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Novelization: From Film to Novel, Baetens Jan


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Цена: 16369.00р.
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Автор: Baetens Jan
Название:  Novelization: From Film to Novel
ISBN: 9780814213674
Издательство: Ohio State University Press
Классификация:

ISBN-10: 0814213677
Обложка/Формат: Hardcover
Страницы: 202
Вес: 0.48 кг.
Дата издания: 28.04.2018
Язык: English
Размер: 234 x 157 x 18
Поставляется из: США
Описание: Studies of adaptation from novels to film are common, but not as widely known are adaptations with the opposite relationship. In Novelization: From Film to Novel, Jan Baetens explores how transforming an original film or screenplay into a novel establishes a new genre and revises our understanding of narrative theory more broadly. A typical example of popular literature, novelization has remained an overlooked practice in spite of the cultural and commercial importance of the genre, which is as old as cinema itself.

Novelization offers a historical overview of the genre, focusing on the various formats that have been adopted since the first decades of the twentieth century until today: daily and weekly novelizations, cheap brochures, pocket books, and trade editions. It studies the specific features of the genre from various points of view: narrative style, illustrations, authorship, and marketing. By studying novelization from a broad historical perspective, Baetens reframes our understanding of adaptation and the relationship between cinema and literature. Rather than assume that cinematic adaptations either cannibalize or rejuvenate literature, Novelization ultimately offers the opportunity to rethink the adaptation paradigm of film and literary studies.



Correspondance

Автор: Jan, Baetens Kasper, Michael
Название: Correspondance
ISBN: 1433129388 ISBN-13(EAN): 9781433129384
Издательство: Peter Lang
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Цена: 11608.00 р.
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Описание: Correspondance is the name of a Belgian Surrealist magazine published in 1924–1925 by Paul Noug?, Camille Goemans, and Marcel Lecomte. It is considered as seminal as Breton’s «Surrealist Manifesto» (1924). The texts were tart, obscure responses to the arcane literary debates of the time, in particular those underway in Andr? Breton’s circle in Paris. Twenty-two issues of Correspondance were printed, in a modernist typeface on different color papers, and were distributed by mail to selected recipients. Unlike their Parisian associates, the Belgians made an explicit choice against the book as a host medium for literary and other experiments. Noug?, the chief theorist, and his colleagues remained suspicious throughout their careers not only of commercialized literature, but also of literature itself, which they saw as a means to political action, never a goal in itself. Although little recognized, Belgian Surrealists and Correspondance, their earliest manifestation, remain anticipatory and influential in modernist writing practice, especially for their ephemeral style of publishing (proto-mail art) and their intentional plagiarisms (precursor to Situationist d?tournement).


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