Film criticism as a cultural institution, Walmsley-evans, Huw (university Of Queensland, Australia)
Автор: Chion Michel Название: Sound: An Acoulogical Treatise ISBN: 082236039X ISBN-13(EAN): 9780822360391 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4383.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
First published in French in 1998, revised in 2010, and appearing here in English for the first time, Michel Chion's Sound addresses the philosophical, interpretive, and practical questions that inform our encounters with sound. Chion considers how cultural institutions privilege some sounds above others and how spurious distinctions between noise and sound guide the ways we hear and value certain sounds. He critiques the tenacious tendency to understand sounds in relation to their sources and advocates "acousmatic" listening—listening without visual access to a sound’s cause—to disentangle ourselves from auditory habits and prejudices. Yet sound can no more be reduced to mere perceptual phenomena than encapsulated in the sciences of acoustics and physiology. As Chion reminds us and explores in depth, a wide range of linguistic, sensory, cultural, institutional, and media- and technologically-specific factors interact with and shape sonic experiences. Interrogating these interactions, Chion stimulates us to think about how we might open our ears to new sounds, become more nuanced and informed listeners, and more fully understand the links between how we hear and what we do.
This collection is the first to offer a genuinely interdisciplinary approach to Krzysztof Kie?lowski’s Decalogue, a ten-film cycle of modern tales that touch on the ethical dilemmas of the Ten Commandments. The cycle’s deft handling of moral ambiguity and inventive technique established Kie?lowski as a major international director. Kie?lowski once said, “Both the deep believer and the habitual skeptic experience toothaches in exactly the same way.” Of Elephants and Toothaches takes seriously the range of thought, from theological to skeptical, condensed in the cycle’s quite human tales. Bringing together scholars of film, philosophy, literature, and several religions, the volume ranges from individual responsibility, to religion in modernity, to familial bonds, to human desire and material greed. It explores Kie?lowski’s cycle as it relentlessly solicits an ethical response that stimulates both inner disquiet and interpersonal dialogue.
Автор: Thornley Название: Cinema, Cross-Cultural Collaboration, and Criticism ISBN: 1137411562 ISBN-13(EAN): 9781137411563 Издательство: Springer Рейтинг: Цена: 8384.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Cinema, Cross-Cultural Collaboration, and Criticism provides a platform for a new politics of criticism, a collaborative ethos for a different kind of relationship to cross-cultural cinema that invites further conversations between filmmakers and audiences, indigenous and others.
Автор: Vera Nuenning, Ansgar Nuenning, Birgit Neumann Название: Cultural Ways of Worldmaking: Media and Narratives ISBN: 3110486032 ISBN-13(EAN): 9783110486032 Издательство: Walter de Gruyter Рейтинг: Цена: 3710.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Die Reihe widmet sich zentralen neueren Konzepten und Methoden im Feld der kulturwissenschaftlichen Grundlagenforschung und inhaltlichen Fragestellungen. Sie zielt darauf, die gegenwartige Diskussion in den Kulturwissenschaften weiter zu profilieren und sie zugleich fur die Arbeit in den Disziplinen fruchtbar zu machen: durch die Ausarbeitung interdisziplinarer Schlusselkonzepte und die Entwicklung einer transkulturellen study of culture. Die Bande gehen uberwiegend aus den Literatur-, Geschichts- und Kulturwissenschaften hervor, aber auch aus der Politikwissenschaft, der Soziologie und den Medienwissenschaften.
Автор: Pecora, Vincent P. Название: Secularization and cultural criticism ISBN: 0226653129 ISBN-13(EAN): 9780226653129 Издательство: Wiley Рейтинг: Цена: 4435.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Religion is an undiscovered country for much of the secular academy, which remains deeply ambivalent about it as an object of study. On the one hand, secular scholars agree that it is time to take religion seriously. On the other, these same scholars persist in assuming that religion rests not on belief but on power and ideology. According to Vincent Pecora, the idea of the secular itself is the source of much of the contradiction and confusion in contemporary thought about religion. Pecora aims here to work through the paradoxes of secularization, which emerges in this book as an intractable problem for cultural criticism in the nation-states of the post-Enlightenment West.
Secularization and Cultural Criticism examines the responses of a wide range of thinkers--Edward Said, Talal Asad, Jurgen Habermas, Walter Benjamin, Emile Durkheim, Carl Schmitt, Matthew Arnold, and Virginia Woolf, among others--to illustrate exactly why the problem of secularization in the study of society and culture should matter once again. Exploring the endemic difficulty posed by religion for the modern academy, Pecora makes sense of the value and potential impasses of secular cultural criticism in a global age.
Автор: Braudy, Leo; Cohen, Marshall Название: Film Theory and Criticism ISBN: 0195365623 ISBN-13(EAN): 9780195365627 Издательство: Oxford Academ Рейтинг: Цена: 8869.00 р. Наличие на складе: Поставка под заказ.
