Music in seventeenth-century naples, Fabris, Dinko
Автор: Semi Maria, Keates Translated By Timothy Название: Music as a Science of Mankind in Eighteenth-Century Britain ISBN: 1409428680 ISBN-13(EAN): 9781409428688 Издательство: Taylor&Francis Рейтинг: Цена: 22968.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Offers a philosophical and historical perspective on the intellectual representation of music in British eighteenth-century culture.
Автор: Page Janet K Название: Convent Music and Politics in Eighteenth-Century Vienna ISBN: 1316642887 ISBN-13(EAN): 9781316642887 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Janet K. Page explores the interaction of music and piety, court and church, as seen through the relationship between the Habsburg court and Vienna`s convents. In the first full-length study of its kind, she reveals a golden age of convent music in Vienna and the convents` surprising engagement with contemporary politics.
Автор: Carter Название: The Cambridge History of Seventeenth-Century Music ISBN: 1107681057 ISBN-13(EAN): 9781107681057 Издательство: Cambridge Academ Рейтинг: Цена: 6653.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Written by a distinguished team of experts, The Cambridge History of Seventeenth-Century Music seeks to provide the most up-to-date knowledge on seventeenth-century music, combining traditional study of musical works and their composers with an exploration of the ways in which music related to contemporary arts, sciences and beliefs.
Автор: Eisenhardt, Lex Название: Italian guitar music of the seventeenth century ISBN: 1580465331 ISBN-13(EAN): 9781580465335 Издательство: Wiley Рейтинг: Цена: 12672.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: One of Europe`s foremost experts on early guitar music explores this little known but richly rewarding repertoire.
Описание: Broadside ballads-folio-sized publications containing verse, a tune indication, and woodcut imagery-related cautionary tales, current events, and simplified myth and history to a wide range of social classes across seventeenth century England. Ballads straddled, and destabilized, the categories of public and private performance spaces, the material and the ephemeral, music and text, and oral and written traditions. Sung by balladmongers in the streets and referenced in theatrical works, they were also pasted to the walls of local taverns and domestic spaces. They titillated and entertained, but also educated audiences on morality and gender hierarchies. Although contemporaneous writers published volumes on the early modern controversy over women and the English witch craze, broadside ballads were perhaps more instrumental in disseminating information about dangerous women and their acoustic qualities. Recent scholarship has explored the representations of witchcraft and malfeasance in English street literature; until now, however, the role of music and embodied performance in communicating female transgression has yet to be investigated. Sarah Williams carefully considers the broadside ballad as a dynamic performative work situated in a unique cultural context. Employing techniques drawn from musical analysis, gender studies, performance studies, and the histories of print and theater, she contends that broadside ballads and their music made connections between various degrees of female crime, the supernatural, and cautionary tales for and about women.
Автор: Eisenhardt Lex Название: Italian Guitar Music of the Seventeenth Century ISBN: 1580469574 ISBN-13(EAN): 9781580469579 Издательство: Boydell & Brewer Рейтинг: Цена: 4750.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: One of Europe`s foremost experts on early guitar music explores this little-known but richly rewarding repertoire.
Описание: Peter Philips (c.1560-1628) was an English organist, composer, priest and spy. He was embroiled in multifarious intersecting musical, social, religious and political networks linking him with some of the key international players in these spheres. Despite the undeniable quality of his music, Philips does not fit easily into an overarching, progressive view of music history in which developments taking place in centres judged by historians to be of importance are given precedence over developments elsewhere, which are dismissed as peripheral. These principal loci of musical development are given prominence over secondary ones because of their perceived significance in terms of later music. However, a consideration of the networks in which Philips was involved suggests that he was anything but at the periphery of the musical, cultural, religious and political life of his day. In this book, Philips’s life and music serve as a touchstone for a discussion of various kinds of network in the late sixteenth and early seventeenth centuries. The study of networks enriches our appreciation and understanding of musicians and the context in which they worked. The wider implication of this approach is a constructive challenge to orthodox historiographies of Western art music in the Early Modern Period.
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