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Figural Philology, Efal Adi


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Автор: Efal Adi   (Эфаль Ади)
Название:  Figural Philology
Перевод названия: Эфаль Ади: Фигуральная филология
ISBN: 9781350067288
Издательство: Bloomsbury Academic
Классификация:


ISBN-10: 1350067288
Обложка/Формат: Paperback
Страницы: 224
Вес: 0.36 кг.
Дата издания: 19.04.2018
Серия: Bloomsbury studies in continental philosophy
Язык: English
Размер: 234 x 156 x 12
Читательская аудитория: Postgraduate, research & scholarly
Ключевые слова: Philosophy of language,Western philosophy, from c 1900 -,Philosophy: aesthetics, ART / History / Modern (late 19th Century to 1945),PHILOSOPHY / Aesthetics,PHILOSOPHY / Language,PHILOSOPHY / Movements / Critical Theory
Подзаголовок: Panofsky and the science of things
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Поставляется из: Англии
Описание:

Though inspired by a Panofskyan legacy, this book diverges at certain points from Erwin Panofskys declared objectives, and calls attention to several of aspects that were until now less accentuated in his intellectual reception. Insisting on the importance of iconology as a method for art history and the humanities in general, it shows how examining this promotes a cooperation between the history of art and the history of philosophy. It discusses whether Panofskys method could be of use for general questions in the epistemology of the historical sciences that examine human works.

Figural Philology also shows that Panofsky shares affinities with twentieth-century romance philology. A reading of Panofskys work alongside the philological enterprise of Erich Auerbach and several other authors demonstrates that a proper appropriation of the philological impulse can provide a way out of the methodological antimony still hanging between hyper-formalist and hyper-theoretical approaches to the history of art.




Political Concepts: A Critical Lexicon

Автор: , Ophir Adi, Stoler Ann Laura
Название: Political Concepts: A Critical Lexicon
ISBN: 0823276694 ISBN-13(EAN): 9780823276691
Издательство: Mare Nostrum (Eurospan)
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Deciding what is and what is not political is a fraught, perhaps intractably opaque matter. Just who decides the question; on what grounds; to what ends—these seem like properly political questions themselves. Deciding what is political and what is not can serve to contain and restrain struggles, make existing power relations at once self-evident and opaque, and blur the possibility of reimagining them differently. Political Concepts seeks to revive our common political vocabulary—both everyday and academic—and to do so critically. Its entries take the form of essays in which each contributor presents her or his own original reflection on a concept posed in the traditional Socratic question format “What is X?” and asks what sort of work a rethinking of that concept can do for us now.
The explicitness of a radical questioning of this kind gives authors both the freedom and the authority to engage, intervene in, critique, and transform the conceptual terrain they have inherited. Each entry, either implicitly or explicitly, attempts to re-open the question “What is political thinking?” Each is an effort to reinvent political writing. In this setting the political as such may be understood as a property, a field of interest, a dimension of human existence, a set of practices, or a kind of event. Political Concepts does not stand upon a decided concept of the political but returns in practice and in concern to the question “What is the political?” by submitting the question to a field of plural contention.
The concepts collected in Political Concepts are “Arche” (Stathis Gourgouris), “Blood” (Gil Anidjar), “Colony” (Ann Laura Stoler), “Concept” (Adi Ophir), “Constituent Power” (Andreas Kalyvas), “Development” (Gayatri Spivak), “Exploitation” (?tienne Balibar), “Federation” (Jean Cohen), “Identity” (Akeel Bilgrami), “Rule of Law” (J. M. Bernstein), “Sexual Difference” (Joan Copjec), and “Translation” (Jacques Lezra)


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