written and, even more interestingly, the unwritten assumptions on the part of artists, critics, historians, and curators in applying or resisting Western theories. The essays in the present volume demonstrate clearly that Western theory can be useful in explicating Chinese text, as long as it is applied judiciously; the essays, taken as a whole, also suggest that cultural exchange is never a matter of one-way street. Historically, ideas from traditional Chinese aesthetics have also traveled to the West, and it is a challenge to examine what travels and what does not, as well as what makes such travel possible or impossible. The present volume thus provides us an opportunity to rethink travels of theories and texts across cultures, languages, disciplines, and media. "The authors in this volume demonstrate how theory can be deployed judiciously, and so illuminate the methodological challenges faced by scholars in a rapidly evolving field. Intellectually rigorous and yet accessible, the book is a much-needed and valuable contribution to art historical scholarship." ―Dr. Wenny Teo, Manuela and Iwan Wirth Lecturer in Modern and Contemporary Asian Art, The Courtauld Institute of Art, London. "This collection of essays offers multifaceted approaches and perspectives that demonstrate forcefully how Western theories have appropriated Chinese visual texts into the discourse of English scholarship. This is a must-read book for anyone intending to read or write about contemporary Chinese art and cinema. ―Shu-chin Tsui, Bowdoin College, author of Women Through the Lens: Gender and Nation in a Century of Chinese Cinema . "The theories, ranging from Bakhtin's reading to Chinese Daoist/Chan Buddhist notions, and engaging with postmodern perspectives and globalization, are boldly used to prompt readers to reinterpret contemporary Chinese art and film." ― Haili Kong, Swarthmore College, coeditor of One Hundred Years of Chinese Cinema.

The Poet`s Brush: Chinese Ink Paintings by Lo Ch`ing

Автор: Kuo Jason C.
Название: The Poet`s Brush: Chinese Ink Paintings by Lo Ch`ing
ISBN: 099749624X ISBN-13(EAN): 9780997496246
Издательство: Неизвестно
Цена: 20231.00 р.
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Описание:

Lo Ch'ing is one of China's foremost contemporary poet-painters. Despite the differences in their circumstances, many contemporary Chinese painters share one common trait: they have been stimulated by contact with contemporary Western art, but they did not merely imitate it; instead, they have rediscovered the abstract and expressionistic possibilities in their own tradition. It is in this sense that they are heirs to the great tradition of Chinese painting. Through their synthesis of the theories, techniques and styles of traditional literati painting in their own work, they were able to achieve innovation that enriched the tradition. These artists exemplify one of the best ways to be contemporary Chinese artist.

Lo Ch'ing has internalized such conflicting state of tradition and modernity (or even post-modernity, if you will) in his work. The "Chinese tradition" takes a not so subtle turn in the Taiwanese environment. Indeed, Taiwan was, incidentally, the most curious and embracing place for matters of experimental nature, particularly during late 1970's to 1980s when Lo Ch'ing rose to fame. The rise of industrialization, post-industrialization, and curious issue of Taiwan's cultural identity created a nurturing and controversial ground for creative talents. Industrialization and post-industrialization are subjects of Lo Ch'ing's work. Certainly, there is an oddity in Lo Ch'ing's depiction of alien saucers and floating rocks and mountains, yet Lo Ch'ing's work presents a fresh curiosity that had not been explored in the practice of in painting precisely for that reason. Scholars often used the phrase "reinvention of the Chinese landscape" to describe and define Lo Ch'ing's work and his motivation behind it, and it's not entirely correct. To put it in correct historical term, however, it was not the artist who industrialized the landscape, not to mention one can easily argue that the urban landscape of Taiwan is one that is drastically different than landscapes in China. Lo Ch'ing's'work has a heightened sense of awareness in its presentation of any subject in this matter, and that Lo Ch'ing's work is very conscious of the environment that its content was derived from. Urbanity, interestingly enough, would be an idea that is in opposition to the tradition of Chinese literati landscape painting, for it means the destruction of nature.

The Taihu School: A New Model of Education That Brings Culture and Values Back Into Schools

Автор: Kuo Sami, Bodri Bill
Название: The Taihu School: A New Model of Education That Brings Culture and Values Back Into Schools
ISBN: 0615824722 ISBN-13(EAN): 9780615824727
Издательство: Неизвестно
Цена: 2750.00 р.
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Oriental Interpretations of the Far Eastern Problem [Lectures on the Harris Foundation 1925]

Автор: Soyeshima Michimasa, Kuo Ping Wen
Название: Oriental Interpretations of the Far Eastern Problem [Lectures on the Harris Foundation 1925]
ISBN: 1289340021 ISBN-13(EAN): 9781289340025
Издательство: Неизвестно
Цена: 4920.00 р.
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In the Footsteps of John Knox

Автор: Kuo Andy
Название: In the Footsteps of John Knox
ISBN: 0995826609 ISBN-13(EAN): 9780995826601
Издательство: Неизвестно
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Цена: 1930.00 р.
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