Duncan, Pansy (massey University, Albany, New Zealand) Emotional life of postmodern film 9781138597914

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Автор: Duncan, Pansy (massey University, Albany, New Zealand)
Название: Emotional life of postmodern film
ISBN: 9781138597914
Издательство: Taylor&Francis
Классификация:

Культурология

Исследования средств массовой информации

ISBN-10: 1138597910
Обложка/Формат: Paperback
Страницы: 242
Вес: 0.47 кг.
Дата издания: 25.04.2018
Серия: Routledge research in cultural and media studies
Язык: English
Иллюстрации: 14 halftones, black and white; 14 illustrations, black and white
Размер: 152 x 228 x 29
Читательская аудитория: Postgraduate, research & scholarly
Ключевые слова: Cultural studies, LITERARY CRITICISM / General,PERFORMING ARTS / Film & Video / General,SOCIAL SCIENCE / Media Studies
Подзаголовок: Affect theory`s other
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Поставляется из: Европейский союз
Описание: Emotion and Postmodernism: is it possible to imagine an odder couple, stranger bedfellows, less bad company? The Emotional Life of Postmodern Film brings this unlikely pair into sustained dialogue, arguing that the interdisciplinary body of scholarship currently emerging under the rubric of affect theory may be unexpectedly enriched by an encounter with the field that has become its critical other. Across a series of radical re-reappraisals of canonical postmodern texts, from Fredric Jamesons Postmodernism to David Cronenbergs Crash, Duncan shows that the same postmodern archive that has proven resistant to strongly subject-based and object-oriented emotions, like anger and sadness, proves all too congenial to a series of idiosyncratic, borderline emotions, from knowingness, fascination and bewilderment to boredom and euphoria. The analysis of these emotions, in turn, promises to shake up scholarly consensus on two key counts. On the one hand, it will restructure our sense of the place and role of emotion in a critical enterprise that has long cast it as the stodgy, subjective sister of a supposedly more critically interesting and politically productive affect. On the other, it will transform our perception of postmodernism as a now-historical aesthetic and theoretical moment, teaching us to acknowledge more explicitly and to name more clearly the emotional life that energizes it.

Emotional life of postmodern film, Duncan, Pansy (massey University, Albany, New Zealand)