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Mr peacock`s possessions, Syson, Lydia


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Цена: 1929.00р.
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Наличие: Поставка под заказ.  Есть в наличии на складе поставщика.
Склад Англия: Есть  
При оформлении заказа до: 2025-08-04
Ориентировочная дата поставки: Август-начало Сентября
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Автор: Syson, Lydia
Название:  Mr peacock`s possessions
ISBN: 9781785761867
Издательство: Bonnier Books
Классификация:
ISBN-10: 1785761862
Обложка/Формат: Hardback
Страницы: 432
Вес: 0.63 кг.
Дата издания: 17.05.2018
Язык: English
Размер: 237 x 163 x 37
Читательская аудитория: General (us: trade)
Подзаголовок: The times book of the year
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Поставляется из: Англии
Описание: An intimate, intense, beautifully realised novel of possession, power and loss of innocence, for fans of Mister Pip and The Poisonwood Bible.


Mr peacock`s possessions

Автор: Syson, Lydia
Название: Mr peacock`s possessions
ISBN: 1471403696 ISBN-13(EAN): 9781471403699
Издательство: Bonnier Books
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Цена: 1335.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: A family of settlers from New Zealand are the sole inhabitants of a remote volcanic island. For two years they have struggled with the harsh reality of trying to make this unforgiving place a paradise they can call their own.

Like Life: Sculpture, Color, and the Body

Автор: Syson Luke, Wagstaff Sheena, Bowyer Emerson
Название: Like Life: Sculpture, Color, and the Body
ISBN: 1588396444 ISBN-13(EAN): 9781588396440
Издательство: Wiley yUP
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Цена: от 7738.00 р.
Наличие на складе: Есть

Описание: Explores how artists from the European Renaissance to the global present have used sculpture and color to evoke the presence of the living body

Since the earliest myths of the sculptor Pygmalion bringing a statue to life through desire, artists have explored the boundaries between sculpture and the physical materiality of the body. This groundbreaking volume examines key sculptural works from 13th-century Europe to the global present, revealing new insights into the strategies artists deploy to blur the distinction between art and life. Sculpture, which has historically taken the human figure as its subject, is presented here in myriad manifestations created by artists ranging from Donatello and Degas to Picasso, Kiki Smith, and Jeff Koons. Featuring works created in traditional media such as wood and marble as well as the unexpected such as wax, metal, and blood, Like Life presents sculpture both conventional and shocking, including effigies, dolls, mannequins, automata, waxworks, and anatomical models. Containing texts by art and cultural historians as well as interviews with contemporary artists, this is a provocative exploration of three-dimensional representations of the human body.

Fama and fiction in vergil`s aeneid

Автор: Syson, Antonia
Название: Fama and fiction in vergil`s aeneid
ISBN: 0814254500 ISBN-13(EAN): 9780814254509
Издательство: Неизвестно
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Цена: 7852.00 р.
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Описание: What does it mean to "know" what a work of fiction tells us? In Vergil's Aeneid, the promise and uncertainty of fama convey this challenge. Expansive and flexible, the Latin word fama can mean "fame," long-lasting "tradition," and useful "news," but also ephemeral "rumor" and disruptive "scandal." Fama is personified as a horrifying winged goddess who reports the truth while keeping an equally tight grip on what's distorted or made up. Fama reflects the ways talk-or epic song-may merge past and present, human and divine, things remembered and things imagined. Most importantly, fama marks the epic's power to bring its story world into our own. The cognitive dynamics of metaphor share in this power, blending the Aeneid's poetic authority with the imagined force of the gods. Characters and readers are encouraged-even impelled- to seek divine order amidst unsettling words and visions by linking new experiences with existing knowledge. Transformative moments of recognition set the perceptual stage both for the gods' commands and for the epic's persuasive efficacy, for pietas (remembrance of ritual and social obligations) and furor (madness). Antonia Syson's sensitive close readings offer fresh insights into questions of fictive knowledge and collective memory in the Aeneid. These perspectives invite readers to reconsider some of the epistemological premises underlying inquiry into ancient cultures. Drawing comparisons with the nineteenth-century English novel, Syson highlights continuities between two narrative genres whose cultural contributions and rhetorical claims have often seemed sharply opposed.


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