Glisic Iva The Futurist Files: Avant-Garde, Politics, and Ideology in Russia, 1905-1930 9780875807904

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Автор: Glisic Iva
Название: The Futurist Files: Avant-Garde, Politics, and Ideology in Russia, 1905-1930
ISBN: 9780875807904
Издательство: Mare Nostrum (Eurospan)
Классификация:

Художественные и оформительские стили: Модернистский дизайн и Баухаус

История других земель

ISBN-10: 0875807909
Обложка/Формат: Paperback
Страницы: 220
Вес: 0.38 кг.
Дата издания: 26.10.2018
Серия: Niu series in slavic, east european, and eurasian studies
Язык: English
Размер: 154 x 229 x 14
Подзаголовок: Avant-garde, politics, and ideology in russia, 1905вђ“1930
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Поставляется из: Англии
Описание:

Futurism was Russias first avant-garde movement. Gatecrashing the Russian public sphere in the early twentieth century, the movement called for the destruction of everything old, so that the past could not hinder the creation of a new, modern society. Over the next two decades, the protagonists of Russian Futurism pursued their goal of modernizing human experience through radical art. The success of this mission has long been the subject of scholarly debate. Critics have often characterized Russian Futurism as an expression of utopian daydreaming by young artists who were unrealistic in their visions of Soviet society and na?ve in their comprehension of the Bolshevik political agenda. By tracing the political and ideological evolution of Russian Futurism between 1905 and 1930, Iva Glisic challenges this view, demonstrating that Futurism took a calculated and systematic approach to its contemporary socio-political reality. This approach ultimately allowed Russias Futurists to devise a unique artistic practice that would later become an integral element of the distinctly Soviet cultural paradigm. Drawing upon a unique combination of archival materials and employing a theoretical framework inspired by the works of philosophers such as Lewis Mumford, Karl Mannheim, Ernst Bloch, Fred Polak, and Slavoj ?i?ek, The Futurist Files presents Futurists not as blinded idealists, but rather as active and judicious participants in the larger project of building a modern Soviet consciousness. This fascinating study ultimately stands as a reminder that while radical ideas are often dismissed as utopian, and impossible, they did—and can—have a critical role in driving social change. It will be of interest to art historians, cultural historians, and scholars and students of Russian history.

The Futurist Files: Avant-Garde, Politics, and Ideology in Russia, 1905-1930, Glisic Iva