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Iconologia: Or, Moral Emblems, by Caesar Ripa. ... Illustrated ... by I. Fuller, ... by the Care and at the Charge of P. Tempest., Ripa Cesare


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Автор: Ripa Cesare
Название:  Iconologia: Or, Moral Emblems, by Caesar Ripa. ... Illustrated ... by I. Fuller, ... by the Care and at the Charge of P. Tempest.
ISBN: 9781170966938
Издательство: Gale Ecco, Print Editions
Классификация:

ISBN-10: 1170966934
Обложка/Формат: Paperback
Страницы: 178
Вес: 0.33 кг.
Дата издания: 10.06.2010
Язык: English
Размер: 190 x 247 x 10
Поставляется из: США
Описание:
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The Age of Enlightenment profoundly enriched religious and philosophical understanding and continues to influence present-day thinking. Works collected here include masterpieces by David Hume, Immanuel Kant, and Jean-Jacques Rousseau, as well as religious sermons and moral debates on the issues of the day, such as the slave trade. The Age of Reason saw conflict between Protestantism and Catholicism transformed into one between faith and logic -- a debate that continues in the twenty-first century.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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Trinity College Library Watkinson Collection

T154167

With an additional titlepage, engraved. With a numbered illustration on the verso of each numbered page; the final illustration, no. 81, is a plate.

London: printed by Benj. Motte, 1709. [11]p.,81 leaves, plate: 81 ills.; 4



Bertoldo, Bertoldino E Cacasenno

Автор: Croce Giulio Cesare, Banchieri Adriano
Название: Bertoldo, Bertoldino E Cacasenno
ISBN: 1291675892 ISBN-13(EAN): 9781291675894
Издательство: Неизвестно
Рейтинг:
Цена: 4000.00 р.
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Описание: L'astuto e mordace Bertoldo fece la sua prima apparizione, anche se con un nome diverso, nel ""Dialogo di Salomone e Marcolfo"", un testo in latino la cui edizione pi antica databile al 1470 circa. A consacrare il personaggio furono per ""Le sottili astutie di Bertoldo"" (1606) e ""Le piacevoli et ridicolose simplicit di Ber-toldino"" (1608) di Giulio Cesare Croce, cui Adriano Ban-chieri fece seguire la ""Novella di Cacasenno, figliuolo del semplice Bertoldino"" (pubblicata postuma nel 1641). Questa raccolta mantiene il titolo tradizionale di ""Bertoldo, Bertoldino e Cacasenno"", ma include anche la ""Continuazione e fine della storia di Cacasenno"", appositamente tradotta da un'edizione spagnola del 1864. Diverse frasi, presenti nel-l'edizione del 1606 del Bertoldo e soppresse in edizioni suc-cessive, sono state ripristinate. L'inclusione della quarta novella e le numerosissime e utili note, che hanno princi-palmente lo scopo di permettere al lettore una facile e pia-cevole lettura, rendono quest'opera originale.

Blue Gray Black My Service to Country

Автор: Donald J. Cesare
Название: Blue Gray Black My Service to Country
ISBN: 1943829047 ISBN-13(EAN): 9781943829040
Издательство: Неизвестно
Цена: 4773.00 р.
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The Face of Crazy Horse: The Case for a Tintype Photograph of the Great Lakota Patriot

Автор: Marino Cesare, Abiuso Pietro
Название: The Face of Crazy Horse: The Case for a Tintype Photograph of the Great Lakota Patriot
ISBN: 1947459082 ISBN-13(EAN): 9781947459083
Издательство: Неизвестно
Цена: 2752.00 р.
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Описание:

First published in J.W. Vaughn's classic, With Crook at the Rosebud more than sixty years ago, the
"Crazy Horse" tintype has long been the subject of controversy. Most Indians and non-Indians have denied the existence of any possible photographic portrait of the Lakota mystic warrior, including the tintype. With an open-minded approach, The Face of Crazy Horse looks at the photographic history of the Lakota and at Crazy Horse "the man," debunking the false myths created around the heroic figure of the Oglala war chief; including Crazy Horse's refusal to be photographed for fear his soul would be stolen, and the frozen view of
Crazy Horse's unrelenting hatred of the White man. Contextual historical and photographic evidence, and a detailed analysis of the debated image, overall appearance, facial features, clothing, medicine bundle, breast-plate, and accessories, provide convincing evidence that the tintype indeed portrays the face and full portrait of Crazy Horse. This identification has long been supported by affidavits and testimonies from within the Lakota community, foremost those of Mrs. Ellen Howard, Jake Herman, and Dewey Beard (aka Iron Hail), and more recently by Francis White Lance and others.


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