Описание: Since publication of the first edition in 1974, Leo Braudy and Marshall Cohen`s Film Theory and Criticism has been the most widely used and cited anthology of critical writings about film. Now in its seventh edition, this landmark text continues to offer outstanding coverage of more than a century of thought and writing about the movies. Incorporating classic texts by pioneers in film theory-including Rudolf Arnheim, Siegfried Kracauer, and Andre Bazin-and cutting-edge essays by such contemporary scholars as David Bordwell, Tania Modleski, Thomas Schatz, and Richard Dyer, the book examines both historical and theoretical viewpoints on the subject. Building upon the wide range of selections and the extensive historical coverage that marked previous editions, this new compilation stretches from the earliest attempts to define the cinema to the most recent efforts to place film in the contexts of psychology, sociology, and philosophy, and to explore issues of gender and race. Reorganized into eight sections-each comprising the major fields of critical controversy and analysis-this new edition features reformulated introductions and biographical headnotes that contextualize the readings, making the text more accessible than ever to students, film enthusiasts, and general readers alike. The seventh edition also integrates exciting new material on feminist theory, queer cinema, and global cinema, as well as a new section, "Digitization and Globalization," which engages important recent developments in technology and world cinema. A wide-ranging critical and historical survey, Film Theory and Criticism remains the leading text for undergraduate courses in film theory. It is also ideal for graduate courses in film theory and criticism. ABOUT THE EDITORS Leo Braudy is University Profe
Автор: Laird Heather Название: Daniel Corkery`s Cultural Criticism ISBN: 1859184553 ISBN-13(EAN): 9781859184554 Издательство: Неизвестно Рейтинг: Цена: 9311.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Daniel Corkery was the most influential and provocative cultural critic of the early Irish Free State. Since the 1960s, Corkery`s name, however, has become increasingly synonymous with a narrow-gauge nationalism that, in the eyes of many, has sought to stifle an emerging `modern` Ireland.
Автор: Saussy Haun Название: The Ethnography of Rhythm: Orality and Its Technologies ISBN: 0823270475 ISBN-13(EAN): 9780823270477 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4389.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary Studies Who speaks? The author as producer, the contingency of the text, intertextuality, the “device”—core ideas of modern literary theory—were all pioneered in the shadow of oral literature. Authorless, loosely dated, and variable, oral texts have always posed a challenge to critical interpretation. When it began to be thought that culturally significant texts—starting with Homer and the Bible—had emerged from an oral tradition, assumptions on how to read these texts were greatly perturbed. Through readings that range from ancient Greece, Rome, and China to the Cold War imaginary, The Ethnography of Rhythm situates the study of oral traditions in the contentious space of nineteenth- and twentieth-century thinking about language, mind, and culture. It also demonstrates the role of technologies in framing this category of poetic creation. By making possible a new understanding of Maussian “techniques of the body” as belonging to the domain of Derridean “arche-writing,” Haun Saussy shows how oral tradition is a means of inscription in its own right, rather than an antecedent made obsolete by the written word or other media and data-storage devices.
Автор: Haun Saussy Название: The Ethnography of Rhythm: Orality and Its Technologies ISBN: 0823270467 ISBN-13(EAN): 9780823270460 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 12540.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary Studies Who speaks? The author as producer, the contingency of the text, intertextuality, the “device”—core ideas of modern literary theory—were all pioneered in the shadow of oral literature. Authorless, loosely dated, and variable, oral texts have always posed a challenge to critical interpretation. When it began to be thought that culturally significant texts—starting with Homer and the Bible—had emerged from an oral tradition, assumptions on how to read these texts were greatly perturbed. Through readings that range from ancient Greece, Rome, and China to the Cold War imaginary, The Ethnography of Rhythm situates the study of oral traditions in the contentious space of nineteenth- and twentieth-century thinking about language, mind, and culture. It also demonstrates the role of technologies in framing this category of poetic creation. By making possible a new understanding of Maussian “techniques of the body” as belonging to the domain of Derridean “arche-writing,” Haun Saussy shows how oral tradition is a means of inscription in its own right, rather than an antecedent made obsolete by the written word or other media and data-storage devices.
Описание: In this study, Victor Anderson traces instances of "ontological blackness" in African American theological, religious and cultural thought, arguing that African American critical thought has been trapped in a racial rhetoric that it did not create and which cannot serve it well. Drawing together 18th- and 19th-century accomodationism and its assimilationist heirs with the movements of Black Power and Afrocentrism, Anderson shows that all exhibit a similar structure of racial identity. He suggests that it is time to move beyond the confines of "the cult of black heroic genius" to what Bell Hooks has termed "postmodern blackness": a racial discourse that leaves room to negotiate African American identities along lines of class, gender, sexuality, and age as well as race.
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